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The Ultimate Hitchhiker's Guide to the Galaxy [Anglais] [Broché]

Douglas Adams
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Description de l'ouvrage

30 avril 2002 Hitchhiker's Guide to the Galaxy
At last in paperback in one complete volume, here are the five classic novels from Douglas Adams’s beloved Hitchiker series.

The Hitchhiker’s Guide to the Galaxy
Seconds before the Earth is demolished for a galactic freeway, Arthur Dent is saved by Ford Prefect, a researcher for the revised Guide. Together they stick out their thumbs to the stars and begin a wild journey through time and space.

The Restaurant at the End of the Universe
Facing annihilation at the hands of warmongers is a curious time to crave tea. It could only happen to the cosmically displaced Arthur Dent and his comrades as they hurtle across the galaxy in a desperate search for a place to eat.

Life, the Universe and Everything
The unhappy inhabitants of planet Krikkit are sick of looking at the night sky– so they plan to destroy it. The universe, that is. Now only five individuals can avert Armageddon: mild-mannered Arthur Dent and his stalwart crew.

So Long, and Thanks for All the Fish
Back on Earth, Arthur Dent is ready to believe that the past eight years were all just a figment of his stressed-out imagination. But a gift-wrapped fishbowl with a cryptic inscription conspires to thrust him back to reality. So to speak.

Mostly Harmless
Just when Arthur Dent makes the terrible mistake of starting to enjoy life, all hell breaks loose. Can he save the Earth from total obliteration? Can he save the Guide from a hostile alien takeover? Can he save his daughter from herself?

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Produits fréquemment achetés ensemble

The Ultimate Hitchhiker's Guide to the Galaxy + And Another Thing ...: Douglas Adams' Hitchhiker's Guide to the Galaxy: Part Six of Three
Acheter les articles sélectionnés ensemble


Descriptions du produit

Extrait

What Was He Like,
Douglas Adams?

He was tall, very tall. He had an air of cheerful diffidence. He
combined a razor-sharp intellect and understanding of what
he was doing with the puzzled look of someone who had
backed into a profession that surprised him in a world that
perplexed him. And he gave the impression that, all in all, he was rather
enjoying it.

He was a genius, of course. It’s a word that gets tossed around a lot
these days, and it’s used to mean pretty much anything. But Douglas was
a genius, because he saw the world differently, and more importantly, he
could communicate the world he saw. Also, once you’d seen it his way
you could never go back.

Douglas Noel Adams was born in 1952 in Cambridge, England (shortly
before the announcement of an even more influential DNA, deoxyribonucleic
acid). He was a self-described “strange child” who did not learn
to speak until he was four. He wanted to be a nuclear physicist (“I never
made it because my arithmetic was so bad”), then went to Cambridge to
study English, with ambitions that involved becoming part of the tradition
of British writer/performers (of which the members of Monty Python’s
Flying Circus are the best-known example).

When he was eighteen, drunk in a field in Innsbruck, hitchhiking across
Europe, he looked up at the sky filled with stars and thought, “Somebody
ought to write the Hitchhiker’s Guide to the Galaxy.” Then he went to
sleep and almost, but not quite, forgot all about it.

He left Cambridge in 1975 and went to London where his many writ-ing
and performing projects tended, in the main, not to happen. He
worked with former Python Graham Chapman writing scripts and sketches
for abortive projects (among them a show for Ringo Starr which contained
the germ of Starship Titanic) and with writer-producer John Lloyd
(they pitched a series called Snow Seven and the White Dwarfs, a comedy
about two astronomers in “an observatory on Mt. Everest–“The idea
for that was minimum casting, minimum set, and we’d just try to sell the
series on cheapness”).

He liked science fiction, although he was never a fan. He supported
himself through this period with a variety of odd jobs: he was, for example,
a hired bodyguard for an oil-rich Arabian family, a job that entailed
wearing a suit and sitting in hotel corridors through the night listening to
the ding of passing elevators.

In 1977 BBC radio producer (and well-known mystery author) Simon
Brett commissioned him to write a science fiction comedy for BBC Radio
Four. Douglas originally imagined a series of six half-hour comedies
called The Ends of the Earth–funny stories which at the end of each, the
world would end. In the first episode, for example, the Earth would be
destroyed to make way for a cosmic freeway.

But, Douglas soon realized, if you are going to destroy the Earth, you
need someone to whom it matters. Someone like a reporter for, yes, the
Hitchchiker’s Guide to the Galaxy. And someone else . . . a man who was
called Alaric B in Douglas’s original proposal. At the last moment Douglas
crossed out Alaric B and wrote above it Arthur Dent. A normal name
for a normal man.

For those people listening to BBC Radio 4 in 1978 the show came as a
revelation. It was funny–genuinely witty, surreal, and smart. The series
was produced by Geoffrey Perkins, and the last two episodes of the first
series were co-written with John Lloyd.

(I was a kid who discovered the series–accidentally, as most listeners
did–with the second episode. I sat in the car in the driveway, getting
cold, listening to Vogon poetry, and then the ideal radio line “Ford,
you’re turning into an infinite number of penguins,” and I was happy;
perfectly, unutterably happy.)

By now, Douglas had a real job. He was the script editor for the long-running
BBC SF series Doctor Who, in the Tom Baker days.

Pan Books approached him about doing a book based on the radio series,
and Douglas got the manuscript for The Hitchhiker’s Guide to the
Galaxy
in to his editors at Pan slightly late (according to legend they telephoned
him and asked, rather desperately, where he was in the book, and
how much more he had to go. He told them. “Well,” said his editor,
making the best of a bad job, “just finish the page you’re on and we’ll
send a motorbike around to pick it up in half an hour”). The book, a paperback
original, became a surprise bestseller, as did, less surprisingly, its
four sequels. It spawned a bestselling text-based computer game.

The Hitchhiker’s Guide to the Galaxy sequence used the tropes of science
fiction to talk about the things that concerned Douglas, the world
he observed, his thoughts on Life, the Universe, and Everything. As we
moved into a world where people really did think that digital watches
were a pretty neat thing, the landscape had become science fiction and
Douglas, with a relentless curiosity about matters scientific, an instinct
for explanation, and a laser-sharp sense of where the joke was, was in
a perfect position to comment upon, to explain, and to describe that
landscape.

I read a lengthy newspaper article recently demonstrating that Hitchhiker’s
was in fact a lengthy tribute to Lewis Carroll (something that
would have come as a surprise to Douglas, who had disliked the little of
Alice in Wonderland he read). Actually, the literary tradition that Douglas
was part of was, at least initially, the tradition of English Humor Writing
that gave us P. G. Wodehouse (whom Douglas often cited as an influence,
although most people tended to miss it because Wodehouse didn’t write
about spaceships).

Douglas Adams did not enjoy writing, and he enjoyed it less as time
went on. He was a bestselling, acclaimed, and much-loved novelist who
had not set out to be a novelist, and who took little joy in the process of
crafting novels. He loved talking to audiences. He liked writing screenplays.
He liked being at the cutting edge of technology and inventing and
explaining with an enthusiasm that was uniquely his own. Douglas’s
ability to miss deadlines became legendary. (“I love deadlines,” he said
once. “I love the whooshing sound they make as they go by.”)

He died in May 2001–too young. His death surprised us all, and left a
huge, Douglas Adams—sized hole in the world. We had lost both the man
(tall, affable, smiling gently at a world that baffled and delighted him)
and the mind.

He left behind a number of novels, as often-imitated as they are, ultimately,
inimitable. He left behind characters as delightful as Marvin the
Paranoid Android, Zaphod Beeblebrox and Slartibartfast. He left sentences
that will make you laugh with delight as they rewire the back of
your head.

And he made it look so easy.

–Neil Gaiman,
January 2002

(Long before Neil Gaiman was the bestselling author of novels like American Gods and
Neverwhere
, or graphic novels like The Sandman sequence, he wrote a book called Don’t
Panic
, a history of Douglas Adams and the Hitchhiker’s Guide to the Galaxy.)

Revue de presse

“WITH DROLL WIT, A KEEN EYE FOR DETAIL AND HEAVY DOSES OF INSIGHT . . . ADAMS MAKES US LAUGH UNTIL WE CRY.”
–San Diego Union

“LIVELY, SHARPLY SATIRICAL, BRILLIANTLY WRITTEN . . . RANKS WITH THE BEST SET PIECES IN MARK TWAIN.”
–The Atlantic

Détails sur le produit

  • Broché: 832 pages
  • Editeur : Del Rey; Édition : Book Club (BCE/BOMC) (30 avril 2002)
  • Collection : Hitchhiker's Guide to the Galaxy
  • Langue : Anglais
  • ISBN-10: 0345453743
  • ISBN-13: 978-0345453747
  • Dimensions du produit: 23,4 x 15,5 x 3,8 cm
  • Moyenne des commentaires client : 4.4 étoiles sur 5  Voir tous les commentaires (8 commentaires client)
  • Classement des meilleures ventes d'Amazon: 10.884 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Dans ce livre (En savoir plus)
Première phrase
Far out in the uncharted backwaters of the unfashionable end of the Western Spiral arm of the Galaxy lies a small unregarded yellow sun. Lire la première page
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Concordance
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Couverture | Copyright | Table des matières | Extrait
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Commentaires en ligne 

4.4 étoiles sur 5
4.4 étoiles sur 5
Commentaires client les plus utiles
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Du Edika en roman ! 4 janvier 2012
Par Piment coloré TOP 500 COMMENTATEURS
Format:Broché
J'ai lu cette série à 20 ans, et je me suis vraiment éclaté, c'est de l'absurde à la Edika dans le monde de la SF - des jeux de mots que l'on savoure et re-savoure tout au long du livre, une ligne de narration qui est logique jusqu'à la fin, et des gros méchants stupides vraiment cruels. L'imagination de Douglas Adams est débordante, son personnage principal est un pauvre type anti-héros à souhait (pleutre, ivrogne, inintéressant...), et la fin du 5ème livre reste étonnante malgré ça.
Bonne lecture, so long and thanks for the fish !
Nota: Si vous êtes en manque après, Eoin Colfer a écrit un 7ème opus, posthume donc, "One more thing", un vrai hommage très réussi !
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1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Top 11 mars 2012
Format:Format Kindle
Excellent Kindle presentation for this fun 5-book trilogy. I would have prefered covers for every book, but the whole edition is of good quality and easy to read.
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1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 You are about to read a cultural classic 2 juillet 2011
Par bernie
Format:Broché
How many times have you asked a simple question and go the answer as "42." Yep, you are a victim to this book. Many of the clichés and truisms that rival Shakespeare are creeping into our vocabulary. Moreover, attitudes - "It has been on file."

If you are the one person that somehow got through life with out reading this series or at least seeing this on TV, then you are in for a treat. Somehow, this story is earmarked as sci-fi and I guess it can be in a sense and it has all the elements necessary; it delivers a powerful message to the local Zoning Board.

I will not go though the story, as that is why you are reading the book. You need to sit down for the next sentence.
This book has changed my life.
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1 internautes sur 1 ont trouvé ce commentaire utile 
Format:Broché
La VF existe pour cette édition qui se veut définitive de H2G2... mais des erreurs de traduction et d'interprétation ainsi qu'un humour qui n'est plus le même que celui de l'auteur, c'est bien dommage !

Bonne lecture et merci pour le poisson (et à Nicolas Botti pour son travail de fourmi !)
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