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Turn of the Screw [Import USA Zone 1]

4 étoiles sur 5 1 commentaire client

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Détails sur le produit

  • Acteurs : Caroline Pegg, Jodhi May, Colin Firth, Pam Ferris, Grace Robinson
  • Réalisateurs : Ben Bolt
  • Scénaristes : Henry James, Nick Dear
  • Producteurs : Helga Dowie, Martin Pope, Michele Buck, Rebecca Eaton, Tim Vaughan
  • Format : Plein écran, NTSC, Import
  • Audio : Anglais (Dolby Digital 2.0 Stéréo)
  • Région : Région 1 (USA et Canada). Ce DVD ne pourra probablement pas être visualisé en Europe. Plus d'informations sur les formats DVD/Blu-ray.
  • Rapport de forme : 1.33:1
  • Nombre de disques : 1
  • Studio : Wgbh / Pbs
  • Date de sortie du DVD : 13 avril 2004
  • Durée : 100 minutes
  • Moyenne des commentaires client : 4.0 étoiles sur 5 1 commentaire client
  • ASIN: B0001WTUJO
  • Classement des meilleures ventes d'Amazon: 122.795 en DVD & Blu-ray (Voir les 100 premiers en DVD & Blu-ray)
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Format: DVD

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Amazon.com: HASH(0x9d453b28) étoiles sur 5 36 commentaires
38 internautes sur 40 ont trouvé ce commentaire utile 
HASH(0x9d4856c0) étoiles sur 5 CHILLING HORROR 8 septembre 2000
Par Bonita L. Davis - Publié sur Amazon.com
Format: Cassette vidéo
Any adaptation of a literary work to the screen runs the risk of coming across as too shallow. Such is not the case in Mobile Masterpiece Theatre's presentation of "The Turn of the Screw". You are immediately drawn into the psychological horror with its varied twists and turns that leads to who knows where?
Identify with the naive character who is given the responsibility to manage the family affairs of a young bachelor who refuses to be bothered with his niece and nephew. Beguiled by his sexually powerful aura, our herione takes on the task. She meets perfectly sweet children in Flora and Miles. Miles in particular is precocious. He is also very adept at playing power games that go beyond that of a child having his or her way. She has the perfect job but there is an unsettling sense of evil in the manor. Ghosts of the former governess and valet haunt the scene and "Miss" becomes unglued but ever ready to "save" her charges.
The psychological changes she goes through hits home. Is she mad? Have these ghost pocessed this children? How is it that a ten year old boy sounds and acts like a mature man making a pass at her? How "Miss" solves this mystery yet managing to keep her mind intact is the great challenge. Jodhi May does a splendid job in her performance as she battles evil that has enveloped the children. Truly this is a psychological drama befitting our attention. Its horror as to what has been done to the children is horrifying. Journey with the character through this dilema. At the beginning of this drama we are given an introduction as to the background of this story by James. Setting it in its context makes it all the more chilling for is it indeed fact or fiction? You decide.
20 internautes sur 20 ont trouvé ce commentaire utile 
HASH(0x9d485714) étoiles sur 5 Compelling Adaptation of Henry James' Classic 19 juin 2000
Par Henry Smiley - Publié sur Amazon.com
Format: Cassette vidéo
"The Turn of the Screw" is as much a psychological thriller as it is a ghost story. This Masterpiece Theatre adaptation is, for the most part, very faithful to Henry James' text, although it does add some interesting interpretive touches. "Miss" (portrayed by the wonderful Jodhi May, with just the right mix of toughness and vulnerability) is a young governess discovering her identity and her way in the world for the first time. Her interview with Bly's owner, which is mentioned only in passing by James, is portrayed at length here, with a powerful sense of sexual tension between the youthful "Miss" and the sophisicated lord of the estate. Indeed, there is a palpable sense of sexual tension and repression throughout this version, although it is very discreetly and tastefully handled. The appearances of "the ghosts" are unsettling without being melodramatic or corny. I recommend this version to any fan of James' text, and it would make an excellent addition to the video libraries of high schools and universities.
31 internautes sur 34 ont trouvé ce commentaire utile 
HASH(0x9d485b4c) étoiles sur 5 The best adaptation of this James ghost story 19 août 2005
Par J. Vogelsang - Publié sur Amazon.com
Format: DVD
This is the best adaptation of this James' work with the possible exception of "The Innocents" with Deborah Kerr, whose emphasis is strictly on the ghost story. This film however, is a must for those who love great story telling and want to be titillated by the twists and turns of not only the main plot but the very subtly intricate sub-plot that is raging underneath

For a long time this 19th century fireside ghost tale has entertained audiences for its thrilling and supernatural side. Those fans of the psychological bent that are more interested in its dally with a supposed "sexual hysteria" undercurrent, will be entertained as well. Some type of emotional regression takes place and that drives the main character, Miss, (Jodhi May) from careful dominance and maintenance of a fine household and her two beautiful charges, nicely turned by Joe Sowerbutts (Miles) and Little Grace Robinson (Flora) to a final and terribly complete conclusion.

Miss replaces a former governess who has died under questionable circumstances. That her employer, The Master, (Colin Firth) has frankly 'seduced' her into hurridly engaging as governess is only the tip of an iceberg of innuendo, symbolism and complicity. Having read the short story and seen this film, I am not totally convinced of the sexual hysteria theory although actress May, an Oxford English Literature graduate, has alluded to that very concept when questioned about this role. And that mystery and those questions are what make this tale so darned intriguing.

As Miss, May is complete. The very proper parson's daughter, well educated, mannered in all ways, pretty, and quite mindful of the impossible demands of her position: "Never trouble him, but never, never, neither appeal nor complain nor write about anything; only meet all questions herself, receive all moneys from his solicitor, take the whole thing over and let him alone"; as written by Henry James, places her in a position of power with no room for self-doubt or escape from failure.

As the story approaches its end Miss asks her God: "Victory requires only another turn of the screw of ordinary human virtue". And turn the screw she does with tragic and unforgivable results. May captures both the subtleties of confidence and passion while allowing this wonderful governess to slowly and completely unravel. The only thing better than watching this performance would have been to hear this story told on a dark, cold night by the fireplace 100 years ago.
19 internautes sur 21 ont trouvé ce commentaire utile 
HASH(0x9d485f18) étoiles sur 5 Excellent 21 juin 2000
Par Un client - Publié sur Amazon.com
Format: Cassette vidéo Achat vérifié
This is the best version of "Turn of the Screw" that I've seen (so far I've seen four versions). You may remember Jodhi May from her quiet role in "Last of the Mohicans". Again she has delivered a very subtle and beautiful performance. If you're even thinking of getting this video, I guarantee you won't be disappointed. I was hanging on the edge of my seat and I've already read and seen other versions of this story. Well done!
9 internautes sur 9 ont trouvé ce commentaire utile 
HASH(0x9d485f60) étoiles sur 5 The Turn of the Screw (Ben Bolt, director) 20 septembre 2005
Par William R. Drennan - Publié sur Amazon.com
Format: Cassette vidéo Achat vérifié
Inevitably, I suppose, any stage or screen adaptation of James's novella must finally make a firm decision regarding what James himself is able to leave satisfyingly ambiguous on the printed page: namely, the emotional and mental stability of the governess, played here with great zest and skill by Jodhi May. Director Bolt's choice is clear enough; for him, the governess is (or becomes) an obsessed, sex-starved Freudian case study--a well-intended young woman who nonetheless ends up posing an infinitely greater peril to her charges--Miles and Flora--than do any of those ghosts she (mistakenly) thinks she sees.

I myself miss the ambiguity of James's text here, but the production itself is first-rate: terrific acting, cinematography, and casting. However, if, as a reader of James, you are convinced that the governess is an eminently reliable narrator concerning the disturbing events at Bly, this directorial interpretation is likely to rankle.
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