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The Kill Artist
 
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The Kill Artist [Format Kindle]

Daniel Silva
4.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)

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Descriptions du produit

Amazon.com

Fans of Daniel Silva's well-received earlier novels, especially The Marching Season, will welcome his newest novel of espionage, revenge, and Middle Eastern politics. Gabriel Allon is an art restorer who's persuaded out of retirement by Ari Shamron, the crafty Israeli spymaster bent on a deadly mission: killing a Palestinian agent named Tariq before he can carry out his plan to assassinate an old comrade-in-arms, the treacherous peacemaker Yasir Arafat.

Tariq's role in the murder of Gabriel's wife and son draws both Gabriel and Sarah Halevy, the beautiful French model whose affair with Gabriel led to the assassination of his family. Still in love with Gabriel, Sarah allows herself to be set up with a cover and infiltrated into Tariq's inner circle. But before Gabriel can rescue her and fulfill his mission, Tariq turns the tables to get his old adversary as well as Arafat in his own sights. A particularly resonant scene in which Tariq and Arafat confront each other and discuss their former friendship, as well as the change in tactics that has brought Tariq to the ultimate betrayal, reveals Silva's deep comprehension of Palestinian rivalries. He puts a clever little fillip on the ending that adds to the brio of this strongly paced thriller. Silva creates complex, fascinating characters in Gabe, Ari, and Tariq, and more than fulfills the promise of his earlier books. --Jane Adams

Extrait

By coincidence Timothy Peel arrived in the village the same week in July as the stranger. He and his mother moved into a ramshackle cottage at the head of the tidal creek with her latest lover, a struggling playwright named Derek, who drank too much wine and detested children. The stranger arrived two days later, settling into the old foreman’s cottage just up the creek from the oyster farm.

Peel had little to do that summer—when Derek and his mother weren’t making clamorous love, they were taking inspirational forced marches along the cliffs—so he determined to find out exactly who the stranger was and what he was doing in Cornwall. Peel decided the best way to begin was to watch. Because he was eleven, and the only child of divorced parents, Peel was well schooled in the art of human observation and investigation. Like any good surveillance artist, he required a fixed post. He settled on his bedroom window, which had an unobstructed view over the creek. In the storage shed he found a pair of ancient Zeiss binoculars, and at the village store he purchased a small notebook and ballpoint pen for recording his watch report.

The first thing Peel noticed was that the stranger liked old objects. His car was a vintage MG roadster. Peel would watch from his window as the man hunched over the motor for hours at a time, his back poking from beneath the bonnet. A man of great concentration, Peel concluded. A man of great mental endurance.

After a month the stranger vanished. A few days passed, then a week, then a fortnight. Peel feared the stranger had spotted him and taken flight. Bored senseless without the routine of watching, Peel got into trouble. He was caught hurling a rock though the window of a tea shop in the village. Derek sentenced him to a week of solitary confinement in his bedroom.

But that evening Peel managed to slip out with his binoculars. He walked along the quay, past the stranger’s darkened cottage and the oyster farm, and stood at the point where the creek fed into the Helford River, watching the sailboats coming in with the tide. He spotted a ketch heading in under power. He raised the binoculars to his eyes and studied the figure standing at the wheel.

The stranger had come back to Port Navas.

The ketch was old and badly in need of restoration, and the stranger cared for it with the same devotion he had shown his fickle MG. He toiled for several hours each day: sanding, varnishing, painting, polishing brass, changing lines and canvas. When the weather was warm he would strip to the waist. Peel couldn’t help but compare the stranger’s body with Derek’s. Derek was soft and flabby; the stranger was compact and very hard, the kind of man you would quickly regret picking a fight with. By the end of August his skin had turned nearly as dark as the varnish he was so meticulously applying to the deck of the ketch.

He would disappear aboard the boat for days at a time. Peel had no way to follow him. He could only imagine where the stranger was going. Down the Helford to the sea? Around the Lizard to St. Michael’s Mount or Penzance? Maybe around the cape to St. Ives.

Then Peel hit upon another possibility. Cornwall was famous for its pirates; indeed, the region still had its fair share of smugglers. Perhaps the stranger was running the ketch out to sea to meet cargo vessels and ferry contraband to shore.

The next time the stranger returned from one of his voyages, Peel stood a strict watch in his window, hoping to catch him in the act of removing contraband from the boat. But as he leaped from the prow of the ketch onto the quay, he had nothing in his hands but a canvas rucksack and plastic rubbish bag.

The stranger sailed for pleasure, not profit.

Peel took out his notebook and drew a line through the word smuggler.

The large parcel arrived the first week of September, a flat wooden crate, nearly as big as a barn door. It came in a van from London, accompanied by an agitated man in pinstripes. The stranger’s days immediately assumed a reverse rhythm. At night the top floor of the cottage burned with light—not normal light, Peel observed, but a very clear white light. In the mornings, when Peel left home for school, he would see the stranger heading down the creek in the ketch, or working on his MG, or setting off in a pair of battered hiking boots to pound the footpaths of the Helford Passage. Peel supposed he slept afternoons, though he seemed like a man who could go a long time without rest.

Peel wondered what the stranger was doing all night. Late one evening he decided to have a closer look. He pulled on a sweater and coat and slipped out of the cottage without telling his mother. He stood on the quay. looking up at the stranger’s cottage. The windows were open; a sharp odor hung on the air, something between rubbing alcohol and petrol. He could also hear music of some sort—singing, opera perhaps.


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Commentaires client les plus utiles
4.0 étoiles sur 5 excellents caracteres, deroulement, suspense, 11 octobre 2002
Par Un client
Format:Relié
C'est un roman que l'on ne peut lacher. Excessivement interessant, les caracteres sont tres bien campes,il y a une tres bonne documentation.J'attends le nouveau roman de Silva avec impatience
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Commentaires client les plus utiles sur Amazon.com (beta)
Amazon.com: 4.2 étoiles sur 5  613 commentaires
223 internautes sur 228 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The Plot Artist 6 juillet 2006
Par Ima Reader - Publié sur Amazon.com
Format:Poche
This book is chronologically the first in the Gabriel Allon series.

Chronological Order:
1. The Kill Artist
2. The English Assassin
3. The Confessor
4. Death in Venice
5. Prince of Fire
6. The Messenger

In this book, Gabriel, a former assassin for Israel's foreign intelligence service, the Mossad (which translates into English as "The Institution") retired after the murders of his wife and son to lead a quiet life as an art restorer, one who fixes the wounded past. Gabriel's ex-boss, Ari Shamron, an Israeli spymaster a la George Smiley but more treacherous, convinces Gabriel to leave his sheltered hermitage to hunt down Tariq, the assassin who killed Gabriel's family, before he can kill again. In an exquisitely wrought plot of treachery and counter-treachery, Silva explores the Palestinian-Israeli conflict from many, many angles.

I don't read spy fiction as a genre. I don't read anything as a genre. I read great writers, pretty much no matter what they write. I've read a lot of John Le Carre, and one of the few criticisms that I have of his work is that his spies play a gentleman's game. However, Le Carre's spies are deeply human and British.

Silva's spies are not gentlemen, and this is no gentlemen's game. This is hard and dirty intelligence work by one of the hardest and dirtiest intelligence services on the planet. The Mossad is charged with keeping tiny Israel's formidable opponents at bay, and you don't do that by playing fair. Gabriel's Mossad plays entirely unfairly, as it must, as it does in real life. In this book, Jacqueline/Sarah is used as a "honey trap," and Silva lightly explores what it does to a woman to prostitute oneself for a good cause. Silva does exaggerate some of the Mossad's successes, which he does not need to do because the Mossad is very successful without Silva's burnishing.

Silva's plotting is as intricate as a chess game, albeit a game where each of the chess pieces has a deeply felt personality, background, and damaged psyche such that they refuse to move where the gamester wants them to and take on a life of their own. Another thing that I like about Silva's work is that, while Gabriel is the central character and our guide, each of Silva's characters has his/her own agenda and life and is capable of growing, changing direction, and surprising the reader. One feels when reading Silva's books that the book is built to elucidate several characters, not merely one central character.

TK Kenyon
Author of Rabid: A Novel and Callous: A Novel
66 internautes sur 70 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Silva proves he is still a pro... 29 mai 2001
Par C. Cunningham - Publié sur Amazon.com
Format:Relié
Gabriel Allon is "the Kill Artist"; a former assassin who worked clandestinely for the Israeli government. When we first meet him he is living in a remote English seaside village and working as an art restorer, a cover he used frequently during his covert operations. He is soon called out of retirement by his former boss, Ari Shamron, head of Israeli intelligence, and a calculating man with his own agenda...one that may cost Gabriel his life. Ari needs Gabriel's talents to track down Tariq, an Palestinian assassin whose killing rampage is threatening the Middle East peace negotiations. Tariq and Gabriel have met before when Gabriel killed Tariq's brother in a very brutal manner, and Tariq avenged that death with a killing of his own...Gabriel's wife and son, making this a story of international intrigue and personal revenge. The stage is now set for a major showdown, but they must first cover three continents and weave through an array of cultures and characters to find each other. Gabriel is assisted by his former intelligence co-worker, a beautiful French girl named Jacqueline, whose family was killed in the Holocaust. Jacqueline is hesitant to join Gabriel on this assignment, but in the end it is love that prevails, and she plunges head first into Tariq's lair, a deadly trap that Gabriel may not be able to get her out of in time to save her life.
What I love about Daniel Silva is his smooth and uncomplicated style. He has a "rhythm" to his writing that hooks you somewhere in the beginning and stays with you long after you finish the book. It took me a little longer to warm up to these characters, probably because there isn't a lot happening in the way of relationships as there is in his other book _The Mark Of The Assassin_. Everyone is hiding behind their own specific job and agenda. They're all business. Still, the plot is riveting and the pace is solid.
4 and 1/2 stars. Highly recommended. His protagonist doesn't quite involve the readers as in his past works but this is definitely worth a buy.
49 internautes sur 53 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 A Rollercoaster, in two diffeerent ways... 5 janvier 2001
Par Amazon Customer - Publié sur Amazon.com
Format:Relié
This book is truly a rollercoaster!! The plot similar to the popular amusent park thrill ride because it keeps you on the edge of your seat through an array of dips and turns. Unfortunately, the writing style is also rollercoaster-esque. When Silva is on his game, the writing is brilliant: smooth, hilarious, and affecting. When he isn't (which seems all too often during the middle chapters), the writing is choppy and predictable. I'm a humongous Silva fan though, believe me! His plots have always been easy to follow and The Kill Artist is no different (Definitely a plus!). Hopefully, Silva will keep producing easy-to-follow thriller novels but will keep the rollercoasting to simply the plot, not the writing style as well!!
16 internautes sur 17 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Nicely Plotted International Thriller! 2 mai 2005
Par Michael D. Trimble - Publié sur Amazon.com
Format:Relié
This is the first book in the Gabriel Allon series by Daniel Silva. Allon is the reluctant part time spy working for Israeli Intelligence whose covert skills are the stuff of legend within the small community of "secret agents". His cover skills are those of professional art restoration, primarily "old masters" paintings and sculpture, for which his talents in that field are world renown.

While this may be the first book (as of this review there are 5) in the series, it is not necessary to read this book first, since the book takes place at a time in the life of Gabriel Allon when he has already forsaken his work as a spy. We learn about Allon's past and his initiation into the world of spying through flashback and his past is not necessarily central to the story. Other books in the series take the reader into Gabriel's past just as effectively and therefore you don't really have to start with this book to understand what Gabriel is all about.

Daniel Silva has a true gift for captivating plot and character development. The characters in his books are self reflecting and you really begin to understand the emotional turmoil that goes with the work of tracking down punishing international terrorists. This book is an exciting weekend read! Silva has Gabriel on the trail of Tariq the Palestinian terrorist bent on derailing the peace process. Tariq and Gabriel are not strangers to one another, as Gabriel is the man who mercilessly killed Tariq's older brother and as revenge Tariq exploded a car that contained Gabriel's wife and only son. The "bad blood" between these two enemies plays out across Europe and North America in a fast paced thriller that both memorable and very enjoyable. The surprises and betrayals extend beyond the exciting climatic confrontation between Gabriel and Tariq, and are just part of what makes this book so entertaining.
11 internautes sur 12 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 A timely but ordinary spy thriller about the Middle East. 8 avril 2002
Par E. Bukowsky - Publié sur Amazon.com
Format:Poche
I recently read Daniel Silva's new novel, "The English Assassin," and I was very impressed with its intricate and assured plotting, its meaningful themes, and its fascinating characters.
Unfortunately, "The Kill Artist," which was written first, does not measure up to the "The English Assassin." Both novels feature Gabriel Allon, a tormented man who has done undercover work as an agent for the Israeli government. He now spends much of his time expertly restoring valuable works of art that have been damaged over the years. Gabriel is something of a loner who would like to forget his tragic past. He would prefer to stop working for the Israeli government completely and live a quiet and reclusive life in Cornwall, England.
Gabriel's spymaster, Ari Shamron, has other ideas. He convinces Gabriel to get back into the spy game in order to trap an old enemy. Soon, Gabriel is on the trail of Tariq al-Hourani, a Palestinian zealot who recently assassinated the Israeli ambassador in Paris. Tariq and Gabriel are old enemies and Gabriel cannot resist the chance to finally even an old score and rid Israel of an ardent and deadly enemy.
Naturally, there is a beautiful woman involved, as well. Jacqueline Delacroix, born Sarah Halevy, lost her grandparents in the Holocaust. She, too, has been recruited by Ari Shamron to help Gabriel trap Tariq. She is in love with Gabriel, but he is reluctant to get romantically involved with her, for reasons of his own.
The plot thickens, as Gabriel and Jacqueline go undercover and place themselves in grave danger while they track Tariq. Their prey turns the tables on Gabriel and Jacqueline, and Tariq soon becomes the hunter. Gabriel fears that he will never capture Tariq. Worse still, Tariq may be planning to carry out another assassination in order to destroy any hope of peace between Israel and her Arab neighbors.
"The Kill Artist" doesn't work very well because Silva relies on cliches and stereotypes rather than spending time developing realistic characters. The ending is melodramatic and forced. "The Kill Artist" has a few exciting scenes here and there, but there are not enough of them to elevate "The Kill Artist" above the level of a pedestrian thriller.
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