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The Silmarillion [Anglais] [Broché]

J. R. R. Tolkien , Christopher Tolkien
4.7 étoiles sur 5  Voir tous les commentaires (13 commentaires client)

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Format Kindle EUR 6,44  
Relié EUR 14,23  
Broché EUR 6,83  
Broché, 1 novembre 1999 --  
Poche EUR 6,99  
CD, Livre audio, CD, Version intégrale EUR 25,77  

Description de l'ouvrage

1 novembre 1999
"Majestic!...readers of THE HOBBIT and THE LORD OF THE RINGS...will find THE SILMARILLION a cosmology to call their own...medieval romances, fierce fairy tales and fiercer wars that ring with heraldic fury...it overwhelms the reader."
TIME
Those interested in J.R.R. Tolkien's Middle Earth should not be without this grand volume that tells the tragic tale of the struggle for control of the Silmarils, a struggle that would determine the history of the world long before the War of the Ring.
--Ce texte fait référence à l'édition Poche .


Descriptions du produit

Extrait

The Music of the Ainur

There was Eru, the One, who in Arda is called Ilúvatar; and he made first the Ainur, the Holy Ones, that were the offspring of his thought, and they were with him before aught else was made. And he spoke to them, propounding to them themes of music; and they sang before him, and he was glad. But for a long while they sang only each alone, or but few together, while the rest hearkened; for each comprehended only that part of the mind of Ilúvatar from which he came, and in the understanding of their brethren they grew but slowly. Yet ever as they listened they came to deeper understanding, and increased in unison and harmony.

And it came to pass that Ilúvatar called together all the Ainur and declared to them a mighty theme, unfolding to them things greater and more wonderful than he had yet revealed; and the glory of its beginning and the splendour of its end amazed the Ainur, so that they bowed before Ilúvatar and were silent.

Then Ilúvatar said to them: ‘Of the theme that I have declared to you, I will now that ye make in harmony together a Great Music. And since I have kindled you with the Flame Imperishable, ye shall show forth your powers in adorning this theme, each with his own thoughts and devices, if he will. But I will sit and hearken, and be glad that through you great beauty has been wakened into song.

Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashion the theme of Ilúvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Ilúvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void. Never since have the Ainur made any music like to this music, though it has been said that a greater still shall be made before Ilúvatar by the choirs of the Ainur and the Children of Ilúvatar after the end of days. Then the themes of Ilúvatar shall be played aright, and take Being in the moment of their utterance, for all shall then understand fully his intent in their part, and each shall know the comprehension of each, and Ilúvatar shall give to their thoughts the secret fire, being well pleased.

But now Ilúvatar sat and hearkened, and for a great while it seemed good to him, for in the music there were no flaws. But as the theme progressed, it came into the heart of Melkor to interweave matters of his own imagining that were not in accord with the theme of Ilúvatar; for he sought therein to increase the power and glory of the part assigned to himself. To Melkor among the Ainur had been given the greatest gifts of power and knowledge, and he had a share in all the gifts of his brethren. He had gone often alone into the void places seeking the Imperishable Flame; for desire grew hot within him to bring into Being things of his own, and it seemed to him that Ilúvatar took no thought for the Void, and he was impatient of its emptiness. Yet he found not the Fire, for it is with Ilúvatar. But being alone he had begun to conceive thoughts of his own unlike those of his brethren.

Some of these thoughts he now wove into his music, and straight-way discord arose about him, and many that sang nigh him grew despondent, and their thought was disturbed and their music faltered; but some began to attune their music to his rather than to the thought which they had at first. Then the discord of Melkor spread ever wider, and the melodies which had been heard before foundered in a sea of turbulent sound. But Ilúvatar sat and hearkened until it seemed that about his throne there was a raging storm, as of dark waters that made war one upon another in an endless wrath that would not be assuaged.

Then Ilúvatar arose, and the Ainur perceived that he smiled; and he lifted up his left hand, and a new theme began amid the storm, like and yet unlike to the former theme, and it gathered power and had new beauty. But the discord of Melkor rose in uproar and contended with it, and again there was a war of sound more violent than before, until many of the Ainur were dismayed and sang no longer, and Melkor had the mastery. Then again Ilúvatar arose, and the Ainur perceived that his countenance was stern; and he lifted up his right hand, and behold! a third theme grew amid the confusion, and it was unlike the others. For it seemed at first soft and sweet, a mere rippling of gentle sounds in delicate melodies; but it could not be quenched, and it took to itself power and profundity. And it seemed at last that there were two musics progressing at one time before the seat of Ilúvatar, and they were utterly at variance. The one was deep and wide and beautiful, but slow and blended with an immeasurable sorrow, from which its beauty chiefly came. The other had now achieved a unity of its own; but it was loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice, but it seemed that its most triumphant notes were taken by the other and woven into its own solemn pattern.

In the midst of this strife, whereat the halls of Ilúvatar shook and a tremor ran out into the silences yet unmoved, Ilúvatar arose a third time, and his face was terrible to behold. Then he raised up both his hands, and in one chord, deeper than the Abyss, higher than the Firmament, piercing as the light of the eye of Ilúvatar, the Music ceased.

*  *  *

Then Ilúvatar spoke, and he said: ‘Mighty are the Ainur, and mightiest among them is Melkor; but that he may know, and all the Ainur, that I am Ilúvatar, those things that ye have sung, I will show them forth, that ye may see what ye have done. And thou, Melkor, shalt see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite. For he that attempteth this shall prove but mine instrument in the devising of things more wonderful, which he himself hath not imagined.

Then the Ainur were afraid, and they did not yet comprehend the words that were said to them; and Melkor was filled with shame, of which came secret anger. But Ilúvatar arose in splendour, and he went forth from the fair regions that he had made for the Ainur; and the Ainur followed him.

But when they were come into the Void, Ilúvatar said to them: ‘Behold your Music!’ And he showed to them a vision, giving to them sight where before was only hearing; and they saw a new World made visible before them, and it was globed amid the Void, and it was sustained therein, but was not of it. And as they looked and wondered this World began to unfold its history, and it seemed to them that it lived and grew. And when the Ainur had gazed for a while and were silent, Ilúvatar said again: ‘Behold your Music! This is your minstrelsy; and each of you shall find contained herein, amid the design that I set before you, all those things which it may seem that he himself devised or added. And thou, Melkor, wilt discover all the secret thoughts of thy mind, and wilt perceive that they are but a part of the whole and tributary to its glory.

And many other things Ilúvatar spoke to the Ainur at that time, and because of their memory of his words, and the knowledge that each has of the music that he himself made, the Ainur know much of what was, and is, and is to come, and few things are unseen by them. Yet some things there are that they cannot see, neither alone nor taking counsel together; for to none but himself has Ilúvatar revealed all that he has in store, and in every age there come forth things that are new and have no foretelling, for they do not proceed from the past. And so it was that as this vision of the World was played before them, the Ainur saw that it contained things which they had not thought. And they saw with amazement the coming of the Children of Ilúvatar, and the habitation that was prepared for them; and they perceived that they themselves in the labour of their music had been busy with the preparation of this dwelling, and yet knew not that it had any purpose beyond its own beauty. For the Children of Ilúvatar were conceived by him alone; and they came with the third theme, and were not in the theme which Ilúvatar propounded at the beginning, and none of the Ainur had part in their making. Therefore when they beheld them, the more did they love them, being things other than themselves, strange and free, wherein they saw the mind of Ilúvatar reflected anew, and learned yet a little more of his wisdom, which otherwise had been hidden even from the Ainur.

Now the Children of Ilúvatar are Elves and Men, the Firstborn and the Followers. And amid all the splendours of the World, its vast halls and spaces, and its wheeling fires, Ilúvatar chose a place for their habitation in the Deeps of Time and in the midst of the innumerable stars. And this habitation might seem a little thing to those who consider only the majesty of the Ainur, and not their terrible sharpness; as who should take the whole field of Arda for the foundation of a pillar and so raise it until the cone of its summit were more bitter than a needle; or who consider only the immeasurable vastness of the World, which still the Ainur are shaping, and not the minute precision to which they shape all things therein. But when the Ainur had beheld this habitation in a vision and had seen the Children of Ilúvatar arise therein, then many of the most mighty among them bent all their thought and their desire towards that place. And of these Melkor was the chief, even as he was in the beginning the greatest of the Ainur who took part in the Music. And he feigned, even to himself at first, that he desired to ... --Ce texte fait référence à l'édition Poche .

Détails sur le produit

  • Broché: 384 pages
  • Editeur : HarperCollins Publishers Ltd; Édition : New edition (1 novembre 1999)
  • Langue : Anglais
  • ISBN-10: 0261102443
  • ISBN-13: 978-0261102446
  • Dimensions du produit: 19,3 x 13 x 2,3 cm
  • Moyenne des commentaires client : 4.7 étoiles sur 5  Voir tous les commentaires (13 commentaires client)
  • Classement des meilleures ventes d'Amazon: 1.637.926 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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5.0 étoiles sur 5 LE GRAND OEUVRE DE TOLKIEN. 8 août 2005
Par Arkhantos TOP 500 COMMENTATEURS
Format:Relié|Achat authentifié par Amazon
Le Silmarillion est le livre de Tolkien, commencé en 1917 et inachevé à son décés en 1973, c'est son garçon Christopher, qui publiera un Silmarillion en 1977. Ce livre qui aurait du être plus long que le Seigneur narre la création du Monde, les guerres dess Elfes et des Hommes, contre Melkor, le premier seigneur des ombres et chef de Sauron. Ce livre est une merveille, les légendes tissées par Tolkien sont sublimes , Tinuviel, Turin ont la force de vrais mythes.
L'ouvrage présenté ici correspond au texte de l'édition révisée de 2002, il est ilustré par le trop meconnu, mais talentueux, Ted Nasmith. Même si il faut un bon niveau d'anglais pour lire ce livre, plus difficile encore que le Seigneur, pour peu que l'on fasse l'effort de s'y plonger on y trouve des merveilles.
A mon sens le plus beau livre de Tolkien.
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13 internautes sur 13 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Le meilleur livre que je connaisse 17 mai 2003
Format:Relié
Le récit envoûtant de la création d'Arda et de toutes les créatures qui la peuplent. On découvre dans ce livre tous les personnages qui ont fait de la Terre du Milieu ce qu'elle est devenue dans Le Seigneur des Anneaux, et on apprend que les guerres pour le pouvoir ont commencé bien avant l'arrivée de l'Anneau Unique.
Ce livre n'est pas réservé aux grands fans du Seigneur des Anneaux car il possède sa propre richesse en lieus, personnages et histoires, toutefois le dernier récit étant un résumé du SDA, il vaut mieux, pour le suspense, ne pas le lire avant le SDA.
Pour finir, je dirais que grâce à la richesse des détails, on redécouvre l'histoire à chaque relecture.
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29 internautes sur 32 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 La genèse du Seigneur des Anneaux 5 août 2003
Par "ashato"
Format:Broché
Le "Silmarillion" n'est pas une oeuvre de Tolkien comme les autres. D'abord, le livre est issu de papiers de Tolkien compilés par son fils Christopher. Ceci explique l'aspect décousu du livre, et les incohérences du récit. Ensuite, c'est un ensemble de cinq récits, traitant presque tous des deux premiers Âges : "Ainulindalë" (la création du monde), le "Valaquenta" (description des Valar, divinités d'Arda), le "Quenta Silmarilion" (la quête des Silmarils, bijoux merveilleux créés par l'Elfe Fëanor et volés par Morgoth, le dieu maléfique), "Akallabêth" (la chute de Númenor) et enfin "Des Anneaux de pouvoir et du Troisième Âge". Le tout forme non pas un roman avec une intrigue suivie, des héros, etc., mais plutôt une mythologie, celle qui précisait manquait à la Grande-Bretagne.

Tout ceci explique l'aspect rebutant du Silmarilion : style archaïque proche de celui de la Bible, personnages très nombreux et difficiles à suivre (qui est le fils de Machin, frère de Bidule,d'autant que Tolkien se plaît à mentionner que Machin est également appelé Truc en Quenya, Schmilblick en Sindarin et Dugenou en Westron), intrigues compliquées qu'on n'arrive pas toujours à recoller ensemble... Bref, on est facilement déçu.

Mais le Silmarillion est une oeuvre intéressante à plus d'un titre. D'abord, pour l'amateur de Tolkien, qui verra le tableau dépeint dans "Le Seigneur des Anneaux" mis en perspective avec ce récit des premiers âges. Ensuite, pour le simple lecteur, mis en présence d'un mythe ample et puissant, aux héros mémorables, aux grandes aventures épiques et tragiques. Le Silmarillion, en fait, égale en grandeur le mythe de Gilgameth ou les Sagas islandaises.

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5.0 étoiles sur 5 Perfect
Book conform to the description. Delivery a bit long but it comes from far away.
Perfect. . . . .
Publié il y a 26 jours par xdt03
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Dommage que l'on ne trouve pas cet article en français. Je l'ai vu en de nombreuses langues mais pas en français.
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5.0 étoiles sur 5 A lire, a relire - priceless!
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j'adore ce livre, et encore plus sous cette édition, simple, mais d'un cachet tout particulier ! de plus l'article est conforme à son descriptif.
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C'est le livre qu'il vous faut pour mieux comprendre le monde de Tolkien. Tout vous y est expliqué, de la naissance des elfes jusqu'à l'apparition des humains en... Lire la suite
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