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The Tudor Tailor: Reconstructing Sixteenth-Century Dress [Anglais] [Broché]

Jane Malcolm-Davies , Ninya Mikhaila
5.0 étoiles sur 5  Voir tous les commentaires (4 commentaires client)
Prix : EUR 19,53 LIVRAISON GRATUITE En savoir plus.
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The Tudor Tailor: Reconstructing Sixteenth-Century Dress + Patterns of Fashion: c1560-1620: 1560-1620 v. 3
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Détails sur le produit

  • Broché: 160 pages
  • Editeur : Batsford Ltd (30 mars 2006)
  • Langue : Anglais
  • ISBN-10: 0713489855
  • ISBN-13: 978-0713489859
  • Dimensions du produit: 27,6 x 22,6 x 1,6 cm
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (4 commentaires client)
  • Classement des meilleures ventes d'Amazon: 56.894 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
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4 internautes sur 5 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Tres bon ! 19 août 2006
Format:Broché
Tres bon livre, complet, centré sur l'époque, des schémas clairs, de belles photos, de l'homme et la femme de rue à la noblesse.
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3 internautes sur 4 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 excellente source historique 2 novembre 2010
Par M. Pauty
Format:Broché|Achat authentifié par Amazon
Cet ouvrage présente peu de modèles (comparé à un Janet Arnold) mais c'est bien expliqué, les schémas de patronage sont exploitables, à charge pour chacun de créer son échelle.
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5.0 étoiles sur 5 Le tailleur des Tudors 3 mars 2014
Format:Broché|Achat authentifié par Amazon
Complexe mais utimes pour aborder le vostume du XVI ème siècle. Nécessite une bonne maitrise de l'anglais mais patrons assez explicites.
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5.0 étoiles sur 5 intéressant, précis et détaillé 29 mars 2013
Par nour. v.
Format:Broché|Achat authentifié par Amazon
Ce livre est tout d'abord passionnant pour qui s'intéresse au sujet. De plus, de nombreux patrons (à agrandir) sont présents dans le livre. J'ai trouvé tout ce qu'il me fallait pour reconstituer un costume. Petit hic pour les francophones : il est en anglais !
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Amazon.com: 4.8 étoiles sur 5  52 commentaires
204 internautes sur 205 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Outstanding, well-researched, beautifully realized volume 20 avril 2006
Par ilkajonesing - Publié sur Amazon.com
Format:Broché
I have had this book in my possession for less than a week and I'm already beating it up, creasing the pages and getting it dirty and telling everyone I know about it.

I used to be a hardcore renaissance faire actor and boothie, and I own the usual sources: Janet Winter's and Carolyn Savoy's "Elizabethan Costuming for the Years 1550-1580"; Janet Arnold's "Patterns of Fashion" and Herbert Norris' "Tudor Costume and Fashion." All are commonly relied on by ren faire/SCA participants, though all three have their commonly-agreed-upon weaknesses.

Ms. Mikhaila and Ms. Malcolm-Davies should be commended for the scope and depth of the manual they have created. The writing is succinct, intelligent and accessible. The book dives right in with an assessment of researching historical costume, the strengths and weaknesses of primary sources, and a thorough overview of what was being worn by whom and why. There is even a series of small line drawings (over 40) showing what was worn by the common people and the nobility, basic sorts of silhouettes to work from. The first chapters are filled with portraits, line drawings and photographs of actual clothing of the time period, including some works and pieces I have never seen reproduced in other art, history or costume volumes. There is an entire chapter on fabrics and garment creation and structure, including a table discussing the various materials.

Then the book plunges immediately into construction techniques. Although experts won't need the descriptions of stitches or instructions on using patterns, part of the appeal of this book is in its completeness and the details. The subject of Tudor costuming is covered meticulously, and yet, there are no wasted words, no filler, nothing that won't be useful, informative or entertaining. It's comprehensive, but not exhaustive. I read the entire book, cover to cover, in a couple days' time (admittedly, I read it at every opportunity, often foregoing sleep and whatever else that did not seem important).

Amazingly, the majority of this book covers the actual pieces of clothing to be made. It starts with the foundation pieces for both genders, moves along to all the various possibilities: hose, doublets and more for men; gowns, bodices, kirtles, partlets and more for women, plus ruffs, cuffs, collars, hats, even hair -- and each one is carefully described as to the construction, with careful illustrations and actual photographs of garments during creation. "Henrician" (I have not heard such term before), Elizabethan and late Elizabethan costumes are covered in equal detail. With all due respect to Ms. Winter and Ms. Savoy, I was floored by the instructions, and I felt far more confidence in the process than I did with "Elizabethan Costuming." I am not a beginner, but my feeling is that a novice with a basic sewing background, after carefully reading the instructions, could construct any of the described garments.

Has footnotes, a bibliography and a small but quality list of suppliers.

There are not enough superlatives to use to describe this delicious book. I highly recommend it, would give it six stars if the rating system would let me.
55 internautes sur 56 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Great use of extant evidence and empirical research. 8 avril 2006
Par L. Diaz - Publié sur Amazon.com
Format:Broché
This long awaited book is a breath of fresh air for the die-hard renaissance costumier. Much of the book is devoted to offering the reader empirical evidence to support the reconstruction methods of these Tudor costumes. While the use of portraits in reserach in not so new, the combined use of portraits, extant articles of clothing, and up-close photographs of detailed carved monuments showing various styles of Tudor dress is impressive. The authors also make extensive use of primary documents, namely in the form of wills and household inventories. These go a long way to encourage accurate reproductions of Tudor clothing. The authors are keen to include clothing from all social classes, not just the nobility. There are many color photographs of portraits, actual extant artifacts, and reproduction garments. The book is divided into sections which deal with the social history of clothing at the time, materials used in the construction of historical and reproduction garments, and finally the patterns and construction techniques. The authors include an extensive bibliography, and some very informative footnotes. Even a list of materials suppliers is added in the appendix. The only difficulties I encountered using this resource were, first, in discerning which photo went with which section of text, and second, in creating life sized, usable patterns from grid pages. They did not enlarge so well. However, a well seasoned semstress would likely be successful; a hobbyist (like myself) may not. Still, the book is worth the price just for the quality of the documentation alone. I would have loved to own this in a hardcover. L. Diaz - Rating should be 5 stars, I hit the wrong buttton!
38 internautes sur 39 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Useful how-to for 16th century reenactors 9 juillet 2006
Par Catherine Raymond - Publié sur Amazon.com
Format:Broché
Finally, here's a reference that will give the reenactor patterns and directions for clothing yourself in 16th century (English) attire--from the skin out--no matter what social class is to be portrayed. In terms of the amount of information the book makes available it is an excellent value for the money--particularly at Amazon's discounted price.
24 internautes sur 24 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 What an Inspiring Book 16 avril 2006
Par Jana A. Malmberg - Publié sur Amazon.com
Format:Broché
I just happened to run across this book on the internet about a month before it was published. By the photographs that were displayed on her website I knew I just had to have it. I got it directly from the author and she so very kindly signed it for me and I must say I was not in the slightest disapointed. Printing and publishing books is an expesive venture and the amount of books out there for the historical costumer to buy are very few (of which I probably own all 5) so the publisher knows very little of what the market could truely hold. I was astonished at how much was there in the book. She covers all the escentials from the underclothing, corsets, hoop skirts, under gowns and over gowns, dublets and slops, hats and hair. She has laid out the patterning like Janet Arnold did and thuroughly researched the fabrics, how tall people were, what they were buried in, sumptuary laws, and so much more. She even goes into detail such as cutting on the bias for men's hose (it should only be made of 1 piece). I will recommend this book to every renaissance and tudor reenactor who needs resources. It's the closest we are going to get to the monumental research Janet Arnold did for us before she died. You can find the book on the authors web site, just type in [...] or go to the Amazon.uk site and it is sold there. Happy reading and may our clothing better reflect the time we are portraying than the Simplicity patterns so many are using. Enjoy.
15 internautes sur 15 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Research changes ideas about costuming 10 septembre 2007
Par Carolina Diva - Publié sur Amazon.com
Format:Broché|Achat authentifié par Amazon
This book will change your thinking about costuming for the English Renaissance. The research on wills in Elizabethan Essex was particularly interesting, revealing that the color red was not limited to the upper class as earlier research suggested. The line drawings are extremely useful, showing variations of styles. The most interesting part, to me, was the information that a separate "bodies" or corset was a very late variation. I'd always been taught that the lineup was chemise, corset, underskirt, overskirt and bodice, with all the bulk of separate waistbands, lacing, etc. This book shows that the clothing was actually much simpler, with a boned "kirtle" as the basic garment over the chemise, with a petticoat underneath. High class women could get dressed by themselves, with easily accessible lacing hidden under gown fronts. It also puts to rest the idea that serving up one's bosoms, as we all too often see at the Renaissance Faires, as if they were on a tray, is NOT a period practice. I'm in the midst of creating a new costume based on these ideas, and the scaled down patterns in the book are exactly what I need to do that. The book also gives very detailed instructions on constructing the garments. All around, this book is one of the best new costume books I've ever seen, building on the greats and bringing a fresh new perspective to the art of recreating the dress of the past.
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