The Invisible Man et plus d'un million d'autres livres sont disponibles pour le Kindle d'Amazon. En savoir plus

Vous l'avez déjà ? Vendez votre exemplaire ici
Désolé, cet article n'est pas disponible en
Image non disponible pour la
couleur :
Image non disponible

 
Commencez à lire The Invisible Man sur votre Kindle en moins d'une minute.

Vous n'avez pas encore de Kindle ? Achetez-le ici ou téléchargez une application de lecture gratuite.

The Invisible Man [Anglais] [Broché]

H. G. Wells
4.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)

Voir les offres de ces vendeurs.



Description de l'ouvrage

septembre 1993
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.
--Ce texte fait référence à l'édition Broché .

Les clients ayant acheté cet article ont également acheté


Descriptions du produit

Extrait

CHAPTER 1

THE STRANGE MAN'S ARRIVAL

THE STRANGER came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking as it seemed from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the Coach and Horses, more dead than alive as it seemed, and flung his portmanteau down. "A fire," he cried, "in the name of human charity! A room and a fire!" He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a ready acquiescence to terms and a couple of sovereigns flung upon the table, he took up his quarters in the inn.

Mrs. Hall lit the fire and left him there while she went to prepare him a meal with her own hands. A guest to stop at Iping in the wintertime was an unheard-of piece of luck, let alone a guest who was no "haggler," and she was resolved to show herself worthy of her good fortune. As soon as the bacon was well under way, and Millie, her lymphatic aid, had been brisked up a bit by a few deftly chosen expressions of contempt, she carried the cloth, plates, and glasses into the parlour and began to lay them with the utmost eclat. Although the fire was burning up briskly, she was surprised to see that her visitor still wore his hat and coat, standing with his back to her and staring out of the window at the falling snow in the yard. His gloved hands were clasped behind him, and he seemed to be lost in thought. She noticed that the melted snow that still sprinkled his shoulders dropped upon her carpet. "Can I take your hat and coat, sir," she said, "and give them a good dry in the kitchen?"

"No," he said without turning.

She was not sure she had heard him, and was about to repeat her question.

He turned his head and looked at her over his shoulder. "I prefer to keep them on," he said with emphasis, and she noticed that he wore big blue spectacles with sidelights, and had a bushy side-whisker over his coat-collar that completely hid his cheeks and face.

"Very well, sir," she said. "As you like. In a bit the room will be warmer."

He made no answer, and had turned his face away from her again, and Mrs. Hall, feeling that her conversational advances were ill-timed, laid the rest of the table things in a quick staccato and whisked out of the room. When she returned he was still standing there, like a man of stone, his back hunched, his collar turned up, his dripping hat-brim turned down, hiding his face and ears completely. She put down the eggs and bacon with considerable emphasis, and called rather than said to him, "Your lunch is served, sir."

"Thank you," he said at the same time, and did not stir until she was closing the door. Then he swung round and approached the table with a certain eager quickness.

As she went behind the bar to the kitchen she heard a sound repeated at regular intervals. Chirk, chirk, chirk, it went, the sound of a spoon being rapidly whisked round a basin. "That girl!" she said. "There! I clean forgot it. It's her being so long!" And while she herself finished mixing the mustard, she gave Millie a few verbal stabs for her excessive slowness. She had cooked the ham and eggs, laid the table, and done everything, while Millie (help indeed!) had only succeeded in delaying the mustard. And him a new guest and wanting to stay! Then she filled the mustard pot, and, putting it with a certain stateliness upon a gold and black tea-tray, carried it into the parlour.

She rapped and entered promptly. As she did so her visitor moved quickly, so that she got but a glimpse of a white object disappearing behind the table. It would seem he was picking something from the floor. She rapped the mustard pot on the table, and then she noticed the overcoat and hat had been taken off and put over a chair in front of the fire, and a pair of wet boots threatened rust to her steel fender. She went to these things resolutely. "I suppose I may have them to dry now," she said in a voice that brooked no denial.

"Leave the hat," said her visitor, in a muffled voice, and turning she saw he had raised his head and was sitting and looking at her.

For a moment she stood gaping at him, too surprised to speak.

He held a white cloth--it was a serviette he had brought with him--over the lower part of his face, so that his mouth and jaws were completely hidden, and that was the reason for his muffled voice. But it was not that which startled Mrs. Hall. It was the fact that all his forehead above his blue glasses was covered by a white bandage, and that another covered his ears, leaving not a scrap of his face exposed excepting only his pink, peaked nose. It was bright, pink, and shiny just as it had been at first. He wore a dark-brown velvet jacket with a high, black, linen-lined collar turned up about his neck. The thick black hair, escaping as it could below and between the cross bandages, projected in curious tails and horns, giving him the strangest appearance conceivable. This muffled and bandaged head was so unlike what she had anticipated, that for a moment she was rigid.

He did not remove the serviette, but remained holding it, as she saw now, with a brown gloved hand, and regarding her with his inscrutable blue glasses. "Leave the hat," he said, speaking very distinctly through the white cloth.

Her nerves began to recover from the shock they had received. She placed the hat on the chair again by the fire. "I didn't know, sir," she began, "that--" and she stopped embarrassed.

"Thank you," he said drily, glancing from her to the door and then at her again.

"I'll have them nicely dried, sir, at once," she said, and carried his clothes out of the room. She glanced at his white-swathed head and blue goggles again as she was going out the door; but his napkin was still in front of his face. She shivered a little as she closed the door behind her, and her face was eloquent of her surprise and perplexity. "I never," she whispered. "There!" She went quite softly to the kitchen, and was too preoccupied to ask Millie what she was messing about with now, when she got there.

The visitor sat and listened to her retreating feet. He glanced inquiringly at the window before he removed his serviette, and resumed his meal. He took a mouthful, glanced suspiciously at the window, took another mouthful, then rose and, taking the serviette in his hand, walked across the room and pulled the blind down to the top of the white muslin that obscured the lower panes. This left the room in a twilight. This done, he returned with an easier air to the table and his meal.

"The poor soul's had an accident or an operation or something," said Mrs. Hall. "What a turn them bandages did give me, to be sure!"

She put on some more coal, unfolded the clotheshorse, and extended the traveller's coat upon this. "And they goggles! Why, he looked more like a divin'-helmet than a human man!" She hung his muffler on a corner of the horse. "And holding that handkercher over his mouth all the time. Talkin' through it! . . . Perhaps his mouth was hurt too--maybe."

She turned round, as one who suddenly remembers. "Bless my soul alive!" she said, going off at a tangent; "ain't you done them taters yet, Millie?"

When Mrs. Hall went to clear away the stranger's lunch, her idea that his mouth must also have been cut or disfigured in the accident she supposed him to have suffered, was confirmed, for he was smoking a pipe, and all the time that she was in the room he never loosened the silk muffler he had wrapped round the lower part of his face to put the mouthpiece to his lips. Yet it was not forgetfulness, for she saw he glanced at it as it smouldered out. He sat in the corner with his back to the window-blind and spoke now, having eaten and drunk and been comfortably warmed through, with less aggressive brevity than before. The reflection of the fire lent a kind of red animation to his big spectacles they had lacked hitherto.

"I have some luggage," he said, "at Bramblehurst station," and he asked her how he could have it sent. He bowed his bandaged head quite politely in acknowledgment of her explanation. "To-morrow!" he said. "There is no speedier delivery?" and seemed quite disappointed when she answered, "No." Was she quite sure? No man with a trap who would go over?

Mrs. Hall, nothing loath, answered his questions and developed a conversation. "It's a steep road by the down, sir," she said in answer to the question about a trap; and then, snatching at an opening said, "It was there a carriage was up-settled, a year ago and more. A gentleman killed, besides his coachman. Accidents, sir, happen in a moment, don't they?"

But the visitor was not to be drawn so easily. "They do," he said through his muffler, eyeing her quietly through his impenetrable glasses.

"But they take long enough to get well, sir, don't they? . . . There was my sister's son, Tom, jest cut his arm with a scythe, tumbled on it in the 'ayfield, and, bless me! he was three months tied up, sir. You'd hardly believe it. It's regular given me a dread of a scythe, sir."

"I can quite understand that," said the visitor.

"He was afraid, one time, that he'd have to have an op'ration--he was that bad, sir."

The visitor laughed abruptly, a bark of a laugh that he seemed to bite and kil... --Ce texte fait référence à l'édition Broché .

Revue de presse

“I personally consider the greatest of English living writers [to be] H. G. Wells.” —Upton Sinclair --Ce texte fait référence à l'édition Broché .

Détails sur le produit

  • Broché
  • Editeur : Troll Communications Llc; Édition : Reissue (septembre 1993)
  • Langue : Anglais
  • ISBN-10: 0893754153
  • ISBN-13: 978-0893754150
  • Dimensions du produit: 17,3 x 10,4 x 1,8 cm
  • Moyenne des commentaires client : 4.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  •  Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?


Dans ce livre (En savoir plus)
Parcourir et rechercher une autre édition de ce livre.
Première phrase
THE STRANGER came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking as it seemed from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. Lire la première page
En découvrir plus
Concordance
Parcourir les pages échantillon
Couverture | Copyright | Table des matières | Extrait | Quatrième de couverture
Rechercher dans ce livre:

Quels sont les autres articles que les clients achètent après avoir regardé cet article?


Commentaires en ligne 

3 étoiles
0
2 étoiles
0
1 étoiles
0
4.5 étoiles sur 5
4.5 étoiles sur 5
Commentaires client les plus utiles
5.0 étoiles sur 5 un chef-d'oeuvre d'une éternelle fraîcheur 24 décembre 2011
Par Gwen COMMENTATEUR N° 1 1ER COMMENTATEUR DU HALL D'HONNEUR
Format:Poche
Né en 1866, mort en 1946, HG Wells appartient à la fois au 19ème et au 20ème siècle, mais son oeuvre, elle, est tout bonnement intemporelle, et en particulier ce bref roman paru en 1897 qui n'en finit pas de m'emerveiller non seulement par ses qualités proprement littéraires, mais aussi par les innombrables questions éthiques, philosophiques, voire métaphysiques, qui sous-tendent son intrigue. L'histoire de ce savant monomaniaque qui découvre le secret de l'invisibilité peut en effet se lire au premier degré, comme un simple récit de science-fiction, mais pour peu qu'on s'immisce entre ses lignes, quelle richesse métaphorique s'y déploie, quelle intelligente réflexion sur la condition humaine s'y cache! Ah, que la Littérature est grande et bonne lorsqu'elle traite de manière aussi divertissante les sujets les plus profonds... Comme quoi l'on peut dire des choses parfaitement sérieuses tout en restant ludique!
Avez-vous trouvé ce commentaire utile ?
4.0 étoiles sur 5 You can't see me 3 juillet 2011
Par bernie
Format:Broché
I grew up on all the invisible man movies and still think of him as Claude Rains. I was surprised in the similarities and differences the book has to the movie. The scenes are rearranged from the book to make visual (or invisible) sense as a movie script.

A man all warped up in bandages except for his large pink nose requires a room at the inn and pays well. Slowly the Innkeeper and her companions suspect there is more to his than just a man with bandages. Everyone in a while they glimpse light where there should not be. And the stranger is so cranky that the money may not be worth the trouble of keeping him. Soon there are strange happenings and the cat is out of the bag sort of speaking.

The trail leads to murderer and a possible reign of terror. Read more to find out where the secret is reviled and how a man named Griffin got in this situation.

If I had read this story a year ago I would have said it was a fairly well put together sci-fi story. I would just enjoy the writing and wonder how H.G. came up with the idea. However now after reading much of H.G.'s political writings I see that this is a thinly veiled social commentary. We find that unlike the movie where Griffin goes mad in the invisibility process, that in the book Griffin was always amoral and anything stressful could set him off. Also, somewhere out there is a couple of floating eyes that belong to a cat.

Now one habit that .G. has in most of his tales is that just when you think he is finished on the subject, he will go off in another direction with some sub plot he has slipped in earlier. Therefore, what should have been a short story becomes a novel. Another good example of his witting style can be found in "The Food of the Gods."
Avez-vous trouvé ce commentaire utile ?
Commentaires client les plus utiles sur Amazon.com (beta)
Amazon.com: 4.1 étoiles sur 5  229 commentaires
72 internautes sur 76 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Extremely Influential, Extremely Memorable 2 février 2004
Par Gary F. Taylor - Publié sur Amazon.com
Format:Poche
On the surface, THE INVISIBLE MAN concerns a scientist named Griffin who has discovered the means to invisibility--but who has gone mad in the process. When frustrated in his efforts to restore himself to visibility, he determines to embark upon a reign of terror that will make him master of the world. It is worth noting, however, that Wells was very much a social writer and that his novels are inevitably commentaries on various social evils. Once you scratch the surface of THE INVISIBLE MAN you will find that it is very much a parable of class structure that dominated British life during the Victorian age: there are many "invisible men;" this particular one, however, is in a very literal situation.

And it is the literal situation from which the novel draws most of its power. Invisibility sounds attractive--but what if you were to actually become so? How would you cope with the ordinary details of every day life? Griffin does not cope well at all, and although Wells suggests that his madness have arisen from a number of sources, he also implies that it may arise from the fact of invisibility itself, again twisting the context back into the social criticism on which the novel seems based.

First published in 1897, THE INVISIBLE MAN is one of Wells earliest novels, and for all its charms it creaks a bit in terms of plot and structure. Some may disagree, but to my mind the most effective portion of the novel are the chapters in which Griffin relates his adventures to fellow scientist Kemp--but regardless of its flaws remains extremely influential and it has tremendous dash and style throughout. Short enough to be read in a single sitting, it is a quick and entertaining read and it is also quite witty in an underhanded, subversive sort of way. Extremely memorable!

GFT, Amazon Reviewer

25 internautes sur 28 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Still interesting 1 novembre 2009
Par T. Simons - Publié sur Amazon.com
Format:Format Kindle|Achat authentifié par Amazon
First, this edition: it's reasonably well-formatted for a free ebook, with few typos, although the table of contents is not clickable; it clocks in at 1,841 "locations."

As to the story itself:

This is H.G. Wells' foundational science-fiction tale of a mad scientist who discovers a way to turn himself invisible. It's a masterfully told story that's been entertaining readers for roughly a hundred years, and I'd lay good odds you'll find it well worth the read.

What many readers might miss, though (I certainly did, my first time through) is that this isn't just a sci-fi potboiler; it's a modernization of the Platonic story of the Ring of Gyges. Beyond being a master storyteller, Wells was also an ardent philosopher and socialist, and like all of his other tales, there's a major political point here -- that morality derives from society -- and some additional minor political themes, like the plight of the urban poor.

Wells' genius here was to take the Platonic story of a Ring of Invisibility that inevitably led its wearer to commit injustice, and revitalize it in a modern context and in a way that made a sophisticated philosophical point.

Where Plato's Glaucon states:

--------
"For all men believe in their hearts that injustice is far more profitable to the individual than justice, and he who argues as I have been supposing, will say that they are right. If you could imagine any one obtaining this power of becoming invisible, and never doing any wrong or touching what was another's, he would be thought by the lookers-on to be a most wretched idiot, although they would praise him to one another's faces, and keep up appearances with one another from a fear that they too might suffer injustice."
--------

Wells extrapolates to the present, not only making the story amenable to modern readers by substituting a scientific process for a magic ring, but also by building on Plato's point: not only does Wells' protagonist commit selfish injustice after selfish injustice, but his self-severance from society drives him into a murderous megalomania, and his end is quite the inverse of Plato's Gyges (who ended up king of Lydia and, supposedly, an ancestor of Croesus).
8 internautes sur 8 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 vivid, suspenseful, and good sci-fi 9 décembre 2005
Par Robert J. Crawford - Publié sur Amazon.com
Format:Broché
This is a absolutely wonderful book that can be read quickly, maybe even in one sitting. It is told in the first person by an observer who knows the invisible man and is appalled by the transformation that is taking place as both drugs and power corrupt his acquaintence's mind.

What is so fun about this book is the pace: you really feel like you are there. It is all realistically imagined, down to the slowness of the undigested food that can still be seen in the invisible's man stomach. This makes the book far better sci-fi than the films, with the possible exception of the one with Claude Rains, which is the best one and the closest to the original novel by far.

In addition to Mary SHelley and Jules Verne, Wells helped to set the standard for all hard sci-fi that followed. Thus, if you like sci-fi as literature, this is a MUST read. But if you want a really fun read, this is also good for that.

Warmly recommended.
Ces commentaires ont-ils été utiles ?   Dites-le-nous
Rechercher des commentaires
Rechercher uniquement parmi les commentaires portant sur ce produit

Discussions entre clients

Le forum concernant ce produit
Discussion Réponses Message le plus récent
Pas de discussions pour l'instant

Posez des questions, partagez votre opinion, gagnez en compréhension
Démarrer une nouvelle discussion
Thème:
Première publication:
Aller s'identifier
 

Rechercher parmi les discussions des clients
Rechercher dans toutes les discussions Amazon
   


Listmania!


Rechercher des articles similaires par rubrique


Commentaires

Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?