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Descriptions du produit

Présentation de l'éditeur

A colorful and engaging feast for anyone interested in the music, politics, and spirit of a revolutionary period in American culture, the early 1960s.


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Détails sur le produit

  • Broché: 272 pages
  • Editeur : Da Capo Press Inc; Édition : New Ed (6 avril 2006)
  • Langue : Anglais
  • ISBN-10: 030681479X
  • ISBN-13: 978-0306814792
  • Dimensions du produit: 15,2 x 1,7 x 22,9 cm
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 75.493 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Back at Our Lady of Perpetual Bingo, where I went to school, along with the rack, thumbscrew, and bastinado, they had the curious custom of announcing grades in the final exams and then making everybody hang around for an extra week before turning us loose for summer vacation. Lire la première page
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Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
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1 internautes sur 1 ont trouvé ce commentaire utile  Par Garance le 29 novembre 2012
Format: Broché Achat vérifié
Un livre à recommander à tous ceux et toutes celles qui aiment le folk, le blues, et les années 60, et qui lisent l'anglais.
Dave Van Ronk était un personnage intègre et très attachant, hélas trop tôt disparu.
Un livre qui se lit comme un roman de Kairouac, avec l'humour en plus.
Il serait bon qu'il soit traduit en français.
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Amazon.com: 54 commentaires
60 internautes sur 62 ont trouvé ce commentaire utile 
Van Ronk's Golden Memories 14 avril 2005
Par Kevin Killian - Publié sur Amazon.com
Format: Relié
Some of you who have made Bob Dylan's CHRONICLES VOLUME ONE a bestseller might pick up on this book; Van Ronk covers some of the same territory as Dylan, only he got there first and he's more capacious, Whitman to Dylan's Hart Crane. Props to Elijah Wald who hand-crafted this material from a bunch of Van Ronk's monologues. It reads like a book and you'll hardly know it wasn't. The detective writer and creator of Matt Scudder, Lawrence Block, adds a preface that does the job efficiently and well.

What a life he had! (The singer died in 2002.) In the chapters devoted to his youth, Van Ronk paints us picture after picture, of the memorable individuals he met in the age of the first folk revival. In San Francisco he encounters the nutty Jesse Fuller, who had once been the folk-singing protege of Douglas Fairbanks and Mary Pickford. In New York he shares a stage with Odetta, whose powerful voice could fill all of Manhattan when she let it loose. The truth is that being a folk singer in the late 1950s wasn't very much fun, and Van Ronk believed in getting paid for his singing and playing, so he was denied a space by the coffeehouse owners who could put on all the entertainment they wanted for free, and so he started organizing the musicians properly. All of this is fascinating to read about. Those of you who enjoyed Christopher Guest's folk revival send up A MIGHTY WIND will howl with recognition as Van Ronk lays into the "crewcuts in drip-dry seersucker suits" of the period such as the Kingston Trio. "There was an obvious subtext," he writes, "to what these Babbitt balladeers were doing, and it was, `Of course, we're really superior to all this hayseed crap-but isn't it cute?' This attitude threw me into an absolute ecstasy of rage. These were no true disciples or even honest money-changers. They were a bunch of slick hustlers selling Mickey Mouse dolls in the temple. Join their ranks? I would sooner have been boiled in skunk piss." Yowzer!

He's funny also about the truth that, although he was a tried and true Bohemian anarchist, he sure wasn't getting laid very much. In the pre-Pill age, he says, nobody was. "And the fact that we were a pretty scuzzy bunch might have had something to do with it."
22 internautes sur 22 ont trouvé ce commentaire utile 
Rompin' Through the Swamp 21 février 2006
Par F. R. W. Miles - Publié sur Amazon.com
Format: Relié Achat vérifié
For the sake of good order let me explain that Van Ronk has always been one of my favorites. His deep rusty voice and superior song arrangements kept me listening for years. Now on to the book.

It is a wonderful insight to the NYC folk scene before, during, and after their golden ago. It tells stories from distant point-of-view that was there when it all occurred but has the separation in time and place to take the sharp emotions away. Sure Bobby Dylan took his arrangement of "House of the Rising Sum" (that was then copied by the Animals), sure with other management he might have been more famous, sure with a little more luck (and a better record company) he might have had a top ten song. But the book is from a later page in his life.

Once I started the book I could not put it down - each page was a new adventure. To read the words on the pages is the same as to have heard him talk between songs at one of his shows - minus the inflections.

Why four stars rather than five? For so much that was not there. Van Ronk died near the start of the project and his co-author did a wonderful job of keeping Van Ronk's voice and putting the pieces together. The fifth star is reserved for what might have been.
8 internautes sur 8 ont trouvé ce commentaire utile 
Couldn't Put It Down 19 juillet 2005
Par Walter H. Crockett - Publié sur Amazon.com
Format: Relié Achat vérifié
I have just finished "The Mayor of MacDougal Street" and I couldn't put it down (just like Pete Seeger said in the cover blurb). Elijah Wald did a marvelous job of pulling this book together. It all reads exactly as if Van Ronk had written or dictated the whole thing. It has Van Ronk's flair and wit, his musical acumen, and his glee in sticking in the needle now and again.

One thing you might expect from Van Ronk, whose crucial musical development predated the '60s folk boom, is a sort of world-weariness. But he has none of that. Beneath his crusty exterior lies an open mind and an almost childlike awe of good music and good art. What a refreshing book, and what a unique artist he was. His takes on Dylan, Phil Ochs, and Tom Paxton are right on.

I knew that Van Ronk died before the book was finished, and I kept waiting for the tone and quality to flag, or the voice to change, but it never did. A great job by Elijah Wald. I've got to buy his other books now.
13 internautes sur 15 ont trouvé ce commentaire utile 
Highly Recommended 30 août 2005
Par Rudy D - Publié sur Amazon.com
Format: Relié
Van Ronk's autobiography is both informative and entertaining. He pulls no punches in giving us an honest and very humerous recounting of the Greenwich Village Folk Scene of the late '50's and early 60's.

In this surprisingly insightful narrative, all the major players are given the Van Ronk assessment. (And we have almost as much fun reading it.)

One quickly realizes what we have lost.

Anyone who loves the music, will love this book.
7 internautes sur 8 ont trouvé ce commentaire utile 
Greenwich Village? Read This Book! 6 août 2013
Par Crusader in Jersey - Publié sur Amazon.com
Format: Relié Achat vérifié
I don't know what I actually expected when I bought the book entitled, “The Mayor of MacDougal
Street”, but whatever it was that I’d anticipated, this book was far beyond my expectations.

As a bit of an FYI:
It was 1964 when I first hit Greenwich Village, me a freshman in HS with a compatriot, a
senior called ‘Rebel’. He was from WV, with dyed-blonde pompadour haircut, tough as nails (when drunk he’d
suddenly send an uppercut with no warning or reason) and most guys would not hang with him, but I just
learned to duck. We’d walk across on W.3rd St. to MacDougal. His phony ID allowed him to drink at the San
Remo Café, where Kerouac and Ginsburg once had hung out, but as I was just a kid I’d wait outside whilst he
celebrated at the bar.
Next we crossed the street to a liquor shop and Reb bought a pint of Vodka and a six of Colt 45 ‘tallboys’,
then it was off to Washington Square Park.We drank the beer sitting on a park bench, after which we headed
to the Café ‘Wha?’ where we’d order ‘Zombies’ (a lemon flavored non-alcoholic beverage) and spice ‘em
up with our pint.

Well, we thought we were about the ‘coolest cats' on the block back then, but according to Dave Van Ronk
, the ‘Mayor’, of title, we were known as “clydes”, the tourists that clogged their streets on the
week-ends and kicked in the quarters and dollars for the entertainment they provided, enabling them
to pay the pittance of rent that the Village commanded at that time. What Dave and his chronicler
do for us here is something I’ve seldom seen in memoirs or auto-biographies, which are usually fraught
with sexual exploits and/or ‘reasons’ for the subject’s sad indiscretions. Well this one has none of those,
it talks frankly and up-front about who was there in GV from ‘56 to ‘66, what they wanted to accomplish,
what they did get done, and how it all played out.
If that interests you as much as it does me, this is your book. Also, if you want to know what Bob
Dylan was like when he came to NYC and what he said and did on his arrival, this is indeed your
source, more than any other except perhaps Suze Rotolo's book (she was the girl on Dylan's 'Freewheelin' cover).
Dave had a perspective that few have ever had, and displays an honesty that I
can respect. If you’ve ever wondered about Greenwich Village, Dave Van Ronk, early Dylan, or
the so-called “Folk Revival” (He calls it the ‘Folk-Scare’) buy this book and shut the hell up!

Crusader in NJ
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