Un autre commentateur ayant laissé un résumé, je vais plutôt expliquer pourquoi j'ai trouvé ce Prix Hugo et aussi Prix Nebula particulièrement décevant.
Tout d'abord, l'écriture. Je l'ai trouvée plate au possible, sans relief. L'auteur glisse des expressions thaïlandaises et japonaises, sans doute dans un souci de faire couleur locale. Mais là où cela devient ridicule, c'est quand deux personnages sont censés se parler en Thaï et qu'on trouve ces expressions : doit-on en déduire alors qu'ils se parlent en Thaï et que les expressions qu'ils utilisent sont en fait en anglais ? C'est agaçant à plus forte raison quand on sait que ces mots ont des équivalents ou des traductions.
Ensuite, les personnages. On peut tous les résumer à quelques mots, c'est dire leur épaisseur et leur profondeur ! Emiko, génétiquement modifiée mais qui va dépasser sa "programmation" orginelle, Anderson qui n'est intéressé que par le profit et mené par son intérêt, Hok Seng, le survivant paranoïaque mais pas assez, Jaidee, l'incorruptible chevalier blanc, etc. Un seul personnage pourrait sortir du lot, mais finalement, vu le lot en question, ce n'est pas dire grand chose.
Pour finir, l'histoire, l''action et le rythme. Il ne se passe rien de signifiant ou presque, à part dans les 100 dernières pages. Je ne suis pas plus amateur que ça de grosses explosions et de courses-poursuites, mais j'aime bien qu'il y ait un sens, un rythme.Lire la suite ›
Le royaume de Thaïlande dans un futur dystopique, environ deux siècles dans le futur. Le royaume, quoique corrompu et véreux, est un des derniers ilôts de résistance après une catastrophe écologique globale, en grande partie fomentée par les grandes firmes agro-alimentaires (appelées "Calories Companies": AgriGen, PurCal and RedStar). La bio-diversité est un lointain souvenir, les cultures se meurent régulièrement affectées par des maladies qui mutent à toutes vitesse, les plantes sauvages existent de moins en moins. Les céréales transmettent des maladies mortelles à ceux qui les mangent, les fruits attrapent des maladies et meurent, la volaille est victime de pandémies majeures, et la nature semble devenue folle. À moins que les grandes firmes agro alimentaires n'aient volontairement créé une partie de ces calamités pour vendre leurs semences résistantes (et stériles) qui leur assure une richesse indécente et un pouvoir sans borne tandis que le monde entier s'enfonce dans la famine.
En tous cas, sur ce monde dépeuplé et largement miné par la famine, et les campagnes largement désertifiées par mort de beaucoup de végétaux naturels, ce sont actuellement les grands groupes agro-alimentaires qui dominent le monde, et la vraie richesse est génétique: ceux qui ont gardé des graines non contaminées des plantes de l'ancien monde détiennent le vrai pouvoir.Lire la suite ›
I did like this book. I found it to be a bit of a slow start, but it got better when the action started. The writer is certainly good at describing and developing action scenes and the erotic sections. As sequels there are quite a few directions that the author could develop, like the future of the 'Windup' population and their evolution. Hopefully we'll see more on the theme.
This is a trully original book. The characters are fascinating, especially the windup girl with her moral strength and generosity despite adversity. The confrontation of a set of cultural traits (Thai society), with the challenges of a world turned upside down by the greeed of agro-companies is really interesting.
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Thai generip terror.23 septembre 2009
- Publié sur Amazon.com
Thai generip terror.
It Bacigalupi ever writes anything that is sweetness and light, that right there would be likely proof of the Many Worlds Theory and the fact that you had slipped into an alternate universe.
The setting is Bangkok, or, colloquially, Krung Thep. It is also a near future dystopia. The city now houses many displaced Chinese refugees from a Malaysia turned fundamentalist muslim fanatics. (See his story Yellow Card Man for background) Bangkok itself is only kept from drowning by engineering and technology.
This is a post-oil world, with very little petroleum technology available, remaining. No evidence of solar tech, either, really. Power is provided by human labor and genetically engineered highly efficient animals pourding kinetic energy into springs, which then can be used to power machines. Treadle computers, even. Countries have shrunk in upon themselves as a result, but are beginning to look outward again, with ships, and dirigibles. This makes this setting rather unlike the mass-media or AI ridden future India and Brasil etc. of Ian McDonald's devising.
Particularly nasty are the 'calorie companies' - organisations that have the ability to manufacture crops in large supply: but their crops are sterile, so you always need to go back for more. That is if bugs and plagues 'weevils' and 'blister rust' do not get them. Much dirty, violent dealing in support of this activity (see his story The Calorie Man) and there are mentions of it going horribly wrong in other countries. One of the questions this raises is how they manage to stay around - why, with such hatred of them, are the calorie men and women not mercilessly hunted and slaughtered. The only intimations you get of this are economic power, based in the USA. Also China is apparently dysfunctional, and many other countries are devastated. Thailand, through foresight, is struggling on, and is hence a point of interest. Their genetic stocks and the genetic engineering expert they have on hand to help defend them are of interest to all.
The rapidly mutating diseases caused by genetic engineering meddling and conflict kill many - with mainly the calorie companies having the resources to combat their own hellish offspring, if they care to. Mutated cats with no real predators except humans have also destroyed a lot of the food chain.
The novel has many viewpoints:
Anderson Lake, An American calorie man representative, brought in to try and increase productivity at a factory working on more efficient power springs. More than he seems, however.
Hock Seng, The Yellow Card Man, an elderly fallen Chinese merchant who escaped massacres and now works for Lake.
Emiko, The Windup Girl. A Japanese artificially created human. Unable to reproduce, overheats easily but has many unknown talents. Left behind by her owner, currently a working bar girl.
Kanya, an officer in the Environment Ministry's corps of field soldiers responsible for protecting the city from incursions of disease, animals and artificial humans.
Conflict develops from many angles - there is longstanding resentment between the Environment Ministry and Trade Ministry because of different philosophies, inward, and outward looking, respectively. The foreign merchants look to exploit this. Then there is of course anti-refugee racism. As mentioned before, and historically, the Asian against Asian racism or nationalism is quite horrific.
The novel leaves you uneasy the whole way through, but fascinated. After many thousands of stories I am not easy to surprise. I had no idea what the hell was going to happen in this book, apart from the fact that it was likely to be bloody. The writing is excellent. Bacigalupi is a major talent, if unfortunately not very prolific.
Hard to predict, but I think this novel is quite likely to be important in the sense of SF history. It is brilliant, in its all sweating dystopian style.
Forget whatever else you are reading, and speed browse to Webscriptions where this is a available multiformat DRM free (thankfully, given its theme). Hopefully it will do well enough so his collection 'Pump Six' becomes available, too. This is good enough to buy in any or all varieties, however.
It is that rare beast, a 5 star novel. Great at the start, great in the middle, great at the end.
5 out of 5
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A story of the future that seems too real1 octobre 2009
William A. Greiner
- Publié sur Amazon.com
It is hard to follow up the review by Blue Tyson...it covers the book very well so I will try not to repeat it. As a reader of SF for many years,it is a rare moment that a book comes along that is shocking in its originality. This a story set in a bleak world, but a world with hope as the characters struggle to find meaning and a future in this world.This is a world of corporate domination as groups fight for what is left in a decaying world. But if anything ...this books central core is what it means to be human. That to be human is to make choices you may not like and that these choices define you for who you are.These characters must make those choices and that is what really makes this book great. Be warned...this book does leave open a possible sequel but this book in itself is a stand alone story. Major plots are resolved in the end...but there are some questions to be answered.I have a feeling there is more to come. This an author to watch...the only author that comes close to comparison is Ian McDonald. This book is a must for all SF fans..enjoy and join me in hopefully a short wait for the next book.
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A stunning, scary and fantastic debut novel6 octobre 2009
- Publié sur Amazon.com
Paolo Bacigalupi's debut novel The Windup Girl is a frightening, realistic and brilliant look at the near future of the world. Taking place in Thailand at some point in the future, Bacigalupi paints a picture of a world that is caught between several major problems: climate change has affected the lives of many people around the world, and in turn, has brought a rise in global agricultural corporations, and global energy resources have been depleted, forcing major changes in the way people live their lives, and how a world-wide economy functions with different resources. Corporations have run amok with trying to maintain their profit margins, and released a number of plagues upon the world that devastated the planet's ecology upon which we all depend, and because of their actions, remain just a single step ahead of the latest mutation of blister rust and other assorted plagues. Thailand is a country that has thus far weathered the storm - the Royal government has maintained a fierce isolationist policy to keep the country from succumbing. As a result, Thailand has a precious resource that western companies desperately want: a genebank, containing thousands of new strains of crops that could be utilized to combat the ongoing struggle against plagues and hunger world-wide.
The story follows several discrete storylines and characters, each with their own motivations and demons. Anderson is a `calorie man', a westerner who ostensibly manages a factory that manufactures kink-springs, a renewable power source. Jaidee is a member of the Environmental Ministry, tasked with maintaining a barrier between Thailand and the rest of the world and the dangers that it poses. Emiko is a windup, a genetically engineered woman, designed by the Japanese for servitude and for sex, who has been abandoned in Thailand and fears that she will be mulched (killed and burned for energy). In addition to these main characters, there are a number of other background characters who are just as complex as their counterparts. In a nut-shell, Anderson has come to Thailand on the behalf of a major Agricorporation that is hoping to gain a foothold in the country in order to obtain rights to the country's gene banks. While he is ostensibly looking for ways to combat the plagues, Thailand officials believe that the corporations have far more sinister and selfish motivations for the gene banks. While in the country, he has to walk a narrow line to stay in the country, as the Environmental Ministry intends to keep Thailand free.
Captain Jaidee is a leading member of the Environmental Ministry, and throughout the book, it is clear that the country is not necessarily unified in its position to remain away from the rest of the world. Limited trade and imports occur through the actions of the Trade Ministry, which is at frightening odds with the Environmental Ministry, to the point where open bloodshed and crimes are committed on both sides to try and force their position upon the rest of the country, which eventually interrupts into violence, which helps to push forward some of the plans that Anderson and others have laid to gain more traction into the country.
Emiko's titular character is somewhere between the various storylines. As an artificial biological construct, she is a representation of what is wrong with the outside world in the eyes of a secular nation that believes heavily in the value of one's soul and rebirth. To the Thai people, she is a soulless being, one who is against nature, and essentially lumped in with the problems of the world. Thus, Emiko, who is unsuited for Thailand's climate with reduced pores (she overheats easily) and a body structure that makes her stutter while moving, which makes her a literal odd woman out, and thus a target to the Environmental Ministry (also known as White Shirts for their uniform) who see her as a threat to the country's independence.
Futuristic worlds are a common element in Science Fiction, but it is very rare to have one that is so deeply realized as Bacugalupi's Thailand, one that takes the current state of existence for the country and extrapolates into the future with hypothetical events. The portrait that he paints of the world is very scary indeed, and the constructed world has reacted accordingly though a number of levels. What makes this novel so interesting is just how everything fits together. There are economic elements that make sense, social, biological and political, all of which are not mere exposition in a prologue in the novel, but where they are an active part of the storyline. This, in a way is one of the best examples of show, don't tell, a writing exercise that I remember from creative writing courses. What is even better (or sobering, depending on how you look at it), this world makes sense. I can see major corporations putting profit ahead of common sense, and I can see the world going to hell in much more vivid detail now. Furthermore, Bacugalupi posits the power struggle between various departments of government, each with their own agendas and motives, both at odds with one another, which trails up through to the very end of the book.
There's a strong look at morality and ethics when it comes to bioengineering and the eventual fate of the species, and how our role fits within a society such as what we see in the future. Emiko, a Windup, is shunned, hated, in reaction to what she was, and what she represented: something highly unnatural. By the same token, there are holes in that sort of feeling, as one character confronts towards the end of the novel. One thing that particularly stuck in my mind was how much of evolution is an unnatural, random occurrence, verses how much of it is conscious decisions that any sort of creature makes that better enhances their chances of survival? In this world, survival is predicated on the work of gene rippers and scientists who remain just a couple of steps against plagues - it is noted that the windups are built for a purpose, and that they are immune to most problems in the world because of their unique design. Like the clashes in the Thailand government, there is a larger struggle at stake, survival, with both sides making valid arguments for their continued existence. In a sense, this story is a look at how the human race might choose to survive, and enter a new stage of development. To me, this is a very profound element to the story.
When all is said and done, there is one big theme that goes through and through with this book: survival. Each element of the book deals with this very issue, from the ultimate survival of the human race in a hostile world, to the immediate survival of several characters who are neck deep in political and economic conspiracy to the various branches of government who want to see their vision of the future for their country to survive the coming turmoil.
What truly stands out for this book is the rich detail and fantastic prose. I've purposely taken my time with this book so that I could absorb as much as I could. What Bacugalupi puts together is a superior story, one of the best science fiction novels that I have read in a long time, one that takes the best from well thought out characters, plausible economics and science and a complicated story.
(Originally posted to my blog)
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The Windup Novel5 janvier 2012
- Publié sur Amazon.com
Paolo Bacigalupi was an unfamiliar name to me, but this novel received frothing praise and an unusually good cover, so I gifted it to my dad knowing I'd eventually get a crack at reading it (books are good like that).
This is a debut novel, and a quick glance at Bacigalupi's previous work reveals a volume of short stories that includes titles like Pump Six, Yellow Card Man and The Calorie Man. He has been crafting this world for a while now, the culmination of which is The Windup Girl. It's a cynical but splendidly imagined projection of the near future: fossil fuels are rare and exorbitantly expensive; global warming has raised sea level and weather patterns are volatile; misadventures in bioengineering have ravaged the world with plagues of viruses, bacteria, fungus and insects; corporate interests gain power as regional governments succumb to revolt.
This apocalyptic Thailand is plausible but miserable. You will not gasp at the majesty of steampunk invention here - you will likely gag. Windup's Bangkok is full of feral cats, religious and political fanatics, refugees and opportunistic businessmen. The resident crime boss is named the Dung Lord, and he vies for power along with Trade Minister Akkarat and General Pracha, the victor of a military junta at the narrative's outset. The cast of characters are all hard-bitten, all nursing personal grievances, all hopelessly driven to do what they end up doing. Anderson Lake (a great name for this anti-hero, but they're all good) is an American agribusinessman sent to Thailand with the objective of gaining access to the Kingdom's jealously-guarded seed stock. While pursuing this goal, he becomes entangled with Emiko, the genetically-engineered courtesan of the novel's title.
Fantastical but believable, larger-than-life but eminently identifiable, this setting is the novel's triumph. Methane-filled dirigibles coexist with genetically-engineered oversized elephants, and it clicks. Buddhist monks and Thai monarchy provide a traditional backdrop over which drapes Bacigalupi's futurism. I quickly became entranced, wanting to discover the world's machinations, the clockwork of the author's imagination. He's excited about the setting, and he should be - his implications are chilling and his questions difficult. Emiko's predicament is particularly profound as she suffers discrimination due to the stigma of being a 'New Human'. From her DNA up, she has been programmed to serve and please her human masters, and the resultant exploration of her free will feels surprisingly authentic given the shoddy treatment I've come to expect of the subject. Throughout the novel she is told that she has no soul, that she is a piece of 'genetic trash', and I feel real sympathy for her hurt and existential confusion. Anderson Lake plays her intriguing counterpoint as he at once frees and frightens her. His struggle parallels hers at times as he seeks to understand a culture that feels alien and resists his every effort to understand it. I became easily invested in and intrigued with Windup's characters and their unique narrative perspectives. Great, then, was my disappointment as I approached the book's ending with the realization that the material had not been done justice.
This novel should have been better. It's compelling enough that I lament criticizing it too harshly, but it buckles under the weight of scrutiny. I couldn't shake the feeling that I was reading a draft, perhaps a first submission of the novel to a publishing house. Bacigalupi's comfort with short story writing shows, and at its best, the novel is concisely exhilarating. Unfortunately, I quickly found myself tiring of reintroductions of the world's core concepts, as if each chapter starts the story afresh. After suffering 50 or so pages of redundant description, I just wanted the author to get on with it, thank you very much. Bacigalupi's Thailand is powered by kink-springs (that store and then release the energy taken to wind them up, like toy cars), and he doesn't miss one opportunity to remind the reader - kink-spring scooters, kink-spring fans, kink-spring guns - every single time such an augmented object is mentioned. The narrative suffers from a paucity of descriptive variety as the same phrases become recycled, then rote. The windup girl of the novel's title moves with a "stutter-stop" motion, which viscerally captures the character the first time it's used, but feels like cruel omniscient taunting by the end of the novel. Characters routinely "shrug" their way through this or that, or "stifle the urge" to do something emotive or self-preserving. It's like Bacigalupi has invented a narrative algorithm for the novel, through which he feeds relevant plot points before handing them, unproofed, to the reader.
That would certainly make it easier to explain the shockingly poor editing. I have never read a more shoddily edited book, and that includes the uncorrected advanced reading copies I would receive during my bookstore days. If technique is the proof of sincerity, Bacigalupi is in danger of being an outright fraud. Some pages contain three or more typos, and I find myself again wondering if I'm reading a draft, summarily scanned by an intern copy editor as it was whisked off to the presses. I can only conclude that
A). his editor(s) is overworked and underpaid
B). the publisher, Nightshade Books, is a peewee operation
C). this book was cobbled together, or the author did not have sufficient time to finish it properly
D). measures of all of the above (most likely)
I wish this work was exceptional, but I have noticed a steep decline in the quality of editing in published works I've read over the last, say, five years. I can only assume that words are getting cheaper and cheaper with the prevalence of internet culture and the continual downsizing of corporate assets such as competent proofreaders. This is a vague and memetic argument, I know, but I can't find another way to explain it.
Wherever the blame lies, I think Bacigalupi was shortchanged by his publisher. This book needed more work - more fleshing out, more exploration. The setting needed to breathe and develop subtlety. It's a fast 359 pages, and it felt hamstrung by an ending that comes as suddenly and awkwardly as an early guest. The characters start with promise but struggle to gain dimension, with little development to mark their progress through the narrative. Their motives never change. Anderson Lake starts and ends the novel with the same unshifting focus on acquiring genetic material. The eponymous Windup Girl wants freedom. Corrupt politicians stay corrupt, and fanatics stay fanatical. The novel's few surprises are unsurprising, and all of them feel incidental, like a lone firework on the 3rd of July. For a story that purports to explore the existential concept of the human soul, I find surprisingly little of it in the writing. I am left tempted to call this The Windup Novel. Bacigalupi has something here, something very worthwhile, and I only wish he'd had a stronger team at his publishing house to help him realize his vision.
Read this novel for the setting. Read it for its chilling predictions and clever envisioning. If you're less critical than I am, you'll likely enjoy it.
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What an unexpectedly problematic book15 octobre 2010
A. D. MacFarlane
- Publié sur Amazon.com
I really wanted to like this book. Broken nearish-future after environmental disaster, a world still struggling to adapt and survive and progress, mostly post-carbon tech, the beginnings of posthumans - sounds like interesting scifi! And I enjoyed the scifi elements. The way that life has adapted to climate change and ecosystem crisis across the world is great stuff. While some of the tech is cooler than it is practical, it all worked for me.
This is a condensed version of the 2,000-word review I wrote elsewhere on the internet, because while I liked the scifi elements of The Windup Girl I disliked so much more.
First of all, here's a warning for Thai readers or anyone who knows the country very well: it's not a very good depiction. Even taking into account the differences in 200 years, it doesn't feel like Bangkok. As a farang, I was noticing the aesthetic wrongs. Women wearing pha sin (clothing that got phased out in the 20th C), piles of "reeking" durians down every alley (they only reek when they're cut open, which is only done individually at a customer's request). Dubious transliterations of Thai. The kind of foreign language use that makes anyone who knows the words involved laugh so very much ("water tubs splash with snakehead fish and red-fin plaa", anyone?). Based on things like this, I suspect that any Thai reader is going to notice many, many more problems. Granted, some details are really nice (lizard-noises! night-time street stalls! garland sellers and the fact that orchids and marigolds are re-engineered ahead of many other flowers! ghosts!) but, overall, it's like Bacigalupi took the place names Ploenchit, Sukhumvit, etc and applied them to some other city, and it bugged me throughout the book.
There's also a Chinese character who thinks of white people as "foreign devils" non-stop, which felt bizarre and veering into stereotype, and the only time Muslims are mentioned is in the context of a fundamentalist Muslim uprising in Malay. It is, apparently, impossible for current SF writers to imagine a future in which many Muslims are not fundamentalists.
Most egregious of all, to me, is Bacigalupi's handling of the titular character Emiko.
Emiko is one of a Japanese servant class of augmented humans who was abandoned in Bangkok and has been forced into prostitution. With her the focus is so much on how victimised she is, how terrible her life is, how her altered genes make her suffer (her pores are small to make smooth skin so she can't sweat/cool properly and overheats in Thai heat; her genes are doglike and make her subservient and she falls under this sway often). Almost all of her personality and thoughts rotate around this. There are one or two moments when you get a sense of Emiko-the-person not Emiko-the-victim, but they're fleeting. And then.
When she finally snaps and kills a roomful of men who just raped her with a champagne bottle, among other things, we're not actually shown this scene, only its after-effects. The narrative spends more time lovingly detailing the aforementioned rape (plus an earlier over-detailed rape) than showing the survivor of rape surviving, and this is all upside-down and wrong and gross.
This book had far, far too many problems for me to enjoy it, as much as I really wanted to.