The Vagina Monologues: The V-Day Edition
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Amazon.com
"I say vagina because I want people to respond," says playwright Eve Ensler, creator of the hilarious, disturbing soliloquies in The Vagina Monologues, a book based on her one-woman play. And respond they do--with horror, anger, censure, and sparks of wonder and pleasure. Ensler is on a fervent mission to elevate and celebrate this much mumbled-about body part. She asked hundreds of women of all ages a series of questions about their vaginas (What do you call it? How would you dress it?) that prompt some wondrous answers. Standouts among the euphemisms are tamale, split knish, choochi snorcher, Gladys Siegelman--Gladys Siegelman?--and, of course, that old standby "down there." "Down there?" asks a composite character springing from several older women. "I haven't been down there since 1953. No, it had nothing to do with [American president] Eisenhower." Two of the most powerful pieces include a jagged poem stitched together from the memories of a Bosnian woman raped by soldiers and an American woman sexually abused as a child who reclaims her vagina as a place of wild joy.
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From Publishers Weekly
Playwright and activist Ensler's off-Broadway hit has been so successful it's spawned an internationally touring show and a nonprofit organization that supports work to stop violence against women and girls. Drawing from hundreds of interviews, some presented nearly verbatim, others as composites, and encompassing women of all races, ages, backgrounds, sexual preferences and nationalities, Ensler's one-and-a-half-hour, unabridged performance beckons listeners to reconnect with the "unnamed, untamed and unknown" down there. The sketch topics range from mundane yet funny (menstruation, gynecological exams, thong underwear and moaning styles) to truly poignant (rape, genital mutilation and their distressing statistics). Ensler tackles each with equal passion, in a voice as changeable as the show's tone. Narrated mostly in highly affected voices, like the memorable screaming, Southern accent in the piece called "My Angry Vagina," or the intense poetic articulation of "Reclaiming Cunt," Ensler's performance also portrays the reverence, awe and "deep worship of vagina" she felt after witnessing the birth of her granddaughter in a final segment dedicated to her daughter-in-law, entitled "I Was There In The Room."
Copyright 2003 Reed Business Information, Inc.
Copyright 2003 Reed Business Information, Inc.
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› Consultez la page Eve Ensler d'Amazon
› Consultez la page Eve Ensler d'Amazon
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Couverture | Copyright | Table des matières | Extrait | Quatrième de couverture
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