From Publishers Weekly
Starred Review. "My mother enjoyed claiming direct descent from Genghis Khan," Gray explains as she opens this complex and rewarding family memoir. That claim gave her mother "both the aristocratic pedigree and the freedom to be a barbarian." Tatiana Yakovleva du Plessix Liberman was 19 and hungry in 1925 when she left the Soviet Union for France. Tatiana and Russian poet Vladimir Mayakovsky soon fell passionately in love, but the ever-practical woman married aristocratic Frenchman Bertrand du Plessix instead. They had one child, Francine, before du Plessix was killed in early WWII combat. Tatiana then became involved with Alexander Liberman, a British- and French-educated artistic Jewish-Russian émigré. Alex, Tatiana and Francine fled to New York in 1941 and started a new life—Tatiana designing hats for Bendel's before a career with Saks, Alex scaling the fashion journalism ladder at Condé Nast. New Yorker contributor Gray tells the story of this talented, self-absorbed couple from their roots to their graves. The final chapters—with the death of Demerol-addicted Tatiana and Alex's remarriage to an adoring nurse—are unbearably tragic, and the inside story of the Liberman ménage is more addictive than any Vanity Fair exclusive. Gray is such a fine writer, her family story reads like a novel of early 20th-century bohemianism gone corporate. Rich with history of early to mid-20th-century design and publishing, this memoir stands as an instructive model of how to write a difficult story honestly. Gray's parents were not nice people, but she loved them, and readers, by the end, understand why. Photos. Agents, Georges and Anne Borchardt. (May 5)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–Gray is an engaging writer with a natural eye for the parts of her parents' lives that are most interesting to readers. It certainly helps that they were active and fascinating people. Her mother, Tatiana, was a hat designer in Paris and for Saks Fifth Avenue; her stepfather, Alexander Liberman, was an artist who came to run the giant Condé Nast publishing house. Both being social animals, their tale brings with it appearances by the rich and famous of the mid-20th century; the couple's often cruel behavior as they strove to advance in this world is interesting if unpleasant. Both individuals were Russian émigrés. Tatiana came from an artistic family whose influence ranged from her native country to France and, through her painter uncle, across the world. She became heavily involved with a leading Soviet poet, which ensured her own place in Soviet history. Alexander's father was one of Lenin's leading economic advisers, a non-Bolshevik whose abilities gained him trust and support. The book takes in many more relatives and, given their lives, includes courtiers, artists, spies, and heroes. It provides a good look at many different aspects of 20th-century social and political history, which alone makes it worthwhile reading. Black-and-white photos are included.–Ted Westervelt, Library of Congress, Washington, DC
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
