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Uglies [Anglais] [Broché]

Scott Westerfield
4.0 étoiles sur 5  Voir tous les commentaires (2 commentaires client)

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Descriptions du produit

Amazon.com

Playing on every teen’s passionate desire to look as good as everybody else, Scott Westerfeld (Midnighters) projects a future world in which a compulsory operation at sixteen wipes out physical differences and makes everyone pretty by conforming to an ideal standard of beauty. The "New Pretties" are then free to play and party, while the younger "Uglies" look on enviously and spend the time before their own transformations in plotting mischievous tricks against their elders. Tally Youngblood is one of the most daring of the Uglies, and her imaginative tricks have gotten her in trouble with the menacing department of Special Circumstances. She has yearned to be pretty, but since her best friend Shay ran away to the rumored rebel settlement of recalcitrant Uglies called The Smoke, Tally has been troubled. The authorities give her an impossible choice: either she follows Shay’s cryptic directions to The Smoke with the purpose of betraying the rebels, or she will never be allowed to become pretty. Hoping to rescue Shay, Tally sets off on the dangerous journey as a spy. But after finally reaching The Smoke she has a change of heart when her new lover David reveals to her the sinister secret behind becoming pretty. The fast-moving story is enlivened by many action sequences in the style of videogames, using intriguing inventions like hoverboards that use the rider’s skateboard skills to skim through the air, and bungee jackets that make wild downward plunges survivable -- and fun. Behind all the commotion is the disturbing vision of our own society -- the Rusties -- visible only in rusting ruins after a virus destroyed all petroleum. Teens will be entranced, and the cliffhanger ending will leave them gasping for the sequel. (Ages 12 and up) --Patty Campbell

From School Library Journal

Starred Review. Grade 6 Up–Tally Youngblood lives in a futuristic society that acculturates its citizens to believe that they are ugly until age 16 when they'll undergo an operation that will change them into pleasure-seeking "pretties." Anticipating this happy transformation, Tally meets Shay, another female ugly, who shares her enjoyment of hoverboarding and risky pranks. But Shay also disdains the false values and programmed conformity of the society and urges Tally to defect with her to the Smoke, a distant settlement of simple-living conscientious objectors. Tally declines, yet when Shay is found missing by the authorities, Tally is coerced by the cruel Dr. Cable to find her and her compatriots–or remain forever "ugly." Tally's adventuresome spirit helps her locate Shay and the Smoke. It also attracts the eye of David, the aptly named youthful rebel leader to whose attentions Tally warms. However, she knows she is living a lie, for she is a spy who wears an eye-activated locator pendant that threatens to blow the rebels' cover. Ethical concerns will provide a good source of discussion as honesty, justice, and free will are all oppressed in this well-conceived dystopia. Characterization, which flirts so openly with the importance of teen self-concept, is strong, and although lengthy, the novel is highly readable with a convincing plot that incorporates futuristic technologies and a disturbing commentary on our current public policies. Fortunately, the cliff-hanger ending promises a sequel.–Susan W. Hunter, Riverside Middle School, Springfield, VT

Booklist

*Starred Review* Gr. 7-10. Fifteen-year-old Tally's eerily harmonious, postapocalyptic society gives extreme makeovers to teens on their sixteenth birthdays, supposedly conferring equivalent evolutionary advantages to all. When a top-secret agency threatens to leave Tally ugly forever unless she spies on runaway teens, she agrees to infiltrate the Smoke, a shadowy colony of refugees from the "tyranny of physical perfection." At first baffled and revolted by the rebels' choices, Tally eventually bonds with one of their leaders and begins to question the validity of institutionalized mutilation--especially as it becomes clear that the government's surgeons may be doing more than cosmetic nipping and tucking. Although the narrative's brisk pace is more successful in scenes of hover-boarding action than in convincingly developing Tally's key relationships, teens will sink their teeth into the provocative questions about invasive technology, image-obsessed society, and the ethical quandaries of a mole-turned-ally. These elements, along with the obvious connections to reality programs such as Miami Slice, will surely cause this ingenious series debut to cement Westerfeld's reputation for high-concept YA fiction that has wide appeal. Suggest M. T. Anderson's Feed (2002) and Westerfeld's own So Yesterday (2004) to readers antsy for the next installment. Jennifer Mattson
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