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The Oxford Companion to English Literature [Anglais] [Relié]

Margaret Drabble , Sir Paul Harvey
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Détails sur le produit

  • Relié: 1166 pages
  • Editeur : Oxford University Press; Édition : 3rd Revised edition (1 mai 1985)
  • Langue : Anglais
  • ISBN-10: 0198661304
  • ISBN-13: 978-0198661306
  • Dimensions du produit: 22,9 x 16,5 x 6,1 cm
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 118.712 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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6 internautes sur 6 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A worthy companion 27 décembre 2005
Par FrKurt Messick TOP 1000 COMMENTATEURS
Format:Relié
The first 'Oxford Companion to English Literature' was published in 1932 under the editorial direction of Sir Paul Harvey (no relation the American radio commentator). Half a century and five editions later, this is still a standard, authoritative reference work necessary for scholars and interested non-experts alike.
Under the editorship of Margaret Drabble, author and biographer (known for 'The Witch of Exmoor' and the more recently published 'The Peppered Moth'), this volume remains faithful to Harvey's intention of placing English literature in its widest possible context while exploring the deep classical and continental connections that underpin much of the history.
How can literature be divorced from cultural context? Surely it cannot be -- hence the newest entries into the edition include topics that read as if they were taken from today's best-seller shelf:
- Anglo-Indian Literature
- Simon Armitage
- Kate Atkinson
- Louis de Bernieres
- Censorship
- Ben Elton
- Gay and lesbian literature
- Hypertext
- A. L. Kennedy
- Lad's literature
- Literature of science
- New Criticism
- New Irish Playwrights
- Carol Shields
- Travel writing
This sample listing of the latest entries is representative of the more established categories, in that the entries (encyclopedic in character) include Authors, Subjects, Titles, Events, Characters and Critical Theory. The entries are unsigned (an ever-controversial practice in reference works such as this) -- well over a hundred contributors assisted in this volume, including the likes of Matthew Sweet, Salman Rushdie, Ceridwen Lloyd-Morgan, Katherine Duncan-Jones, and Brian Vickers.
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Amazon.com: 4.2 étoiles sur 5  12 commentaires
24 internautes sur 24 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A worthy companion 11 juillet 2003
Par FrKurt Messick - Publié sur Amazon.com
Format:Relié
The first 'Oxford Companion to English Literature' was published in 1932 under the editorial direction of Sir Paul Harvey (no relation the American radio commentator). Half a century and five editions later, this is still a standard, authoritative reference work necessary for scholars and interested non-experts alike.
Under the editorship of Margaret Drabble, author and biographer (known for 'The Witch of Exmoor' and the more recently published 'The Peppered Moth'), this volume remains faithful to Harvey's intention of placing English literature in its widest possible context while exploring the deep classical and continental connections that underpin much of the history.
How can literature be divorced from cultural context? Surely it cannot be -- hence the newest entries into the edition include topics that read as if they were taken from today's best-seller shelf:
- Anglo-Indian Literature
- Simon Armitage
- Kate Atkinson
- Louis de Bernieres
- Censorship
- Ben Elton
- Gay and lesbian literature
- Hypertext
- A. L. Kennedy
- Lad's literature
- Literature of science
- New Criticism
- New Irish Playwrights
- Carol Shields
- Travel writing
This sample listing of the latest entries is representative of the more established categories, in that the entries (encyclopedic in character) include Authors, Subjects, Titles, Events, Characters and Critical Theory. The entries are unsigned (an ever-controversial practice in reference works such as this) -- well over a hundred contributors assisted in this volume, including the likes of Matthew Sweet, Salman Rushdie, Ceridwen Lloyd-Morgan, Katherine Duncan-Jones, and Brian Vickers.
This volume serves the general reader well in that one may follow cross-reference trails through the text. Take, for instance, Aaron the Moor -- the reader will be directed to Titus Andronicus, to which one is directed to Shakespeare, and from there a host of other cross-references historical and modern. Under the entry of Gabriel Josipovici, one is led back the entries of Rabelais and Bellow, influences as well as objects of Josipovici's study.
The appendices are new features of this edition. The first appendix is a Chronology that lists the chronology of the production of English literature from c.1000 to 1999 side by side with major historical events in Britain and beyond, and the significant events in the lives of literary figures. Appendix 2 lists the Poets Laureate in chronological order, from 1619 (when the office unofficially began) to the present -- surprisingly, there have only been 21 (19 official). Appendix 3 lists major literary award winners: Nobel Prize, Pulitzer Prize, Library Association Carnegie Medalists, and Booker-McConnell Prize for Fiction. Obviously not all of these are British authors, but it helps to place British literature in the wider world context of the twentieth century (as all of these prizes are twentieth-century creations).
In addition to the encyclopedic entries, there are major essays scattered through the text. These include the following topics:
- Biography
- Black British Literature
- Children's Literature
- Detective Fiction
- Fantasy Fiction
- Ghost Stories
- Gothic Fiction
- Historical Fiction
- Metre
- Modernism
- Post-Colonial Literature
- Romanticism
- Science Fiction
- Spy Fiction
- Structuralism and Post-Structuralism
These essays include history and current development of the genre or topic, as well as bibliographic information for further research, which (regrettably) the smaller encyclopedic entries rarely have.
This is a terrific, one-volume reference that should serve well anyone with a need for quick and ready reference material. It should find a welcome home on the shelf of any avid reader, fan of literature and modern fiction, history, religion, or any devoted Anglophile.
9 internautes sur 10 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 You will wonder how you lived without this book. 19 avril 1997
Par Un client - Publié sur Amazon.com
Format:Relié
This is one book I turn to over and over again. My copy is well worn and much loved. If I could have only one reference book, this would be it. You will wonder what you did before you had this book! A must for lovers of literature
10 internautes sur 12 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A must-have companion for anyone who loves to read 2 mai 1999
Par Un client - Publié sur Amazon.com
Format:Relié
This is one of the most practical reference books in my home library. I turn to it again and again for plot summaries and information about authors. I also find it useful for pre- (and post-) theater reading. And of course it's a real boon for solving the Sunday Times crossword puzzle.
A must-have for anyone who considers themself a reader.
7 internautes sur 8 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Excellent Reference Work 23 août 1998
Par richardson.don@a1.pc.maricopa.edu - Publié sur Amazon.com
Format:Relié
As a teacher of Survey of British Literature (both halves), I rely on this work and refer to it regularly in class. It is invaluable for retrieving bits of forgotten lore, for putting authors and subjects into perspective, and for reminding readers of connections. No student of British Literature--whether instructor or traditional student--should be without it.
5 internautes sur 6 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A handy if heavy friend! 17 février 2005
Par S. Hebbron - Publié sur Amazon.com
Format:Relié
A wonderful resource and superbly edited by Ms Drabble to not only meet the founding principles of this work (which first appeared in the 1930's) but also to consider the ever changing parimeters of what good and great literature is, a highly subjective notion at best.

The title almost does not do this work justice, it bestows it with a crusty old British acaedemic image. You almost imagine having to blow the dust off it before you can begin! But it is so much more rich and diverse than this and should not be avoided by those made nervous by it's title; it is not the untouchable work it sounds like it may be.

If literature is a love of yours, whether by author or genre, then you will find this brilliantly informative. Don't be put off by this being such an enormous book, it needs to be, it will become a dear and chubby friend in no time!
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