Revue de presse
Peter H. Hansen has long been known to specialists in the field of climbing history as a tireless researcher, subtle theorist, and compelling storyteller. The publication of" The Summits of Modern Man" brings him to the summit of mountaineering scholarship. --Maurice Isserman, Hamilton College
"In this treatise on peak bagging and its post-Enlightenment significance, Peter Hansen unearths stories with a crampon-like grip. We meet star summiteers such as Michel-Gabriel Paccard and Jacques Balmat, who both ascended Mont Blanc in 1786; nineteen-century 'golden age' alpine mountaineers like physical scientists John Tyndall; and Edmund Hilary and Tenzig Norgay on Everest. But with today's retreating glaciers, Hansen reminds us that the idea of what it means to 'conquer' nature needs reconfiguring." --Nature, Books in Brief, 23/05/2013
"It is this thorny matter of nationality, sovereignty and the importance of being first that Peter H. Hansen [...] examines in his book. The importance to the British of being first to the top expressed a vision of sovereignty and masculinity, argues Hansen, that was wrapped into the notions of statehood, empire and its waning." --Carl Wilkinson, Financial TImes, 11/05/2013
Présentation de l'éditeur
The history of mountaineering has long served as a metaphor for civilization triumphant. Once upon a time, the Alps were an inaccessible habitat of specters and dragons, until heroic men--pioneers of enlightenment--scaled their summits, classified their strata and flora, and banished the phantoms forever. A fascinating interdisciplinary study of the first ascents of the major Alpine peaks and Mount Everest, The Summits of Modern Man surveys the far-ranging significance of our encounters with the world's most alluring and forbidding heights. Our obsession with "who got to the top first" may have begun in 1786, the year Jacques Balmat and Michel-Gabriel Paccard climbed Mont Blanc and inaugurated an era in which Romantic notions of the sublime spurred climbers' aspirations. In the following decades, climbing lost its revolutionary cachet as it became associated instead with bourgeois outdoor leisure. Still, the mythic stories of mountaineers, threaded through with themes of imperialism, masculinity, and ascendant Western science and culture, seized the imagination of artists and historians well into the twentieth century, providing grist for stage shows, poetry, films, and landscape paintings. Today, we live on the threshold of a hot planet, where melting glaciers and rising sea levels create ambivalence about the conquest of nature. Long after Hillary and Tenzing's ascent of Everest, though, the image of modern man supreme on the mountaintop retains its currency. Peter Hansen's exploration of these persistent images indicates how difficult it is to imagine our relationship with nature in terms other than domination.