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The Pillars of the Earth [Version intégrale] [Anglais] [Broché]

Ken Follett
4.2 étoiles sur 5  Voir tous les commentaires (28 commentaires client)
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Description de l'ouvrage

6 avril 2007

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Learn more about The Pillars of the Earth miniseries on Starz.

A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett's historical masterpiece.

Abridged edition read by Richard E. Grant

--Ce texte fait référence à l'édition CD .

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Descriptions du produit

Extrait

Chapter 1

In a broad valley, at the foot of a sloping hillside, beside a clear bubbling stream, Tom was building a house.

The walls were already three feet high and rising fast. The two masons Tom had engaged were working steadily in the sunshine, their trowels going scrape, slap and then tap, tap while their laborer sweated under the weight of the big stone blocks. Tom’s son Alfred was mixing mortar, counting aloud as he scooped sand onto a board. There was also a carpenter, working at the bench beside Tom, carefully shaping a length of beech wood with an adz.

Alfred was fourteen years old, and tall like Tom. Tom was a head higher than most men, and Alfred was only a couple of inches less, and still growing. They looked alike too: both had light-brown hair and greenish eyes with brown flecks. People said they were a handsome pair. The main difference between them was that Tom had a curly brown beard, whereas Alfred had only a fine blond fluff. The hair on Alfred’s head had been that color once, Tom remembered fondly. Now that Alfred was becoming a man, Tom wished he would take a more intelligent interest in his work, for he had a lot to learn if he was to be a mason like his father; but so far Alfred remained bored and baffled by the principles of building.

When the house was finished it would be the most luxurious home for miles around. The ground floor would be a spacious undercroft, for storage, with a curved vault for a ceiling, so that it would not catch fire. The hall, where people actually lived, would be above, reached by an outside staircase, its height making it hard to attack and easy to defend. Against the hall wall there would be a chimney, to take away the smoke of the fire. This was a radical innovation: Tom had only ever seen one house with a chimney, but it had struck him as such a good idea that he was determined to copy it. At one end of the house, over the hall, there would be a small bedroom, for that was what earls’ daughters demanded nowadays—they were too fine to sleep in the hall with the men and the serving wenches and the hunting dogs. The kitchen would be a separate building, for every kitchen caught fire sooner or later, and there was nothing for it but to build them far away from everything else and put up with lukewarm food.

Tom was making the doorway of the house. The doorposts would be rounded to look like columns—a touch of distinction for the noble newlyweds who were to live here. With his eye on the shaped wooden template he was using as a guide, Tom set his iron chisel obliquely against the stone and tapped it gently with the big wooden hammer. A small shower of fragments fell away from the surface, leaving the shape a little rounder. He did it again. Smooth enough for a cathedral.

He had worked on a cathedral once—Exeter. At first he had treated it like any other job. He had been angry and resentful when the master builder had warned him that his work was not quite up to standard: he knew himself to be rather more careful than the average mason. But then he realized that the walls of a cathedral had to be not just good, but perfect. This was because the cathedral was for God, and also because the building was so big that the slightest lean in the walls, the merest variation from the absolutely true and level, could weaken the structure fatally. Tom’s resentment turned to fascination. The combination of a hugely ambitious building with merciless attention to the smallest detail opened Tom’s eyes to the wonder of his craft. He learned from the Exeter master about the importance of proportion, the symbolism of various numbers, and the almost magical formulas for working out the correct width of a wall or the angle of a step in a spiral staircase. Such things captivated him. He was surprised to learn that many masons found them incomprehensible.

After a while Tom had become the master builder’s right-hand man, and that was when he began to see the master’s shortcomings. The man was a great craftsman and an incompetent organizer. He was completely baffled by the problems of obtaining the right quantity of stone to keep pace with the masons, making sure that the blacksmith made enough of the right tools, burning lime and carting sand for the mortar makers, felling trees for the carpenters, and getting enough money from the cathedral chapter to pay for everything.

If Tom had stayed at Exeter until the master builder died, he might have become master himself; but the chapter ran out of money—partly because of the master’s mismanagement—and the craftsmen had to move on, looking for work elsewhere. Tom had been offered the post of builder to the Exeter castellan, repairing and improving the city’s fortifications. It would have been a lifetime job, barring accidents. But Tom had turned it down, for he wanted to build another cathedral.

His wife, Agnes, had never understood that decision. They might have had a good stone house, and servants, and their own stables, and meat on the table every dinnertime; and she had never forgiven Tom for turning down the opportunity. She could not comprehend the irresistible attraction of building a cathedral: the absorbing complexity of organization, the intellectual challenge of the calculations, the sheer size of the walls, and the breathtaking beauty and grandeur of the finished building. Once he had tasted that wine, Tom was never satisfied with anything less.

That had been ten years ago. Since then they had never stayed anywhere for very long. He would design a new chapter house for a monastery, work for a year or two on a castle, or build a town house for a rich merchant; but as soon as he had some money saved he would leave, with his wife and children, and take to the road, looking for another cathedral.

He glanced up from his bench and saw Agnes standing at the edge of the building site, holding a basket of food in one hand and resting a big jug of beer on the opposite hip. It was midday. He looked at her fondly. No one would ever call her pretty, but her face was full of strength: a broad forehead, large brown eyes, a straight nose, a strong jaw. Her dark, wiry hair was parted in the middle and tied behind. She was Tom’s soul mate.

She poured beer for Tom and Alfred. They stood there for a moment, the two big men and the strong woman, drinking beer from wooden cups; and then the fourth member of the family came skipping out of the wheat field: Martha, seven years old and as pretty as a daffodil, but a daffodil with a petal missing, for she had a gap where two milk teeth had fallen out and the new ones had not yet grown. She ran to Tom, kissed his dusty beard, and begged a sip of his bear. He hugged her bony body. “Don’t drink too much, or you’ll fall into a ditch,” he said. She staggered around in a circle, pretending to be drunk.

They all sat down on the woodpile. Agnes handed Tom a hunk of wheat bread, a thick slice of boiled bacon and a small onion. He took a bite from the meat and started to peel the onion. Agnes gave the children food and began to eat her own. Perhaps it was irresponsible, Tom thought, to turn down that dull job in Exeter and go looking for a cathedral to build; but I’ve always been able to feed them all, despite my recklessness.

He took his eating knife from the front pocket of his leather apron, cut a slice off the onion, and ate it with a bite of bread. The onion was sweet and stinging in his mouth. Agnes said: “I’m with child again.”

Tom stopped chewing and stared at her. A thrill of delight took hold of him. Not knowing what to say, he just smiled foolishly at her. After a few moments she blushed, and said, “It isn’t that surprising.”

Tom hugged her. “Well, well,” he said, still grinning with pleasure. “A babe to pull my beard. And I thought the next would be Alfred’s.”

“Don’t get too happy yet,” Agnes cautioned. “It’s bad luck to name the child before it’s born.”

Tom nodded assent. Agnes had had several miscarriages and one stillborn baby, and there had been another little girl, Matilda, who had lived on two years. “I’d like a boy, though,” he said. “Now that Alfred’s so big. When is it due?”

“After Christmas.”

Tom began to calculate. The shell of the house would be finished by first frost, then the stonework would have to be covered with straw to protect it through the winter. The masons would spend the cold months cutting stones for windows, vaults, doorcases and the fireplace, while the carpenter made floorboards and doors and shutters and Tom built the scaffolding for the upstairs work. Then in spring they would vault the undercroft, floor the hall above it, and put on the roof. The job would feed the family until Whitsun, by which time the baby would be a half year old. Then they would move on. “Good,” he said contentedly. “This is good.” He ate another slice of onion.

“I’m too old to bare children,” said Agnes. “This must be my last.”

Tom thought about that. He was not sure how old she was, in numbers, but plenty of women bore children at her time in life. However, it was true they suffered more as they grew older, and the babies were not as strong. No doubt she was right. But how would she make certain that she would not conceive again? he wondered. Then he realized how, and a cloud shadowed his sunny mood.

“I may get a good job, in a town,” he said, trying to mollify her. “A cathedral, or a palace. Then we might have a big house with wood floors, and a maid to help you with the baby.”

Her face hardened, and she said skeptically: “It may be.” She did not like to hear talk of cathedrals. If Tom had never worked on a cathe...

--Ce texte fait référence à l'édition Poche .

Revue de presse

“Enormous and brilliant …a great epic tale…crammed with characters unbelievably alive across the great gulf of centuries…touches all human emotion—love and hate, loyalty and treachery, hope and despair.  See for yourself.  This is truly a novel to get lost in.”—Cosmopolitan
 
“Wonderful…will hold you, fascinate you, surround you.”—Chicago Sun-Times
 
“An extraordinary epic buttressed by suspense…a monumental masterpiece…A towering triumph from a major talent.”—Booklist
 
“A seesaw of tension….A novel that entertains, instructs, and satisfies on a grand scale” —Publishers Weekly
--Ce texte fait référence à l'édition Poche .

Détails sur le produit

  • Broché: 1100 pages
  • Editeur : Pan Books; Édition : Unabridged (6 avril 2007)
  • Langue : Anglais
  • ISBN-10: 0330450131
  • ISBN-13: 978-0330450133
  • Dimensions du produit: 13 x 19,7 cm
  • Moyenne des commentaires client : 4.2 étoiles sur 5  Voir tous les commentaires (28 commentaires client)
  • Classement des meilleures ventes d'Amazon: 30.645 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Commentaires client les plus utiles
12 internautes sur 12 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Un excellent livre à lire ....!!!! 12 mai 2007
Format:Poche
Un livre basé sur le moyen age et la contruction d'une cathédrale sur plusieurs générations . Cela pourrait rebuter plus d'un et pourtant meme moi qui ne suis pas porté sur ces deux sujets , loin s'en faut , j'ai adoré lire ce bouquin qui tient beaucoup du romanesque avec une histoire bien construite , des personnages bien déssinés et des coups de theatre toutes les cinquantes pages .Bien sur il ya quelques longueurs mais cela ne gache pas le plaisir du lecteur .

Il n'y a pas à dire KEN FOLLETT connait bien son affaire pour preuve j'ai lu ce roman en une semaine alors que le sujet ne m'intéréssait pas vraiment . A noter qu'il s'agit plus d'un roman que d'un récit historique meme s'il est trés bien documenté ....!!!!!!
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17 internautes sur 18 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Une passionnante épopée moyenagause 29 juin 2001
Par Un client
Format:Poche
Les destins croisés de plusieurs personnages au Moyen-Age, passionnants et mouvementés. Le suspense est toujours présent tout au long des 1054 pages qui peuvent en effrayer plus d'un, mais qui s'avalent en quelques jours. Et en plus, le livre donne envie de connaître cette période peu connue mais néanmoins riche en aventures.
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7 internautes sur 7 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Excellent et passionnant livre historique 17 décembre 2003
Format:Poche
Quel talent ce Ken Follett !
Il a bien fait d'élargir son oeuvre, d'abord limitée au roman d'espionnage, au roman historique. C'est très bien documenté, et surtout, quel don pour faire prendre vie aux personnages ! Prenant, passionnant, ce roman vous fera découvrir la vie des bâtisseurs de cathédrales comme si vous y étiez.
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Commentaires client les plus récents
3.0 étoiles sur 5 A good read
Thanks for a good read Ken (I learnt a lot about cathedrals) but I prefer 'Fall of Giants' or 'Winter of the World'.
Publié il y a 2 mois par Mantony
5.0 étoiles sur 5 Passionnant
J'ai plongée la tête la première dans cette histoire que j'avais mis de côté car je ne voulais pas faire comme tout le monde. Lire la suite
Publié il y a 2 mois par Laeticity
1.0 étoiles sur 5 Mediocre story line, insufficient research, lacks in credibility.
Could not get further than a few chapters due to lack of initial interest, insufficient research producing lack of credibility. Writing style not creative.
Publié il y a 2 mois par Pollack Susan
5.0 étoiles sur 5 Pillars of the Earth
Magnifique tant sur le plan du roman que sur l'histoire des bâtisseurs de cathédrales. Impossible à quitter. Heureusement, il y a des suites. Lire la suite
Publié il y a 4 mois par Rolande CHICHIZOLA
3.0 étoiles sur 5 Tourne-page, mais décevant
J'ai entamé la lecture de ce livre avec excitation (du chef d'œuvre annoncé) et appréhension (taille du pavé). Lire la suite
Publié il y a 5 mois par Antoine
3.0 étoiles sur 5 Un pilier dans la terre de Ken Follet
L'auteur, plutôt spécialisé dans le roman d'espionnage, nous a offert cette fois-ci, je dis bien offert,une saga familiale dans l'Angleterre du XIIe... Lire la suite
Publié il y a 9 mois par Alexis Livier
5.0 étoiles sur 5 beau livre
livre de poche commandé en anglais reçu en très bon état, avec une très belle couverture de par les couleurs et une partie du dessin en relief.
Publié il y a 11 mois par mariam
3.0 étoiles sur 5 Histoire formidable, mais...
Ce saga est une histoire merveilleuse qui vous plonge dans l'époque et vous donne presque envie de renoncer à la vie moderne pour retrouver des valeurs plus... Lire la suite
Publié il y a 12 mois par CC
5.0 étoiles sur 5 passionnant
ken follet nous fait vivre au moyen age,la passion d'un homme qui veut construire une cathedrale.avec cette aventure,se mêlent d'autres passions ,certaines perverses,beaucoup de... Lire la suite
Publié il y a 13 mois par germain
5.0 étoiles sur 5 Un must have
Ce "pavé" a une place de choix dans ma bibliothèque. Son thème inhabituel relatant la vie de constructeurs de cathédrale est réellement prenant. Lire la suite
Publié il y a 21 mois par Maingot Guillaume
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