From Publishers Weekly
From Library Journal
Copyright 2002 Reed Business Information, Inc.
Présentation de l'éditeur
Since 2002, The War of Art has inspired people around the world to defeat "Resistance"; to recognize and knock down dream-blocking barriers and to silence the naysayers within us.Resistance kicks everyone's butt, and the desire to defeat it is equally as universal. The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success.Though it was written for writers, it has been embraced by business entrepreneurs, actors, dancers, painters, photographers, filmmakers, military service members and thousands of others around the world.
"As I closed The War of Art, I felt a surge of positive calm. I now know I can win this war. And if I can win, so can you." - From the foreword by Robert McKee, screenwriting guru"
[The War of Art] aims to help readers channel creative energy, unlock potential and overcome the fears that stop us from reaching our fullest potential. With courage, following the right formula and working hard, the book proposes that passion can be turned into purpose." - Ellen Degeneres book pick
"Resistance is the voice in the back of our head telling us to back off, be careful, go slow, compromise. . . . [Steve Pressfield is] the godfather of the resistance, the five-star general in the war against fear." - Seth Godin
"A vital gem . . . a kick in the ass." - Esquire
"I've never read a self help book that wasn't fatuous, obvious and unhelpful. Until The War of Art. It's amazingly cogent and smart on the psychology of creation. If I ever teach a writing course this would be one of the first books I'd assign, along with the letters of Flannery O'Connor." - Jay McInerney, author of Bright Lights, Big City and Brightness Falls
"Yes, The War of Art is hell. But Steven Pressfield is our Clausewitz who shows how you too can battle against The Four Horsemen of The Apologetic: sloth, inertia, rationalization and procrastination. Shakespeare, Rembrandt and Beethoven all are proof of what you can do with talent and General Pressfield." - Frank Deford, author and NPR commentator
"A marvelous help for anybody who has ever encountered the resistance of a blank page, an empty canvas or an unyielding musical scale."
- Stan Berenstein, co-creator of The Berenstein Bears
Steven Pressfield is the author of the novels The Legend of Bagger Vance (made into the movie starring Matt Damon and Will Smith), Gates of Fire, Tides of War, Last of the Amazons, Virtues of War, The Afghan Campaign, Killing Rommel, and The Profession. His nonfiction includes The War of Art, The Warrior Ethos, and the upcoming Turning Pro. His books are included in the curriculum at West Point and the Naval Academy, and are on the Commandant's Reading List for the Marine Corps.
In 2012, Pressfield will launch his independent publishing company, BLACK IRISH BOOKS with his longtime editor, agent, publisher, and friend, Shawn Coyne.
· dream about writing the Great American Novel?
· regret not finishing your paintings, poems, or screenplays?
· want to start a business or charity?
· wish you could start dieting or exercising today?
· hope to run a marathon someday?
If "yes," then you need THE WAR OF ART
Now, in this powerful, straight-from-the-hip examination of the internal obstacles to success, bestselling author Steven Pressfield shows readers how to identify, defeat, and unlock the inner barriers to creativity. THE WAR OF ART is an inspirational, funny, well-aimed kick in the pants guaranteed to galvanize every would-be artist, visionary, or entrepreneur.
Steven Pressfield enjoys great international success as a bestselling novelist. But in order to reach the top he had to do a lot of work to fight the inner demons that told him he couldnt make it. THE WAR OF ART is his challenge to creative block, and his succinct, straight-from-the-hip style will help every reader unleash their personal ambitions, be they literary, artistic, or business-minded.
According to Pressfield, the internal obstacle to success is Resistance. Resistance is the difference between the life you lead and the life you want to lead, and can take many forms. Pressfield shows readers how to identify and defeat Resistance at every turn and challenges them to change their amateurish, unsuccessful habits into a professional attitude that can get the job done. Finally, Sun Tzu for the soul!
Inspirational, funny, and a great kick in the pants, THE WAR OF ART is the perfect book for anybody who had a goal circumvented by life and circumstance: which is to say, you and everybody youve ever met.
Bestselling Author of STORY: Substance, Structure, Style, and the Principles of Screenwriting
On The War of Art
Steven Pressfield wrote The War of Art for me. He undoubtedly wrote it for you too, but I know he did it expressly for me because I hold Olympic records for procrastination. I can procrastinate thinking about my procrastination problem. I can procrastinate dealing with my problem of procrastinating thinking about my procrastination problem. So Pressfield, that devil, asked me to write this foreword against a deadline, knowing that no matter how much I stalled, eventually I'd have to knuckle down and do the work. At the last possible hour I did, and as I leafed through Book One, "Defining the Enemy," I saw myself staring back guilty-eyed from every page. But then Book Two gave me a battle plan; Book Three, a vision of victory; and as I closed The War of Art, I felt a surge of positive calm. I now know I can win this war. And if I can, so can you.
To begin Book One, Pressfield labels the enemy of creativity Resistance, his all-encompassing term for what Freud called the Death Wish-that destructive force inside human nature that rises whenever we consider a tough, long-term course of action that might do for us or others something that's actually good. He then presents a rogue's gallery of the many manifestations of Resistance. You will recognize each and every one, for this force lives within us all-self-sabotage, self-deception, self-corruption. We writers know it as "block," a paralysis whose symptoms can bring on appalling behavior.
Some years ago I was as blocked as a Calcutta sewer, so what did I do? I decided to try on all my clothes. To show just how anal I can get, I put on every shirt, pair of pants, sweater, jacket, and sock, sorting them into piles: spring, summer, fall, winter, Salvation Army. Then I tried them on all over again, this time parsing them into spring casual, spring formal, summer casual... Two days of this and I thought I was going mad. Want to know how to cure writer's block? It's not a trip to your psychiatrist. For as Pressfield wisely points out, seeking "support" is Resistance at its most seductive. No, the cure is found in Book Two: "Turning Pro."
Steven Pressfield is the very definition of a pro. I know this because I can't count the times I called the author of The Legend of Bagger Vance to invite him for a round of golf, and although tempted, he declined. Why? Because he was working, and as any writer who has ever taken a backswing knows, golf is a beautifully virulent form of procrastination. In other words, Resistance. Steve packs a discipline forged of Bethlehem steel.
I read Steve's Gates of Fire and Tides of War back-to-back while traveling in Europe. Now, I'm not a lachrymose guy; I hadn't cried over a book since The Red Pony, but these novels got to me. I found myself sitting in cafés, choking back tears over the selfless courage of those Greeks who shaped and saved Western civilization. As I looked beneath his seamless prose and sensed his depth of research, of knowledge of human nature and society, of vividly imagined telling details, I was in awe of the work, the work, all the work that built the foundation of his riveting creations. And I'm not alone in this appreciation. When I bought the books in London, I was told that Steve's novels are now assigned by Oxford history dons who tell their students that if they wish to rub shoulders with life in classical Greece, read Pressfield.
How does an artist achieve that power? In the second book Pressfield lays out the day-by-day, step-by-step campaign of the professional: preparation, order, patience, endurance, acting in the face of fear and failure-no excuses, no bullshit. And best of all, Steve's brilliant insight that first, last, and always, the professional focuses on mastery of the craft.
Book Three, "The Higher Realm," looks at Inspiration, that sublime result that blossoms in the furrows of the professional who straps on the harness and plows the fields of his or her art. In Pressfield's words: "When we sit down each day and do our work, power concentrates around us...we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete." On this, the effect of Inspiration, Steve and I absolutely agree. Indeed, stunning images and ideas arrive as if from nowhere. In fact, these seemingly spontaneous flashes are so amazing, it's hard to believe that our unworthy selves created them. From where, therefore, does our best stuff come?
It's on this point, however, the cause of Inspiration, that we see things differently. In Book One Steve traces Resistance down its evolutionary roots to the genes. I agree. The cause is genetic. That negative force, that dark antagonism to creativity, is embedded deep in our humanity. But in Book Three he shifts gears and looks for the cause of Inspiration not in human nature, but on a "higher realm." Then with a poetic fire he lays out his belief in muses and angels. The ultimate source of creativity, he argues, is divine. Many, perhaps most readers, will find Book Three profoundly moving.
I, on the other hand, believe that the source of creativity is found on the same plane of reality as Resistance. It, too, is genetic. It's called talent: the innate power to discover the hidden connection between two things-images, ideas, words-that no one else has ever seen before, link them, and create for the world a third, utterly unique work. Like our IQ, talent is a gift from our ancestors. If we're lucky, we inherit it. In the fortunate talented few, the dark dimension of their natures will first resist the labor that creativity demands, but once they commit to the task, their talented side stirs to action and rewards them with astonishing feats. These flashes of creative genius seem to arrive from out of the blue for the obvious reason: They come from the unconscious mind. In short, if the Muse exists, she does not whisper to the untalented.
So although Steve and I may differ on the cause, we agree on the effect: When inspiration touches talent, she gives birth to truth and beauty. And when Steven Pressfield was writing The War of Art, she had her hands all over him.