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Tony Visconti: The Autobiography: Bowie, Bolan and the Brooklyn Boy
 
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Tony Visconti: The Autobiography: Bowie, Bolan and the Brooklyn Boy [Format Kindle]

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Descriptions du produit

Présentation de l'éditeur

A name synonymous with ground-breaking music, Tony Visconti has worked with the most dynamic and influential names in pop, from T.Rex and Iggy Pop to David Bowie and U2. This is the compelling life story of the man who helped shape music history, and gives a unique, first-hand insight into life in London during the late 1960s and '70s.

Soon after abandoning his native New York to pursue his musical career in the UK, Visconti was soon in the thick of the emerging glam rock movement, launching T.Rex to commercial success and working with the then-unknown David Bowie.

Since his fateful move to the land of tea and beer drunk straight from the can, Visconti has worked with such names as T.Rex, Thin Lizzy, Wings, The Boomtown Rats, Marsha Hunt, Procol Harum, and more recently Ziggy Marley, Mercury Rev, the Manic Street Preachers and Morrissey on his acclaimed new album 'Ringleader of the Tormentors'.

Even Visconti's personal life betrays an existence utterly immersed in music. Married to first to Siegrid Berman, then to Mary Hopkin and later to May Pang, he counts many of the musicians and producers he has worked with as close friends and is himself a celebrated musician.

This memoir takes you on a roller-coaster journey through the glory days of pop music, when men wore sequins and pop could truly rock. Visconti's unique access to the biggest names and hottest talent, both on stage and off, for over five decades is complemented by unseen photographs from his own personal archive, and offers a glimpse at music history that few have witnessed so intimately.

Book Description

Foreword by Morrissey

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 536 KB
  • Nombre de pages de l'édition imprimée : 400 pages
  • Editeur : Harper (17 septembre 2009)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B002RIA08A
  • Synthèse vocale : Non activée
  • X-Ray :
  • Classement des meilleures ventes d'Amazon: n°135.120 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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Amazon.com: 4.6 étoiles sur 5  16 commentaires
7 internautes sur 7 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Magnificent read - If you love music, this must be on your shelf! 28 juillet 2007
Par JOE N. Dambrosio - Publié sur Amazon.com
Format:Relié
Without sounding like an all-out fan (I most assuredly am!), Bowie, Bolan and The Brooklyn Boy mounts an incredible story beginning with Tony's days as a young boy in Brooklyn, to playing in the Catskills, to meeting the NYC music community, to his loves, to landing in London and meeting T. Rex, David Bowie, Joe Cocker, The Moody Blues, The Alarm, Mc Cartney, having children, getting married, building studios, the fun of it all, coming back to America and realizing great success on his home turf. A MUST HAVE for any music fan!
8 internautes sur 9 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Face to Face With the Man Who Sold the World 4 juin 2010
Par C. CRADDOCK - Publié sur Amazon.com
Format:Broché
I first saw the name of Tony Visconti on a David Bowie album, as a producer, and of all the records he has produced, the Bowie records are the most well known. Though he passed on producing the single, Space Oddity, and didn't produce Bowie's breakthrough album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, he produced many of David's best albums, from the beginning of his career to more recent ones like Heathen. The Man Who Sold the World, Low, Heroes, Diamond Dogs, Scary Monsters, Young Americans and Lodger were all produced by Visconti. Eleven of David Bowie's albums were produced by Visconti, along with lots of other projects over the years. Visconti played various instruments and did string arrangements, all part of his job as record producer. He was friends with Bowie from the beginning, and even played bass in an early Bowie band that might have been the first glam rock band, The Hype. Visconti was just a fledgling producer, young and hungry, and he couldn't convince the suits at his label that Bowie was destined for stardom. Once he became Ziggy Stardust, rock star, he turned to his old pal Tony time and again.

One of Visconti's other projects that would one day bear fruit was Marc Bolan and his band T. Rex, which began as just Marc on acoustic guitar and Steve Peregrine Took on bongo drums. Soon Bolan would go electric, and not long after, just two weeks shy of his 30th birthday, he would die in a car accident on September 16th, 1977. Visconti worked with the creative but egotistical Bolan on most of his best albums, such as My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows, The Slider, Electric Warrior, Tanx, and Zinc Alloy and the Hidden Riders of Tomorrow (Bolan was tremendously jealous of Bowie, but was this last title a kind of tribute to Ziggy?).

While Bolan and Bowie were perhaps his best known clients, he produced an amazing variety of albums for other artists, such as Gentle Giant, Iggy Pop, Adam Ant, Badfinger, Morrissey, Linda McCartney, The Strawbs, Thin Lizzy, Osibisa, Mary Hopkin (who he was married to, and had 2 kids with), Rick Wakeman, and Sparks. His autobiography covers an amazing career, and also details Visconti's other interests, such as martial arts, Buddhism, The Alexander Technique, and reincarnation. As the book focused mostly on music, and music that I have loved and listened to for years, wondering how exactly it was produced, I found it to be hard to put down. For me, it was the ultimate page turner. I blazed through it in just a few days. When I was done, I felt like Tony Visconti was an old friend of mine, and I wished I could just call him up and talk to him. I found his website and joined his MySpace page.

Tony Visconti has been married four times and admits that music was his one true love, and that he bears most of the blame for the breakup of his relationships. He was married to Mary Hopkin, who was perhaps best known for her hit song, Those Were the Days. He loved her voice and recorded lots of material of her singing, but she hated touring, and no labels wanted to release her records if she wasn't going to tour in support of them. He had 2 kids with Hopkin, and he also had 2 kids with another wife, May Pang. May Pang was best known for being John Lennon's girlfriend during a turbulent period when he was separated from Yoko Ono, and Pang describes this in her book John Lennon: The Lost Weekend that she wrote along with Henry Edwards.

Tony's book begins with Tony as a boy in Brooklyn with a keen interest in music who worked in the Catskills and knew show biz people like Milton Berle, but when he heard The Beatles he knew that he wanted to go to London and learn the strange alchemy they used to get their sounds. Opportunity met preparation when he bumped into record producer Denny Cordell who was in New York to record with US jazz musicians for a track for singer Georgie Fame. Cordell didn't have any arrangements, thinking the jazz players could just wing it, but the eager young Visconti knew that wasn't the way it was done, and was able to sketch out some quick arrangements for the session. This led to his being asked to work in London in 1967, and soon he was assisting Cordell with groups like The Move, Manfred Mann, Joe Cocker, and Procol Harum. He was in the right place at the right time, and became one of the main movers and shakers during this fertile period.

While recording in Berlin with David Bowie he stopped by the Berlin Wall to kiss his girlfriend. David Bowie was watching from his window and was inspired to write the following lyrics:

I can remember
Standing
By the wall
And the guns
Shot above our heads
And we kissed
As though nothing could fall

1968: My People Were Fair And Had Sky In Their Hair...But Now They're Content To Wear Stars On Their Brows [Vinyl] - Tyrannosaurus Rex
1970: The Man Who Sold the World - David Bowie
1971: Acquiring the Taste - Gentle Giant
1972: The Slider - T. Rex
1977: The Idiot - Iggy Pop
1977: Low - David Bowie
1977: Heroes - David Bowie
1985: Vive le Rock - Adam Ant
2006: Ringleader of the Tormentors - Morrissey

Read all about it in tony visconti, the autobiography. Tony Visconti sums it all up with these three quotes from some of the artists he has worked with:

'Life's a gas.' Marc Bolan
'Life's a pigsty.' Morrissey
'We could be heroes.' David Bowie
4 internautes sur 4 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A MUST for any fan of Marc Bolan and/or David Bowie! 23 mars 2008
Par Orpheus Ascending - Publié sur Amazon.com
Format:Relié|Achat vérifié
From documentaries and interviews, I have always felt that Tony Visconti is a very down-to-earth person and, as such, looked forward to a memoir that dished but showed restraint, objectivity and wasn't tabloid-esque. He came through on all counts with flying colours. His anecdotal tales are both amusing and insightful. His story and success will probably never be repeated. In that I mean, a producer starting today when the music industry is so about disposable talent without the willingness to nurture *real* talent, his is a wonderful tale of being in the right place at the right time and all the consequent talents coming to him when they were complete unknowns.

Thank you Tony for shedding so much light on two of my favourite musicians and sharing your story with us!
3.0 étoiles sur 5 Interesting 23 janvier 2014
Par Michel Piolon - Publié sur Amazon.com
Format:Broché|Achat vérifié
Many items sound new to me, even if apparently they were well known for a while ?
recommended to everyone interested in the '60 and '70 music.
5.0 étoiles sur 5 A great Read on one of the best producers in Rock history 2 janvier 2014
Par A. M. Fornaro - Publié sur Amazon.com
Format:Relié|Achat vérifié
Chris Carter ( ex-dramarama co-founder ) & currently hosting LA's Breakfast with the Beatles show told me about this book.
We're both Bowie freaks form the '72-79 period and if you want some great insight on that game changing period of FM rock-
this is the book for you.
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It doesnt take a long time or a lot of money to make a folk album. Rock n roll and pop, on the other hand, rely on creating new, radically different soundscapes. Their very nature requires experimentation and more things are left off a rock album than left on. &quote;
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