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Tourniquets, Hacksaws, and Graves

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Détails sur le produit

  • CD (22 avril 2014)
  • Nombre de disques: 1
  • Label: Snapper Music
  • Autres versions : CD  |  Album vinyle  |  Téléchargement MP3
  • Classement des meilleures ventes d'Amazon: 99.476 en Musique (Voir les 100 premiers en Musique)
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Descriptions du produit

" Tourniquets, Hacksaws & Graves "
Pionniers de la scène death metal américaine, Autopsy a influencé une génération entière de groupes de la scène extrême, d'Entombed et Dismember à Darkthrone, ce qui en fait l'un des noms les plus respectés du genre.
Plus sinistre que jamais dans sa quête de brutalité et d'horreur, la bande à Chris Reifert revient avec un de ces monstrueux chefs d'oeuvre de death metal dont ils ont le secret. Un assaut incessant de guitares combiné à une voix d'outre tombe, le tout délivré avec la maîtrise habituelle du quatuor dans leur style immanquable.
Tout comme ses prédécesseurs « Macabre Eternal » et « Headless Ritual », l'album a été enregistré et mixé au Fantasy studio en Californie, à nouveau sous la houlette d'Adam Munoz (Faith No More, Neurosis, Unsane, Abcess.). Une fois de plus, le sang va gicler, les cerveaux vont être broyés et vos pires cauchemars vont prendre forme !

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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 10 commentaires
5 internautes sur 5 ont trouvé ce commentaire utile 
Long Live Autopsy 29 avril 2014
Par esthomas - Publié sur Amazon.com
Format: CD
You really can not go wrong with Autopsy. If you are a fan then I find it hard that they could ever disappoint you. They have stuck to the same formula since the late 80s. Granted they have evolved to some degree in regards to musicianship; however, they still manage to hold true to the spirit of their style of death metal. Autopsy will forever reign as death metal gods.

The new album doesn't vary much from "The Headless Ritual". I can say the musicianship is slightly better but other then that nothing else has really changed. Every song is exactly what you would expect from Autopsy. It's heavy, brutal, nasty, and down right filthy. This is what all death metal bands should aspire to be.

There really isn't much more that can be said for Autopsy. They always deliver and never disappoint.

Have A Nice Day
3 internautes sur 3 ont trouvé ce commentaire utile 
More Awesome Autopsy 18 juin 2014
Par William L. Davis - Publié sur Amazon.com
Format: CD Achat vérifié
These last few years in death metal have been very exciting for me with the great Autopsy creating new material at a frightening speed. After listening to death metal for so many years one thing I've found is that even if a newer band is better produced, faster or whatever, nothing quite matches the listening experience of Autopsy's brand of very raw and grimy metal. This is more vintage Autopsy death metal, of course wrapped up with over-the-top repulsive elements, from vocals to lyrics to guitars and drums, everything about the experience is the feel of something oozing out of the graveyard--very few bands capture this atmosphere for me the way Autopsy does. I'd also like to point out that being how they're one of my favorite bands, and that I'm in my mid-thirties now, it's a huge relief to (after all those years) have this abundance of new material that (to me) outdoes the classic albums of the early years. Really breathes new life (yeah I guess I should say death, derp!) into my favorite music genre. Getting this album makes me feel like a teen again, gluttonously diving into the scene anew! Not everybody is going to get Autopsy, but if you appreciate drippy, cheesy, gory and gloomy horror movies and the feel they create you may very well also love Autopsy's brand of morbid death metal!
1 internautes sur 1 ont trouvé ce commentaire utile 
More of the gory good stuff 19 juin 2014
Par A. Stutheit - Publié sur Amazon.com
Format: CD
Their third album since returning in 2011 after a sixteen year hiatus finds Autopsy do more of what they are best at: Spitting out seething, crust-caked death metal/thrash with grinding intensities and occasional doomy breakdowns. And whether choosing to gun the engines with Slayer-inspired speed or opting to scale things down a tad with Sabbath-esque slow sludginess, the intensity level remains in the red throughout. The only thing that is missing from 2014’s “Tourniquets, Hacksaws, and Graves” is the technical bass playing of four-string virtuoso Steve DiGiorgio. Other than that, this is a true return to form for the band, an album that harkens back to their glory days (i.e. 1989’s “Severed Survival”), the period that was long before the time they went on to influence a whole new generation of gore-metallers like Cannibal Corpse.

Cuts like the album’s thunderous opener, “Savagery,” get by mainly on crashing, clattering cymbal rides, booming riffs, deranged soloing, and retching vocals, thus making them brutally filth-caked slabs of splatter-house death-thrash. And even slower ventures, like “King Of Flesh Ripped,” an ominously mid-tempo venture with a greater emphasis on guitar soloing, never fail to relent in their intensity. This is thanks mostly due to the fact that the grindcore-esque vocals are bah-roo-tal, and are filthy enough to sound positively wet in your ears. Of course, said song does eventually speed up and plunge into blistering deathgrind territory after a screaming solo comes shredding through the mix maybe three-quarters of the way into the track. And immediately following this excursion, the album gets right back into the thick of things with “Tourniquets,” a meaty, groove-happy death-thrash melee with raspy, shrieking vocals that trade off with brutally low growls, and do so to excellent effect. And a guitar solo, which is positively wailing, is also tacked on to the tail end of the tune.

“The Howling Dead” is another one of the album’s more memorable moments, although it is a bit of an anomaly, as it finds a creeping, spoken-word vocal dialogue being laid over thunderously grooving guitar and grumbling bass riffs. The end result is one terrifically portentous, skin-crawling, spine-tingling, and doom-y-tinged cut with ominous ambiance and flailing, shredding solos. But all bets are again off for the blistering “After The Cutting,” an old-school-influenced pure grindcore jaunt with groove-centric riffing, awesome drum fills, noteworthy bass work, careening, Repulsion-ish soloing, and grindcore-worthy vocal belching.

And working similarly to the already mentioned “King Of Flesh Ripped,” “Forever Hungry” kick-starts with a decisively slower intro before dissolving into rip-roaring death-grind thrashiness with guitar leads that race in reckless abandon, pounding, cracking blast beats, and bottom-heavy bass grumbles. Frontman Chris Reifert’s vocals, meanwhile, are of the traditional goregrind style, imitating Carcass’ Jeff Walker without a hint of irony, and “Forever Hungry” is further highlighted by a few more wild, unorthodoxly shredding solo runs, too.

The second half of the album kicks off with one of its catchiest cuts in “Teeth Of The Shadow Horde,” which is filled with adherently groovy and memorable riffs, crashing drum beats, and blistering solos. Then, following “All Shall Bleed” (a simple little interlude track that serves as a perfectly-placed monotony breaker), we are treated to the first of the set’s two final doomy ventures in the decisively ominous “Deep Crimson Dreaming,” whose plodding, drawn-out cadence is punctuated perfectly by piercing solos (including one wah-tinged one that easily takes the cake for being the finest solo on the whole album!). And the second of these two doom-centric ditties is “Burial,” which marries another terrifically dark and memorable, doom-soaked guitar lick against plodding, crawling rhythms, and brutal pig squeal vocals. “Burial” does have a fast, adrenaline-packed conclusion, though, where the guitarists blistering, careening solos.

And the conclusion of said song flows perfectly into Autopsy’s namesake title track, which is also the set’s thrash-it-out recklessly closer that overflows with more memorable riffs, solos, and lyrics. But this is all after the inclusion of “Parasitic Eye,” which is sandwiched between the two above-described doomy ventures, and one of the record’s more memorable inclusions. It opens with a fabulous, air-guitar-able (and surprisingly melodic) solo section before once again catapulting head-first into grinding death-thrash-dom with fiery guitar leads and dexterous double-time drum pummel. Some memorably catchy vocal patterns also pepper the mix, here, as well.

A macabre (and mostly masterful) extreme metal monster.
2 internautes sur 2 ont trouvé ce commentaire utile 
Pure awesomeness! 12 mai 2014
Par Deimos - Publié sur Amazon.com
Format: CD Achat vérifié
This album is awesome, the riffs are heavy, the lyrics are brutal, the songs are one hundred percent on target and the band is in top form. Can't wait to hear more new stuff from these guys \m/\m/
1 internautes sur 1 ont trouvé ce commentaire utile 
Can you say brutal??? 17 septembre 2014
Par CP - Publié sur Amazon.com
Format: CD
Autopsy: what a hell of a name and some awesome cover art. Straight out of a horror movie! The music and vocals are straight menacing, heavy and yet intricate with some melody. I have been interested is hearing more extreme metal music and these guys fit the bill. I am shocked at how much extreme music is on the shelves at best buy but Im not conplaining. It is great to be discovering so many heavy bands! Autopsy is killer
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