The Origins of the English Novel, 1600-1740 [Anglais] [Broché]

This may well be the most important study of the development of prose fiction in England since Ian Watt's classic Rise of the Novel (1957), on which it builds. Like Watt's study, it examines philosophical changes ("Questions of Truth") and social-cultural changes ("Questions of Virtue") in the early modern period to conclude that the novel "emerged in early modern England as a new literary fiction designed to engage the social and ethical problems the established literary fictions could no longer mediate." It also offers provocative readings of several 17th- and 18th-century works. The Marxist/deconstructionist language will be difficult for undergraduates, but the astute philosophical, cultural, historical, and literary observations will fascinate and enlighten any scholar of the early modern period.Joseph Rosenblum, English Dept., Univ. of North Carolina, Greensboro
Copyright 1987 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

"A magisterial work of history and analysis." --Ce texte fait référence à l'édition Relié .

The Origins of the English Novel, 1600-1740, combines historical analysis and readings of extraordinarily diverse texts to reconceive the foundations of the dominant genre of the modern era. Now, on the fifteenth anniversary of its initial publication, The Origins of the English Novel stands as essential reading. The anniversary edition features a new introduction in which the author reflects on the considerable response and commentary the book has attracted since its publication by describing dialectical method and by applying it to early modern notions of gender.

Challenging prevailing theories that tie the origins of the novel to the ascendancy of "realism" and the "middle class," McKeon argues that this new genre arose in response to the profound instability of literary and social categories. Between 1600 and 1740, momentous changes took place in European attitudes toward truth in narrative and toward virtue in the individual and the social order. The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age. --Ce texte fait référence à l'édition Relié .

"This book is a formidable attempt to articulate issues of almost imponderable centrality for modern life and literature. McKeon proposes with quite breathtaking ambition and considerable intellectual flourish to redefine the novel's key role in those immense cultural transformations that produce the modern world."—Studies in the Novel

"One of the most rigorous and penetrating books I have read—and one of the most widely researched, in its coverage of texts, theory, and historical developments."—Vincent Newey, London Review of Books --Ce texte fait référence à l'édition Relié .

Michael McKeon is a professor in the Department of English at Rutgers University. --Ce texte fait référence à l'édition Relié .