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Timing for Animation [Anglais] [Broché]

John Lasseter , Harold Whitaker , John Halas


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Broché, 4 février 2002 --  
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Première phrase
In a film, ideas must come over immediately to the audience. Lire la première page
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Couverture | Copyright | Table des matières | Extrait | Index
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Amazon.com: 4.5 étoiles sur 5  21 commentaires
51 internautes sur 66 ont trouvé ce commentaire utile 
1.0 étoiles sur 5 Timing for Animation 2 avril 2003
Par T. Schott - Publié sur Amazon.com
Format:Broché|Achat authentifié par Amazon
Well, after waiting so long for this book to come back into print it turned out to be an overall disappointment. I found "Timing..." to be remedial and overpriced. True, timing itself is crucial to animation as with all acting, however this book offers nothing I didn't already learn from "Disney Animation: The Illusion of Life" or Preston Blair's How-To books, which I cut my teeth on.
If you are an animator who already owns every other book on the subject and you have 30 bucks burning a hole in your pocket then this book is for you. However, if you don't own the 50 other great animation books by Frank Thomas, Ollie Johnston, Richard Williams, Eadweard Muybridge, John Canemaker, Brian LeMay, Jeff Kurtti, Preston Blair, Chuck Jones, Tony White, Culhane, Finch, Schneider, Adamson, Rebello, Green, and Hart to name a few; then please go buy one of theirs.
This one is going back for a refund. Sometimes you just have to say "The Emperor is Naked."
14 internautes sur 17 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Good book to have, but WAY OVERPRICED... 27 avril 2005
Par G. Cepeda - Publié sur Amazon.com
Format:Broché
I'm downgrading this book partly because it's overpriced and frankly I wish the drawing style in it were different.

It's still a nice book to have and covers some specific timing and staging problems that a lot of other books don't, but it's not the end-all and be-all for animation timing that it gets hyped up to be.

I still don't understand why this book was out-of-print for so long in the US and why it's so ridiculously overpriced now. It's really a $15 or $20 book at most, but the publishers are charging $30!
7 internautes sur 8 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 You will learn quickly with this no-frills book 18 mai 2007
Par Chris Magee - Publié sur Amazon.com
Format:Broché
I have referred to this book for nearly ten years, and it is still my favorite with regards to the fundamentals of creating naturalistic movement.

More concise, less self-indulgent, and less bulky than either Richard Williams' "Animator's Survival Kit" or Frank and Ollie's "Illusion of Life", Whitaker and Halas' "Timing for Animation" allowed me to advance in my knowledge of timing charts and the creation of believable, naturalistic movement more efficiently than either of those two venerable books. While I tend to agree with reviewers who question the book's price, the no-nonsense explanations it contains provide a solid base from which an animator can embark upon further exploration without being too tied to a particular guru's insights.
12 internautes sur 15 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 This is a must buy for future animators! 24 mars 2000
Par Un client - Publié sur Amazon.com
Format:Relié
Although I don't own a copy of this book, I've read most of it. Just as the title says, this book focuses on one of the most important aspects of animation: timing. It's well written and full of exercises and techniques that will help you improve your timing. I've heard that some animation schools use it as a textbook. If you're thinking about a career in the animation industry, this book is a must buy. However, it's pretty hard to find since it's out of print. I think that it's worth the extra effort to own a copy.
9 internautes sur 11 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Must have 9 novembre 2006
Par Jackie Watson - Publié sur Amazon.com
Format:Broché
I've been a professional animator for over 10 years and I cannot believe that I never had this book before now. I wish I had this to reference on several of my projects. Instead I pretty much re-invented the wheel. It not only shows visuals, but also explains the physics behind what is going on with the graphics. For instance, for a water splash, the author explains how the air affects the volume when an object plunges into water, etc. It really makes sense of what is going on so that the artist can recreate their own version without the need of copying.
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