A tweedy purveyor of folklore; too many larks ascending and too much Linden Lea: no composer's work has ever been more cruelly stereotyped than that of Ralph Vaughan Williams. The truth could hardly have been more different: that folksy feel masked the highest sophistication, that countrified air the most audacious experimentation. If, unlike his Germanizing contemporary Elgar, Vaughan Williams did indeed open the way to a distinctively English Music, his was an Englishness which owed nothing to narrow-mindedness or lack of artistic enterprise. Fifty years after his death in 1958, Vaughan Williams' reputation is greater than ever before and there is a resurgence of interest in his music. Re-issued to coincide with this anniversary, Simon Heffer's perceptive book lends weight to the increasingly compelling case for Vaughan Williams' recognition as the most important English composer of the twentieth century. 'A vivid and appealing picture of an irresistibly likeable figure ... I enjoyed this little book enormously.' Spectator 'An affectionate, accurate and shrewd account of Vaughan Williams' life ... the author's astute commentary on it betokens close and knowledgeable acquaintance.' Sunday Telegraph
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Couverture | Copyright | Table des matières | Extrait | Quatrième de couverture
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true to oneself
12 avril 2005
Par J. Anderson
- Publié sur Amazon.com
Format:Relié
In one of his last utterances, shortly before his death, Vaughan Williams said: "Modernism and conservatism are irrelevant. What matters it to be true to oneself." Simon Heffer's accomplished 150page biography of Vaughan Williams ably proves the verity of the great composer's personal creed with distinctive prose that luckily also includes a skilled overview (and some cherished details) of his musical works.
Heffer secures the essential threads between VW's family (his father, at his son's birth, was the Vicar of Down Ampney and his mother was a Wedgewood, and neice of Charles Darwin) and his lifelong output of quintessentially English music. The author wisely allows this bucolic picture of gentle privilege to continuously and subtly inform the dialogue of Vaughan Williams' life and work, gradually creating a full look on firm ground of a thoroughly cosmopolitan composer.
The discussions of VW's compositions are exceptionally competent and always evocative. Heffer' reach is impressive - from VW's undramatic beginnings as a composer, his constant affection for and lavish attention to the English hymn tune, his musical study with Ravel and its effect on his work, through to the daring influence of blues and jazz found in his symphonies, notably the use of vibraphones that inform the beguiling Eighth.
This book is a great deal like VW's music itself - profound and gentle, inspiring and intimate. Recommended over other more lengthy biographies of VW, length not always equalling depth of treatment in these matters. In this important little book, the two aspects combine in perfect conformity to the living testament that is VW's music itself. This book is a full, revealing look at a composer who spent his creative life conjuring manifold beauty and nurturing his unique gifts with the uncommon genius of steady, humane purpose. The appendix of select discography with incisive commentary is also useful especially for those not that familiar with VW's music.
Heffer secures the essential threads between VW's family (his father, at his son's birth, was the Vicar of Down Ampney and his mother was a Wedgewood, and neice of Charles Darwin) and his lifelong output of quintessentially English music. The author wisely allows this bucolic picture of gentle privilege to continuously and subtly inform the dialogue of Vaughan Williams' life and work, gradually creating a full look on firm ground of a thoroughly cosmopolitan composer.
The discussions of VW's compositions are exceptionally competent and always evocative. Heffer' reach is impressive - from VW's undramatic beginnings as a composer, his constant affection for and lavish attention to the English hymn tune, his musical study with Ravel and its effect on his work, through to the daring influence of blues and jazz found in his symphonies, notably the use of vibraphones that inform the beguiling Eighth.
This book is a great deal like VW's music itself - profound and gentle, inspiring and intimate. Recommended over other more lengthy biographies of VW, length not always equalling depth of treatment in these matters. In this important little book, the two aspects combine in perfect conformity to the living testament that is VW's music itself. This book is a full, revealing look at a composer who spent his creative life conjuring manifold beauty and nurturing his unique gifts with the uncommon genius of steady, humane purpose. The appendix of select discography with incisive commentary is also useful especially for those not that familiar with VW's music.
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Nothing that you can't find anywhere else.
5 mai 2010
Par Steven Schwartz
- Publié sur Amazon.com
Format:Relié
If you've already read Michael Kennedy's Life and Works of Ralph Vaughan Williams or Ursula Vaughan Williams's R.V.W., you can skip this. It is little more than an expanded encyclopedia entry and the stuff that isn't is problematic. Heffer's an enthusiastic amateur, with either little or no musical training. That may even count as an advantage in a work for the general reader. However, it gets him in trouble when he renders critical judgments, which tend to sound like he's gotten them from others' reviews. He certainly doesn't build much of a case in support. An ordinary book about an extraordinary composer.
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