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The Living Daylights


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Page Artiste John Barry


Produits fréquemment achetés ensemble

  • The Living Daylights
  • +
  • A View To A Kill
  • +
  • For Your Eyes Only
Prix total: EUR 33,06
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Détails sur le produit

  • CD (31 mars 2003)
  • Nombre de disques: 1
  • Label: Parlophone
  • ASIN : B000087DT7
  • Autres versions : Téléchargement MP3
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • Classement des meilleures ventes d'Amazon: 38.671 en Musique (Voir les 100 premiers en Musique)
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  • Ecouter les extraits - (Extrait)
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Descriptions du produit

"Película protagonizada por Thimoty Dalton, y banda sonora compuesta por John Barry. El tema central de la banda sonora está interpretada por A-ha."

Commentaires en ligne

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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x92dd18e8) étoiles sur 5 28 commentaires
14 internautes sur 14 ont trouvé ce commentaire utile 
HASH(0x97223390) étoiles sur 5 John Barry's Bond Swansong 8 mars 2004
Par Anthony Clark - Publié sur Amazon.com
Format: CD
It seems inevitable that with all the legal wranglings going on between John Barry's agents and EON productions that, sadly, The Living Daylights will prove to be Barry's last outing into the world of James Bond - but what an incredible swansong it is! John Barry is the grandfather of the soundtrack genre. It was he who created the "James Bond Sound" and this CD is Barry at his best. The title song, (performed by the Norwegian group a-ha) is present in various instrumental guises throughout this CD, though it is the numerous interpretations of "Where Has Everybody Gone" and "If There Was A Man" (both performed by The Pretenders), which make this CD a "must have" for all collectors of quality film music. This remastered and expanded masterpiece is the most complete version of this soundtrack ever available - with a total of 9 additional tracks which were not available on previous releases - which in fact adds up to almost an extra 30 minutes of Barry genius.
The sweeping majesty of tracks such as Mujahadin and Opium are indicative of just how versatile and broad the Barry spectrum is. As is customary with this composer, there's plenty on this CD to set the blood coursing through your veins at an increased rate - "Hercules Takes Off" and "Exercise At Gibraltar" to name but two. Not only that, but romance as well! Typified in the sheer excellence of "Kara Meets Bond" and "Into Vienna", (itself a romantic take on the "If There Was A Man" theme). Of course, no Bond score would be complete without a track which contains "The James Bond Theme", and this is to be found within "Ice Chase". To my mind, one of Barry's greatest interpretations of this classic piece of cinematic history, which has appeared in every official EON Productions Bond movie since the release of Dr. No in 1962.
This album is not just for the John Barry fan. It is not even solely for collectors of James Bond or other soundtracks. It is for everyone who appreciates quality and perfection!
If you've never had the inclination to buy a film soundtrack, change your ways now and make sure that you add this one to your CD collection. You will be both Shaken AND Stirred and you won't regret either!
12 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x9286b21c) étoiles sur 5 John Barry concludes with a MAGNIFICENT Score! 14 février 2003
Par Devin Zydel - Publié sur Amazon.com
Format: CD
In his final time at the helm of James Bond music, John barry gives an all out performance in his music for The Living Daylights. Returning to the synthesizer, but updating it with a more modern beat is the criteria for a perfect James Bond score!
a-ha performs the riveting title song that charted at #5 is a personal favorite of mine. Chrissy Hynde and the Pretenders also include their two songs If There Was A Man and Where Has Everybody Gone on the CD as well. Ice Chase, Hercules Takes Off, Necros Attacks and endless other tracks are filled to the brim with excitng, adventerous and action filled beats. Romantic music is here as well with Bond Meets Kara and instrumental If There Was A Man. The eerie tracks such as Afghanistan Plan and Mujhadin and Opium are also very welcome on the CD. With 21 tracks and 65 minutes of nonstop great James Bond music, The Living Daylights score is a personal favorite of many Bond music buffs. NO Bond fan should be without this fantastic score!!!
8 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x9284f81c) étoiles sur 5 Rays Of Light From "The Living Daylights" 7 mai 2004
Par Branko Larusso - Publié sur Amazon.com
Format: CD
John Barry's "The Living Daylights" is a treasure trove of masterfully written James Bond music. It is a stallion in a stable of stallions of Barry "Bond" scores, the flavour of which I'm sure we have'nt seen or tasted before. Only after the release of this 'crash-hot' remastered and updated soundtrack score does one realise what a divine piece of work this well and truly is and that John Barry may have saved or written arguably one of his best and most memorable "Bond" scores for last, along with (1985's) "A View To A Kill". With it's pulsating synthesized rhythm driven themes and variations on a theme it's unlike anything we've heard before from Mr Barry, when it comes to "Bond" scores anyway and I welcome this new approach with open arms.
My favourite track from "The Living Daylights" score is the exquisitely written "Exercise At Gibraltar" all 6 minutes and 21 seconds of it! From the dashing opening barrel sequence John Barry gradually builds up the tension with every note hinting that something sinister is about to transpire - which it does of course, and which makes this track such a great listen with its mixture of styles.
A few of my other favourites that are worth mentioning are "Hercules Takes Off", "Koskov Escapes" , "Assassin And Drugged", "The Sniper Was A Woman" , "Ice Chase" ,and "AirBond".
This score unfortunately for one reason or another seems to have been John Barry's last for the James Bond films but nonetheless he finished on a high note with this Fab addition and has left the stage with an encore, I'm sure!
8 internautes sur 9 ont trouvé ce commentaire utile 
HASH(0x92ef993c) étoiles sur 5 Barry and Bond Return With "The Living Daylights" 31 août 2004
Par G M. Stathis - Publié sur Amazon.com
Format: CD
EMI/Capitol/MGM did a marvelous job with their "Remastered" 2003 release of John Barry's last (to this date) James Bond epic, "The Living Daylights." The sound quality and general production are first rate as is the packaging and the low-price. By 1988 Barry's productions had become something of a rarity, especially as concerned the 007 series. His return with "Living Daylights" was greatly anticipated, and Barry's score was a welcome addition to the collection. The vocals were a cut above average, but the orchestral score was outstanding. This remastered version includes all of the original sountrack cuts and those added to a later Rykodisc "Deluxe Edition." Of particular note is the pre-credit music in "Exercise at Gibraltar." One of the best slections on this album, and one of Barry's best Bond cuts, is "Final Confrontation," a dramatic and fitting climax to the film, and a worthy coda for Barry and Bond. Barry was approached to score the next Bond film, "Licence to Kill," but was forced to decline because of ill health (he is credited as part of a committee that produced the title vocal, however). Since that time, Barry has turned to other interests, and David Arnold has appeared in the recording studio. There are from time to time hints that John Barry would like to return to this series one more time, but to date there is nothing definite to report. If this turns out to be the last Barry score for Bond it is a very good one, and this album is a must for all Barry/Bond fans!
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x92872edc) étoiles sur 5 John Barry is the best! 16 janvier 2005
Par Film Score fan - Publié sur Amazon.com
Format: CD
This soundtrack is one of John Barry's best if not the best. John Barry should come back and score other Bond films because his music actually sounds good. David Arnold is good to but uses too much techno sound to his music. If you're a fan of the James Bond soundtracks or John Barry himself, you'll love this one. Highly Recommend!
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