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The Monuments Men (Anglais) CD – Livre audio, 5 novembre 2013


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Détails sur le produit

  • CD
  • Editeur : MacMillan Audio; Édition : Abridged (5 novembre 2013)
  • Langue : Anglais
  • ISBN-10: 1427235406
  • ISBN-13: 978-1427235404
  • Dimensions du produit: 15,2 x 13,1 x 1,6 cm
  • Moyenne des commentaires client : 4.3 étoiles sur 5  Voir tous les commentaires (3 commentaires client)
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2 internautes sur 2 ont trouvé ce commentaire utile  Par M. Livre on 27 septembre 2013
Format: Broché Achat vérifié
très intéressant. je l'ai recommandé plusieurs fois et offert aux personnes qui s'intéressent à la deuxième guerre mondiale et/ou à l'histoire de l'art.
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2 internautes sur 2 ont trouvé ce commentaire utile  Par Claude Taudin on 1 avril 2013
Format: Broché Achat vérifié
I knew next to nothing about the activities of this group of people. The book is well written, full of anecdotes and descriptions of places and people and frightening when you think about what the intentions of the "villains" were.
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1 internautes sur 1 ont trouvé ce commentaire utile  Par Catherine Keane on 1 avril 2014
Format: Format Kindle Achat vérifié
I had seen George Cluny's film which was an introduction to these heroes these . However, the film only brushes the story of these men and women who saved our art history in all its forms during the first world war. The film just touches on a story which every art lover should read about in the book.
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183 internautes sur 190 ont trouvé ce commentaire utile 
If you are patient, you will find the treasure in this book 7 mars 2010
Par E. Jacobs - Publié sur Amazon.com
Format: Relié Achat vérifié
If I had written this review when I was only 25% of the way through this book, I would have given it 2 stars. The beginning of the book can only be described as plodding and in my opinion was not very well constructed. However, I hung in there and the payoff came in the remainder of the book.

The book describes an overlooked group of men and women who served during WWII to save priceless buildings and works of arts in Europe. It also describes the internal conflicts of these folks who wondered, for example, if the German people deserved the return of their Nazi-stolen art. The efforts of these dedicated service-men and -women were, naturally enough, largely overshadowed by the inarguably more important discoveries at the end of WWII, such as the truths revealed by the liberation of the concentration camps. This book is thus a wonderful contribution to an overlooked history of the time.

The end of the book describes the discovery of hidden German repositories of art; the volume and quality of art found in these hiding places is absolutely staggering. I had the pleasure of seeing Michelangelo's flawless Madonna when I was in Bruges and was riveted by her WWII story, which was not described in any detail in the materials given out by the museums there.

In summary: stick with it. The book had some problems with flow, especially in the beginning, but the payoff of the middle and ending was worth it.
268 internautes sur 288 ont trouvé ce commentaire utile 
A FASCINATING ACCOUNT OF A NEGLECTED WW2 TOPIC 3 septembre 2009
Par Paul Gelman - Publié sur Amazon.com
Format: Relié Achat vérifié
The most devastating damage and acts of looting of art objects in the annals of history took place during World War Two.These were perpetrated by the Nazi hordes ,carefully directed by the Fuhrer himself.The Nazi army was perpetually pillaging the finest art in Europe.The vain Goering and Alfred Rosenberg were among the main culprits involved in those brutal crimes against the human creative talent.
Fortunately,there was a Western Allied effort to mitigate combat damage, primarily to structures-churches,museums, and other various monuments.In the course of those brutal years, particularly during 1943-1944,the Allies paid much more attention to finding and protecting cultural items which were stolen from their owners,many of which were Jews.The bosses of the Third Reich transported more than five million cultural objects to many sites in Germany, where they hid them , hoping that one day they would not only be the masters of the world, but also the masters of art.
More than 350 men and women served as Monuments People.This number was culled from thirteen nations.In the end, only a handful of them were active and this book is their story.It was the responsibility of this group to save as much of the European culture as it could.
Mt. Edsel has been living in Florence ,Italy, in the 1990s when he wondered how so many of Europe's monuments and other works of art could have survived this unprecedented orgy of destruction.Thus, he set out to conduct a very careful process of extremely meticulous research which led him ultimately to interview those soldiers who have risked and dedicated their lives pursuing this mission.Many of them were art curators,scholars, educators, architects and archivists in their early forties.There are captivating chapters on the fate of museums in Western Europe, such those in France, Belgium,Holland and Italy.You will meet well-known paintings and the fate of them.Among these are the "Mona Lisa" and "The Night Watch".There arealso letters written by the heroes of this book to various relatives of theirs and some directives given or sent to Nazi officials.
Mr. Edsel's forte in the book is especially interesting when describing what happened during and after 1945 in Altaussee, Austria- a site where many tunnels served as sanctuaries for an enormous number of stolen works, as well as another chapter devoted to the Merkers salt mine in Germany where the largest paintings from the Kaiser-Friedrich Museum in Berlin were placed for safekeeping (along Germany's gold reserve and paper currency).
We are also informed that the castle of Neuschwainstein, which was built by Mad Ludwing of Bavaria in the ninetennth century, served as a key Nazi repository of the greatest works of art stolen from France.It took the Monuments Men six whole weeks to empty it.Some of the stolen art objects belonged to the Rothschild collection in France.
This is an originally told and well-researched chapter with a happy
end, not only because of the outcome of those devoted men and women, but also because they finally got the right historian and researcher who is responsible for bringing up their extrordinary achievements, and for whom humanity shoud be more than grateful.I must warn you: once you start reading the book, you will not put it down easily.
Five points go to this book!
243 internautes sur 264 ont trouvé ce commentaire utile 
An exciting and dramatic story; told in a pedestrian & choppy way 19 septembre 2009
Par S. McGee - Publié sur Amazon.com
Format: Relié
Even before the first shots of World War II were fired in September 1939, Adolf Hitler was dreaming of transforming his hometown of Linz into a kind of Nazi cultural capital, and his political aides were helping him earmark works of art from around Europe that could be added to his collection. Unlike today's avid collectors, however, Hitler opted to obtain his works via looting, confiscation or as a kind of trade for the owner's survival, safety or escape from the Nazi regime. The fight to retrieve this art and return it to its former owner goes on to this day; the Amber Room is still missing from the Tsarist palaces of St. Petersburg, while works by Klimt have only recently been returned to the families of their original owners.

That's the backdrop against which Robert Edsel (and his writer, Brett Witter) craft their story of the adventures of six very different "Monuments Men", a motley crew of artists, curators and other types who landed on the beaches of Normandy in the wake of D-Day and, hitchiking from one town to another, battled to protect, rescue and, later, retrieve lost masterpieces. The material in the book is compelling, but the way in which it's delivered and presented falls short, which astonished me given the sheer drama of the quixotic adventures of the monuments men. Part of the problem are the ultra-short chapters (sometimes only three or four pages), which just gave me a chance to immerse myself in what one of the monuments men was up to before it jumped, sometimes both geographically and thematically, to another chapter dealing with something else. I ended up feeling dizzy and distracted.

I also struggled with two elements in the writing of the book. Firstly, Edsel has chosen to pay tribute to the individuals involved by providing a lot of detail of their personal lives. Alas, this doesn't do much for the narrative, even in the case of Harry Ettlinger, whose dramatic last-minute emigration to the United States in 1938 opens the book. (He later becomes one of the monuments men.) Most of their lives are relatively ordinary, and while I'm sure they loved their wives and children and worried about their ability to pay the bills, in the context of the rather choppy structure, this just becomes a distraction that doesn't propel the book forward. (That's not to say the same information couldn't have been conveyed in vignettes scattered throughout the book; it simply felt like I was struggling through a rather dull preamble.) Secondly, for a book about the preservation of monuments, there's little attention to the art history itself. Reading about the preparation of the lengthy list of buildings that the Allies had labeled as to be protected, I wondered about how it was composed. What criteria were used? Did people argue over the inclusion or exclusion of some locations? I did ferret out some tidbits, but this is a book more about the people and the derring-do than about the art, and anyone not well-informed about the importance of Van Eyck, Michaelangelo, etc. could find this frustrating.

There's already an excellent book that deals with similar material in print -- The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War -- and the stark contrast between the two doesn't favor Edsel's offering. True, he goes into greater depth than Nicholas on the adventures associated with the recovery of the art work. But returning to glance into Nicholas's book, I realized that I, at least, valued the broader context it offered me into the whole tragic episode, from the first thefts and the persecution of artists like Chagall, to the pesky issues that still surround the debate over who owns some of these works of art. If you've read Nicholas's book, and want to delve more deeply into this particular part of the story, this is a laudable effort. It's just not a great book in its own right.
115 internautes sur 130 ont trouvé ce commentaire utile 
Read "The Rape Of Europa" instead 28 octobre 2013
Par Camp Curmudgeon - Publié sur Amazon.com
Format: Broché
The author's clumsy, repetitive style makes "Monuments Men" unreadable. Try the brilliant "The Rape Of Europa" by Lynn H. Nicholas, which includes vastly more information about the art, the Nazi's systematic plundering and the story of the Monuments Men. Plus it reads like a thriller!
18 internautes sur 19 ont trouvé ce commentaire utile 
A story that we all should read 26 juin 2013
Par David I. Williams - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
One of the most enjoyable aspects to the study of history is always finding new stories. Even when you think you know a lot about a field you find something new and enjoyable. That one of the many reasons that I enjoyed Monuments Men so much. Robert Edsel has provided us with a look at an area of World War II studies that has gone virtually unnoticed for nearly 70 years. The men and women of the MFAA (Monuments, Fine Arts, and Archives) Division served an almost unknown, but incredibly valuable part in the war against the destructive evil of Nazism.

When Hitler's forces overran Europe they set about looting the national artistic treasures in a methodical manner. Priceless treasures were pillaged from the museums and galleries of France, Belgium, the Netherlands, Poland, and other European nations. All property belonging to Jews were taken. Hitler's dream was to create an enormous museum that would be the envy of the entire world. Instead he launched the most destructive war in history.

The allies were aware of the cultural heritage in the areas that they would be fighting. This is why the MFAA was created. The original MFAA officers were tasked with traveling into the war zones and identifying historic sites that needed to be preserved. The stories of what these men accomplished is truly amazing. Time after time they were able to save important buildings from being destroyed.

As the book progresses we see another dimension of their work. They began to investigate the Nazi looting. Their job shifted from simply protecting buildings from destruction to locating stolen works of art. At times the book resembles an action thriller story. The theft of priceless works of art. The heroic civilians who work undercover to spy on the Nazis. The small band of men rushing from place to place to save these priceless objects.

I really enjoyed this book. I enjoyed the subject, I enjoyed the writing, I enjoyed everything about it. Robert Edsel has done an excellent job of sharing this important story with us. Perhaps there is no greater evidence of the statement that those who do not study history are bound to repeat it. We never studied the important work of the Monuments Men. As a result the allies were not prepared when Iraq was invaded in 2003. The looting of those priceless antiquities could have been avoided by simply employing a group like the MFAA. Perhaps this book will help to raise awareness so that tragedies like the Iraq museum will not happen again.
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