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Vintage PKD [Anglais] [Broché]

Philip K. Dick

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Description de l'ouvrage

13 juin 2006 Vintage Original
A master of science fiction, a voice of the changing counterculture, and a genuine visionary, Philip K. Dick wrote about reality, entropy, deception, and the plight of being alive in the modern world. Through his remarkable career Dick has established himself as a writer of the first order and his dreams of the future have proven to be eerily prophetic and even more prescient than when he wrote them.

Vintage PKD features extracts from The Man in the High Castle, The Three Stigmata of Palmer Eldritch, Ubik, A Scanner Darkly, VALIS, and stories including “The Days of Perky Pat,” “A Little Something for Us Tempunauts," and “I Hope I Shall Arrive Soon,” along with essays and letters currently unavailable in book form.
 
Vintage Readers are a perfect introduction to some of the great modern writers, presented in attractive, affordable paperback editions.

Descriptions du produit

Extrait

Chapter One

from The Man in the High Castle

For a week Mr. R. Childan had been anxiously watching the mail. But the valuable shipment from the Rocky Mountain States had not arrived. As he opened up his store on Friday morning and saw only letters on the floor by the mail slot he thought, I'm going to have an angry customer.

Pouring himself a cup of instant tea from the five-cent wall dispenser he got a broom and began to sweep; soon he had the front of American Artistic Handcrafts Inc. ready for the day, all spick and span with the cash register full of change, a fresh vase of marigolds, and the radio playing background music. Outdoors along the sidewalk businessmen hurried toward their offices along Montgomery Street. Far off, a cable car passed; Childan halted to watch it with pleasure. Women in their long colorful silk dresses . . . he watched them, too. Then the phone rang. He turned to answer it.

"Yes," a familiar voice said to his answer. Childan's heart sank. "This is Mr. Tagomi. Did my Civil War recruiting poster arrive yet, sir? Please recall; you promised it sometime last week." The fussy, brisk voice, barely polite, barely keeping the code. "Did I not give you a deposit, sir, Mr. Childan, with that stipulation? This is to be a gift, you see. I explained that. A client."

"Extensive inquiries," Childan began, "which I've had made at my own expense, Mr. Tagomi, sir, regarding the promised parcel, which you realize originates outside of this region and is therefore-"

But Tagomi broke in, "Then it has not arrived."

"No, Mr. Tagomi, sir."

An icy pause.

"I can wait no furthermore," Tagomi said.

"No sir." Childan gazed morosely through the store window at the warm bright day and the San Francisco office buildings.

"A substitute, then. Your recommendation, Mr. Childan?" Tagomi deliberately mispronounced the name; insult within the code that made Childan's ears burn. Place pulled, the dreadful mortification of their situation. Robert Childan's aspirations and fears and torments rose up and exposed themselves, swamped him, stopping his tongue. He stammered, his hand sticky on the phone. The air of his store smelled of marigolds; the music played on, but he felt as if he were falling into some distant sea.

"Well . . ." he managed to mutter. "Butter churn. Ice-cream maker circa 1900." His mind refused to think. Just when you forgot about it; just when you fool yourself. He was thirty-eight years old, and he could remember the prewar days, the other times. Franklin D. Roosevelt and the World's Fair; the former better world. "Could I bring various desirable items out to your business location?" he mumbled.

An appointment was made for two o'clock. Have to shut store, he knew as he hung up the phone. No choice. Have to keep goodwill of such customers; business depends on them.

Standing shakily, he became aware that someone-a couple had entered the store. Young man and girl, both handsome, well-dressed. Ideal. He calmed himself and moved professionally, easily, in their direction, smiling. They were bending to scrutinize a counter display, had picked up a lovely ashtray. Married, he guessed. Live out in City of the Winding Mists, the new exclusive apartments on Skyline overlooking Belmont.

"Hello," he said, and felt better. They smiled at him without any superiority, only kindness. His displays-which really were the best of their kind on the Coast-had awed them a little; he saw that and was grateful. They understood.

"Really excellent pieces, sir," the young man said.

Childan bowed spontaneously.

Their eyes, warm not only with human bond but with the shared enjoyment of the art objects he sold, their mutual tastes and satisfactions, remained fixed on him; they were thanking him for having things like these for them to see, pick up and examine, handle perhaps without even buying. Yes, he thought, they know what sort of store they are in; this is not tourist trash, not redwood plaques reading Muir Woods, Marin County, PSA, or funny signs or girly rings or postcards or views of the Bridge. The girl's eyes especially, large, dark. How easily, Childan thought, I could fall in love with a girl like this. How tragic my life, then; as if it weren't bad enough already. The stylish black hair, lacquered nails, pierced ears for the long dangling brass handmade earrings.

"Your earrings," he murmured. "Purchased here, perhaps?"

"No," she said. "At home."

Childan nodded. No contemporary American art; only the past could be represented here, in a store such as his. "You are here for long?" he asked. "To our San Francisco?"

"I'm stationed here indefinitely," the man said. "With Standard of Living for Unfortunate Areas Planning Commission of Inquiry." Pride showed on his face. Not the military. Not one of the gum-chewing boorish draftees with their greedy peasant faces, wandering up Market Street, gaping at the bawdy shows, the sex movies, the shooting galleries, the cheap nightclubs with photos of middle-aged blondes holding their nipples between their wrinkled fingers and leering . . . the honkytonk jazz slums that made up most of the flat part of San Francisco, rickety tin and board shacks that had sprung up from the ruins even before the last bomb fell. No-this man was of the elite. Cultured, educated, even more so than Mr. Tagomi, who was after all a high official with the ranking Trade Mission on the Pacific Coast. Tagomi was an old man. His attitudes had formed in the War Cabinet days.

"Had you wished American traditional ethnic art objects as a gift?" Childan asked. "Or to decorate perhaps a new apartment for your stay here?" If the latter . . . his heart picked up.

"An accurate guess," the girl said. "We are starting to decorate. A bit undecided. Do you think you could inform us?"

"I could arrange to arrive at your apartment, yes," Childan said. "Bringing several hand cases, I can suggest in context, at your leisure. This, of course, is our specialty." He dropped his eyes so as to conceal his hope. There might be thousands of dollars involved. "I am getting in a New England table, maple, all wood-pegged, no nails. Immense beauty and worth. And a mirror from the time of the 1812 War. And also the aboriginal art: a group of vegetable-dyed goat-hair rugs."

"I myself," the man said, "prefer the art of the cities."

"Yes," Childan said eagerly. "Listen, sir. I have a mural from WPA post-office period, original, done on board, four sections, depicting Horace Greeley. Priceless collector's item."

"Ah," the man said, his dark eyes flashing.

"And a Victrola cabinet of 1920 made into a liquor cabinet."

"Ah."

"And, sir, listen: framed signed picture of Jean Harlow."

The man goggled at him.

"Shall we make arrangements?" Childan said, seizing this correct psychological instant. From his inner coat pocket he brought his pen, notebook. "I shall take your name and address, sir and lady."

Afterward, as the couple strolled from his store, Childan stood, hands behind his back, watching the street. Joy. If all business days were like this . . . but it was more than business, the success of his store. It was a chance to meet a young Japanese couple socially, on a basis of acceptance of him as a man rather than him as a yank or, at best, a tradesman who sold art objects. Yes, these new young people, of the rising generation, who did not remember the days before the war or even the war itself-they were the hope of the world. Place difference did not have the significance for them.

It will end, Childan thought. Someday. The very idea of place. Not governed and governing, but people.

And yet he trembled with fear, imagining himself knocking at their door. He examined his notes. The Kasouras. Being admitted, no doubt offered tea. Would he do the right thing? Know the proper act and utterance at each moment? Or would he disgrace himself, like an animal, by some dismal faux pas?

The girl's name was Betty. Such understanding in her face, he thought. The gentle, sympathetic eyes. Surely, even in the short time in the store, she had glimpsed his hopes and defeats.

His hopes-he felt suddenly dizzy. What aspirations bordering on the insane if not the suicidal did he have? But it was known, relations between Japanese and yanks, although generally it was between a Japanese man and yank woman. This . . . he quailed at the idea. And she was married. He whipped his mind away from the pageant of his involuntary thoughts and began busily opening the morning's mail.

His hands, he discovered, were still shaking. And then he recalled his two o'clock appointment with Mr. Tagomi; at that, his hands ceased shaking and his nervousness became determination. I've got to come up with something acceptable, he said to himself. Where? How? What? A phone call. Sources. Business ability. Scrape up a fully restored 1929 Ford including fabric top (black). Grand slam to keep patronage forever. Crated original mint trimotor airmail plane discovered in barn in Alabama, etc. Produce mummified head of Mr. B. Bill, including flowing white hair; sensational American artifact. Make my reputation in top connoisseur circles throughout Pacific, not excluding Home Islands.

To inspire himself, he lit up a marijuana cigarette, excellent Land-O-Smiles brand.



In his room on ...

Revue de presse

“A brilliant, idiosyncratic, formidably intelligent writer. . . . Dick illuminates. He casts light. He gives off a radiance.” –The Washington Post

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3.0 étoiles sur 5 More handshake than introduction 2 août 2008
Par Brandon Nolta - Publié sur Amazon.com
Format:Broché
In the quarter-century since Philip K. Dick's death, Hollywood has trounced us with multiple adaptations of his work. A partial list would include Blade Runner, Total Recall, A Scanner Darkly and Minority Report. Each of these films does something different, but what none of them, with a couple of possible exceptions, manage to do is fully expose the viewer to the conceptual richness and edge-of-sanity viewpoint of Dick's work.

This anthology from Vintage Books, Vintage PKD, aims to change that for neophyte readers of the PKD canon. Contained within this slim volume (less than 190 pages) are a couple of short stories, an essay or two by the man himself, and chapters excerpted from several of his novels. Wisely, the Vintage editors stayed away from the works that have been adapted for the screen, as well as some of the more heavily anthologized works, such as his 1959 story "Time Out of Joint." Since PKD was so prolific -- despite dying at age 53, he managed to get more than thirty novels and hundreds of short stories published -- this left a lot to choose from. Of the works excerpted here, the best-known one may be The Man in the High Castle, the 1962 alternate history of an America divvied up between the Japanese and Nazi Germany after the Allies lose WWII, which won PKD a Hugo Award.

As a sketch of the artist's development and talent, Vintage PKD is successful, in that the alert reader will discover the strength and flow of his writing, the progression of his abilities and the warmth and good humor that ran hand-in-hand with his paranoia and deep-seated rage against the universe and its injustices. However, as even an incomplete portrait of the concepts PKD struggled with, this volume is an unqualified failure.

The majority of PKD's work revolved, even early in his career, around questions of reality and identity, individuality vs. autonomic reflex, and very little of that is seen here. Only the short story "I Hope I Shall Arrive Soon" and the essay "The Zebra Papers" explore this in any detail, leaving the rest of the works here to either hint vaguely in that direction or ignore it altogether. Considering that most of PKD's works delved into this at length, not addressing these concepts in richer detail does an injustice to his work.

Additionally, the matter of his personal exegesis, a document that explains or interprets scriptural writings, is left unaddressed. In the 1970s, PKD had a massive religious experience, one that colored his thinking and philosophical explorations for the rest of his life. Several of his novels, including VALIS and Galactic Pot-Healer, can trace their lineage directly to this experience, and PKD himself documented this experience and its intellectual aftershocks for years. Only a few oblique references in "The Zebra Papers" and the chapters from VALIS even mention this. To read an overview of PKD that doesn't touch on this or the questions of reality and humanity is like reading an overview of Nietzsche that fails to mention the übermensch.

Overall, Vintage PKD is not a bad anthology; the works within are well-written and enjoyable, and may serve as a nice reminder to people who are passing familiar with his work but haven't read any in a while. For the uninitiated, however, the picture this book presents is frustratingly brief and tantalizingly incomplete. No electric sheep need apply.
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