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The Secret Life of Salvador Dali [Anglais] [Broché]

Salvador Dali

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The Secret Life of Salvador Dali This startling early autobiography takes Dali through his late 30s and "communicates picture of himself (Dali) sets out to portray" -- "Books." Superbly illustrated with over 80 photographs and scores of drawings. Full description

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Couverture | Table des matières | Extrait | Quatrième de couverture
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Commentaires client les plus utiles sur (beta) 4.5 étoiles sur 5  29 commentaires
35 internautes sur 41 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Dali: Genius and Spoiled Brat 21 octobre 1998
Par Un client - Publié sur
Those fascinated by Dali's artwork will want to read this autobiography. Dali provides 400 pages of commentary describing/explaining the symbols of his artwork.. Mostly psychoanalytic approaches. There are a number of descriptions of events that shaped his thoughts from childhood. A great read for anyone seeking companionship in a world that resists weirdness.
21 internautes sur 24 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 "The only difference between me and a madman is that I'm not insane." 30 avril 2008
Par Mark Nadja - Publié sur
Format:Broché|Achat vérifié
Genius isn't pretty, if we are to deduce that this revelation of the secret life of Salvador Dali is representative of the inner reality of genius in general. For certain, genuine creation isn't pretty, as anyone who's ever witnessed childbirth might attest: it's accomplished by blood, obscenity, mucous, hysterics, farts, and pain. Out of such undifferentiated chaos does one mold the miracle of his creation. So in *The Secret Life of Salvador Dali* we get the "confession" of a man whose life from earliest childhood is replete with incidents, fantasies, attitudes, and behaviors that can only be considered pathological.

But then how much of this memoir is "real" and how much artistic hyperbole is a question open to debate. For Dali consciously mythologizes his life and makes no secret of the fact that much of his "secret life" may not have actually taken place except in his imagination. "The difference," he writes, "between false memories and true ones is the same as for jewels: it is always the false ones that look the most real, the most brilliant." And shortly afterwards he writes of his life that the "all-powerful sway of reverie and myth began to mingle in such a continuous and imperious way with the life of every moment that later it has often become impossible for me to know where reality begins and the imaginary ends." This is Dali's way of winking at the reader--and yet it's an ambiguous wink at best.

For what must always be remembered is that for Dali, the imagination is every bit as "real" in its impact, just as material and plastic, as any historical or anecdotal fact of existence--if anything, the hyper-intensity of Dali's imagination gives his reveries even greater reality. And so Dali, by his own estimation the only true surrealist, presents the story of the first half of his life in its entirety: that's to say, the dreams, visions, and fantasies are given equal weight as the people, facts, and circumstances of conventional autobiography. For the former interact with the latter to produce the uninterrupted "surreality" of the individual life. A man, for instance, who dreams that his best friend has murdered him in his sleep and taken his wife to bed cannot possibly--whether conscious of the fact or not--have lunch with that same friend the next afternoon without his perceptions being altered, right down to his autonomic biological responses, in a very concrete way.

Perhaps the best way to read *The Secret Life of Salvador Dali* is as a kind of absurdist novel about the life and ideas of an eccentric, legendary painter named Salvador Dali. For, indeed, this book very often reads like fiction, studded as it is with bizarre episodes worthy of Kafka or Poe. And yet there is also a good deal of Dali's very down-to-earth philosophy of art in this book: his championing of technique, craft, and discipline, and of the renaissance spirit of the great masters who he admires. These attitudes might surprise many who think of Dali solely as the revolutionary and iconoclastic wild man of surrealism.

Although he's since become synonymous with surrealism, Dali actually considered himself a traditionalist and what made him a real "revolutionary" and ultimately more surreal than the surrealists was, in his view, the fact that he aligned himself with the most conservative aspects of his artistic craft and his Spanish-European-Catholic roots. In fact, it may come as something of a shock to some to find Dali railing against the dissolution of form, of abstraction, of undisciplined experimentation, of the laziness of modern art. From the opening pages when he bombastically declares with mock seriousness his disgust for the formless mush of spinach and his admiration of the rigorous solidity of shellfish, Dali separates himself from the leveling movements in contemporary art, politics, and society, most of which he consigns to the oblivion of the mulch from which the hierarchic tree of a society of true individuals, of the royalty of spirit, art, and culture will inevitably be reborn. Tradition may be chopped down, trampled, burned to ash...but the roots go deeper than revolution. Tradition never dies. Therefore, Dali sides with tradition.

Written when he was barely 38 years old and thus comprising less than half of what would be his allotted life, *The Secret Life* has the feel of a complete autobiography composed from the sober vantage point of the old age Dali cherished and aspired to even as a young man. The text itself is beautifully written/translated--a prose masterpiece of surrealistic metaphor and absurdist hyperbole. An excellent, thought-provoking, and fascinating book from any number of perspectives, *The Secret Life of Salvador Dali* is every bit as unsettling, paradoxical, elusive, contrary, and, ultimately, beautiful, as the paintings for which Dali is so well-known, so misunderstood, and so famous.
32 internautes sur 41 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Revealing Self Portrait of a Great Artist 6 décembre 1999
Par D.C.Meyer - Publié sur
This book reveals that in addition to being one of the century's greatest visual artists, he was also a tallented and entertaining writer. Dali's personality is all here-- the brilliance, the cruelty, the humor, and the megalomania.
If you compare this with other sources you'll find that the chronology for his youth is off, and (not surprisingly) some incidents are creatively embellished. Still, anyone interested in the artist should read this book first-- it's a great self portrait by a brilliant eccentric artist.
3 internautes sur 3 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 A Struggle to get Through 30 juillet 2007
Par J. head - Publié sur
the book had a little of everything. Salvador Dali can be an interesting writer, and some sections of the book demonstrate this. The early chapters of the book covering his childhood are difficult to trudge through between irrational events and memories and ones that seem plausible. It is not a very good autobiography for recording ones milestones, but I suppose it recorded things that appealed and became ingrained in Dali to become motifs in his art, such as crutches for instance. As the book progressed Dali's philosophy became a little more clear and the book a little more interesting, especially as he and his wife Gala visited America and the world was prepping for World War II. All in all, I would rather have read a straight forward Dali biography than his convoluted auto-biography. You have to be a very tolerant reader to put up episodes that are difficult to visualizse or understand and to keep asking yourself, "Is this true or is Dali dreaming it up?"
14 internautes sur 20 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A striking book of genius, art, and eccentricity 14 mai 1997
Par Un client - Publié sur
This book is the ultimate in thought and surrealism. Salvador Dali covers everything from polymorphism to why he doesn't eat spinach, and he does it with a bang! Excellent
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