The Ash Wednesday Supper/LA Cena De Le Ceneri: LA Cena De Le Ceneri [Anglais] [Broché]

Giordan Bruno is still today a controversial philosopher. In this book he exposes his philosophical/cosmological ideas and, in doing so, he uses the new Copernican theory as the basis for a new, daring vision of the universe.
Anybody who would like to familiarize him/herself with the work of Bruno, or is interested in the development of Western ideas will find this book extremely challenging. However I would like to say a few words on the interpretation that the translators give of Bruno's ideas. The translators appear to follow completely an interpretation of Bruno based on the theory of the english scolar Frances Yates. According to this theory Bruno was an exponent of the (then popular) Hermetic movement.
It is imperative to underscore that Yates theory is not universally accepted. While it is known that Hermetic influences can be traced in Bruno, to reduce his whole cosmology and his understanding of Copernican theory to a "hieroglyphic" is misleading if not plainly wrong.
Bruno was not a scientist, but he was the first to intuitively realize the revolutionary consequences of Copernican theory (not only for science) and to bring that theory to its logical conclusions: an infinite universe with infinite earth-like worlds. This vision can not be reconciled with the world of the hermetic "Magus". The whole purpose of the hermetic Magus was to ascend the material world to the world of the perfect spheres. In Bruno's universe there is nothing to ascend to. The universe is composed of a thin air where an infinity of worlds and stars are suspended and move following universal (animistic) principles. The other worlds are corruptible as much as the earth and may be inhabited by earth-like people. The very base of the hermetic doctrine is missing. I would therefore encourage the interested reader not to stop the investigation of Bruno's ideas to the hermetic interpretation, but to also read different points of view (for example Yates interpretation of Bruno's use of images has recently been challenged with very solid arguments by the finding of italian scholars). In particular I found the book of Hillary Gatti "Giordano Bruno and the renaissance science" extremely interesting and complete.

Giordano Bruno stands at the cusp between the Renaissance and the modern world. His unique attempts to extract philosophical and theological meaning from Copernicus's forward-looking work provide us with striking insights into the Weltanschauung of his troubled times. Gosselin and Lerner have brilliantly translated Bruno's elegant but involuted Renaissance Italian into clear modern English that nevertheless preserves the spirit of the original. Their thoughtful notes bring comprehensibility to previously misunderstood passages, and the linkage they establish between Bruno's travails and Galileo's later troubles is highly convincing. A must-read for the scientist as well as the philosopher