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The Little Engine That Could: A Picture Puzzle Board Book (Anglais) Broché – octobre 1999


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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 267 commentaires
83 internautes sur 87 ont trouvé ce commentaire utile 
rebutting the Editorial Reviews for this book 5 octobre 2005
Par Paul Schliesser - Publié sur Amazon.com
Format: Relié
This is the first time that the 'Little Engine' has been published as a deluxe picture book. For this reason alone, it is unfair to compare it to the previous editions. The older editions are illustrated with small, simple, colored line drawings rather than lavish, full-page, full-color paintings.

Long's illustrations are beautiful and, in my opinion, suit the story better than the old ones did. As I child, I was never quite sure if the clown and dolls were toys or people. Long's illustration makes them obviously toys.

Long's illustrations give the different locomotives distinct looks and personalities. The original illustrations for both previous editions of the book have locomotives that are virtually identical, except for being different colors. The passenger engine in Long's illustration is a sleek, streamlined design with an arrogant, sneering expression, while the freight engine is a massive, dark iron, whale-like machine that looms over and peers down at the tiny clown.

It's unfortunate that the review from the School Library Journal was chosen by Amazon for the Editorial Reviews, above. I'd like to correct some errors - the writer has her facts wrong about the history of this book.

What Burg believes to be the original edition of the book is, in fact, the 1954 edition with illustrations by George and Doris Hauman. Although Burg praises the '1930s' look of these illustrations with the green poka-dotted clown, they scream '1950s!'. While most people today are familiar with this version, I think the older illustrations are showing their age, and I believe children today will relate better to Long's paintings. Also, as I have stated above, I believe Long's illustrations help tell the story better.

The actual 1930s illustrations were colored line drawings by Lois Lenski, and few people today will have seen them. Interestingly, those illustrations show the story taking place in a stark, snow-covered winter landscape.

Burg claims Loren Long's paintings have a '1950s' look. Anyone familiar with painting styles of the 1930s will recognize the influence of painters like Grant Wood on Long's style. Long's illustrations are much truer to the 1930s than the 1954 illustrations are.

I am a friend of Loren Long's, and I know how hard he worked on these illustrations and how much this book meant to him. These paintings were a labor of love.
50 internautes sur 51 ont trouvé ce commentaire utile 
Where's the rest of the story? 1 mai 2000
Par Un client - Publié sur Amazon.com
Format: Cartonné Achat vérifié
This will teach me not to read the reviews carefully before purchase. This is a very abridged version of the classic story: the bright shiny engine and the big strong engine are nowhere to be found. If you're after the book you remember from your childhood, find another version. The illustrations are bright & fun, but there's just too much missing from the story.
32 internautes sur 35 ont trouvé ce commentaire utile 
Abridged edition 20 janvier 2000
Par Bill Franke - Publié sur Amazon.com
Format: Cartonné
This is one of the great children's stories of all time. I loved it as a child and read it over and over again, and my son has been demanding it as a bedtime story regularly since he was2-1/2 years old. The 1991 Platt & Munk (a division of Grosset & Dunlap) edition, beautifully illustrated by Cristina Ong, leaves out all the requests made to the busy trains. The story is now very brief (which is why I give it only 3 stars instead of the 5 the full-length version deserves)--I suppose because it is a board book--but the essentials are all there. It also changes the sex of the engines from male to female, so perhaps some parents would like to read this edition to their children as well as one of the others.
21 internautes sur 24 ont trouvé ce commentaire utile 
Too bad it is abridged 22 août 2001
Par Elizabeth G. Melillo - Publié sur Amazon.com
Format: Relié
The current self-help genre tends to be dwelling on hurts and self-pity, then finding magical solutions. Our Little Engine just has healthy self-confidence and determination. And please don't stress even that when reading it to the kids who will love it, since they find their own more imaginative interpretations.
The unabridged version is a lifetime favourite of mine, and, for classroom use or that with older children, find a copy at all costs. This version does retain much of the essence, however, and is great for the pre-school set. The only "negative" I can think of is that the kids so love the repetition that parents may grow a bit tired of the daily requests for it to be re-read, especially if the particular child wants to hear only certain sections (I knew one who always wanted "the clown part," the other "the food part.")
The same enjoyable repetition makes this a favourite story to read to children in primary grades. Yes, be sure you don't stop the kids from all joining in "I think I can..."
This remains one book that every favourite kid of mine receives as a present. If it disappoints any of your children, that will be a first, in my experience!
16 internautes sur 18 ont trouvé ce commentaire utile 
This was one of my childhood favorites, but it now features much more vibrant art! 8 octobre 2006
Par Patrick D. Goonan - Publié sur Amazon.com
Format: Relié
I loved this book as a child and I still remember my mother reading it to me vividly to this day. She has since passed away, however, the underlying message of the book about having confidence in oneself stuck. I think this theme of "knowing you can do it" is a value message for children to learn.

I read through the story of the book and it had even more impact with the updated art. The images are original, powerful and really bring the story to life. I can see why they would appeal to children and the use of colors is amazing.

I've read a few reviewers comments that the book is sexist. I didn't notice that the "bad trains" were a certain gender and the "good trains" another when I read it. However, I'm wondering if this just may be a coincidence. I have a hard time believing the author of a classic like this with such a good underlying positive message would do something like this on purpose. Ditto... for the editors who are watching out for problems like this. While I could be wrong, I think Watty Piper deserves the benefit of the doubt and perhaps she will be open to making some editorial changes to correct an apparent sexist slant in future editions.

I also found the large format and prints in this book a value add. It is also printed on nice paper and lends itself to being used over and over. This format also makes it good for reading to small groups where the children will need to see the pictures from a distance.

The toys seemed to be almost alive to me. The artwork was succesful in giving them some kind of personality. They seem more than just stuffed animals and I think this quality will appeal and endear them to children.

The art is so captivating that it almost distracts me from the story. I have to admit I haven't read the classic version in a long time, but it seems to me there was more repetition of the core message in that version. If my memory is faulty, I think it would be an improvement to repeat the "I think I can.... I know I can...." theme more often.

Overall, I don't think you can go wrong purchasing this classic book. It's a great read and a visual delight.
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