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Woken Furies: A Takeshi Kovacs Novel [Anglais] [Broché]

Richard K. Morgan

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Description de l'ouvrage

29 mai 2007
Richard K. Morgan has received widespread praise for his astounding twenty-fifth-century novels featuring Takeshi Kovacs, and has established a growing legion of fans. Mixing classic noir sensibilities with a searing futuristic vision of an age when death is nearly meaningless, Morgan returns to his saga of betrayal, mystery, and revenge, as Takeshi Kovacs, in one fatal moment, joins forces with a mysterious woman who may have the power to shatter Harlan’s World forever.

Once a gang member, then a marine, then a galaxy-hopping Envoy trained to wreak slaughter and suppression across the stars, a bleeding, wounded Kovacs was chilling out in a New Hokkaido bar when some so-called holy men descended on a slim beauty with tangled, hyperwired hair. An act of quixotic chivalry later and Kovacs was in deep: mixed up with a woman with two names, many powers, and one explosive history.

In a world where the real and virtual are one and the same and the dead can come back to life, the damsel in distress may be none other than the infamous Quellcrist Falconer, the vaporized symbol of a freedom now gone from Harlan’s World. Kovacs can deal with the madness of AI. He can do his part in a battle against biomachines gone wild, search for a three-centuries-old missing weapons system, and live with a blood feud with the yakuza, and even with the betrayal of people he once trusted. But when his relationship with “the” Falconer brings him an enemy specially designed to destroy him, he knows it’s time to be afraid.

After all, the guy sent to kill him is himself: but younger, stronger, and straight out of hell.

Wild, provocative, and riveting, Woken Furies is a full-bore science fiction spectacular of the highest order–from one of the most original and spellbinding storytellers at work today.


From the Hardcover edition.

Produits fréquemment achetés ensemble

Woken Furies: A Takeshi Kovacs Novel + Broken Angels + Altered Carbon: A Takeshi Kovacs Novel
Prix pour les trois: EUR 27,27

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Descriptions du produit

Extrait

Damage. The wound stung like fuck, but it wasn’t as bad as some I’d had. The blaster bolt came in blind across my ribs, already weakened by the door plating it had to chew through to get to me. Priests, up against the slammed door and looking for a quick gut shot. Fucking amateur night. They’d probably caught almost as much pain themselves from the point-blank blowback off the plating. Behind the door, I was already twisting aside. What was left of the charge plowed a long, shallow gash across my rib cage and went out, smoldering in the folds of my coat. Sudden ice down that side of my body and the abrupt stench of fried skin-sensor components. That curious bone-splinter fizzing that’s almost a taste, where the bolt had ripped through the biolube casing on the floating ribs.

Eighteen minutes later, by the softly glowing display chipped into my upper left field of vision, the same fizzing was still with me as I hurried down the lamplit street, trying to ignore the wound. Stealthy seep of fluids beneath my coat. Not much blood. Sleeving synthetic has its advantages.

“Looking for a good time, sam?”

“Already had one,” I told him, veering away from the doorway. He blinked wave-tattooed eyelids in a dismissive flutter that said your loss and leaned his tightly muscled frame languidly back into the gloom. I crossed the street and took the corner, tacking between a couple more whores, one a woman, the other of indeterminate gender. The woman was an augment, forked dragon tongue flickering out around her overly prehensile lips, maybe tasting my wound on the night air. Her eyes danced a similar passage over me, then slid away. On the other side, the cross-gender pro shifted its stance slightly and gave me a quizzical look but said nothing. Neither was interested. The streets were rain-slick and deserted, and they’d had longer to see me coming than the doorway operator. I’d cleaned up since leaving the citadel, but something about me must have telegraphed the lack of business opportunity.

At my back, I heard them talking about me in Stripjap. I heard the word for broke.

They could afford to be choosy. In the wake of the Mecsek Initiative, business was booming. Tekitomura was packed that winter, thronging with salvage brokers and the deCom crews that drew them the way a trawler wake draws ripwings. Making New Hok Safe for a New Century, the ads went. From the newly built hoverloader dock down at the Kompcho end of town it was less than a thousand kilometers, straight-line distance, to the shores of New Hokkaido, and the ’loaders were running day and night. Outside of an airdrop, there is no faster way to get across the Andrassy Sea. And on Harlan’s World, you don’t go up in the air if you can possibly avoid it. Any crew toting heavy equipment—and they all were—was going to New Hok on a hoverloader out of Tekitomura. Those that lived would be coming back the same way.

Boomtown. Bright new hope and brawling enthusiasm as the Mecsek money poured in. I limped down thoroughfares littered with the detritus of spent human merriment. In my pocket, the freshly excised cortical stacks clicked together like dice.

There was a fight going on at the intersection of Pencheva Street and Muko Prospect. The pipe houses on Muko had just turned out and their synapse-fried patrons had met late-shift dockworkers coming up through the decayed quiet of the warehouse quarter. More than enough reason for violence. Now a dozen badly coordinated figures stumbled back and forth in the street, flailing and clawing inexpertly at each other while a gathered crowd shouted encouragement. One body already lay inert on the fused-glass paving, and someone else was dragging their body, a limb’s length at a time, out of the fray, bleeding. Blue sparks shorted off a set of overcharged power knuckles; elsewhere light glimmered on a blade. But everyone still standing seemed to be having a good time, and there were no police as yet.

Yeah, part of me jeered. Probably all too busy up the hill right now.

I skirted the action as best I could, shielding my injured side. Beneath the coat, my hands closed on the smooth curve of the last hallucinogen grenade and the slightly sticky hilt of the Tebbit knife.

Never get into a fight if you can kill quickly and be gone.

Virginia Vidaura—Envoy Corps trainer, later career criminal and sometime political activist. Something of a role model for me, though it was several decades since I’d last seen her. On a dozen different worlds, she crept into my mind unbidden, and I owed that ghost in my head my own life a dozen times over. This time I didn’t need her or the knife. I got past the fight without eye contact, made the corner of Pencheva, and melted into the shadows that lay across the alley mouths on the seaward side of the street. The timechip in my eye said I was late.

Pick it up, Kovacs. According to my contact in Millsport, Plex wasn’t all that reliable at the best of times, and I hadn’t paid him enough to wait long.

Five hundred meters down and then left into the tight fractal whorls of Belacotton Kohei Section, named centuries ago for the habitual content and the original owner-operator family whose warehouse frontages walled the curving maze of alleys. With the Unsettlement and the subsequent loss of New Hokkaido as any kind of market, the local belaweed trade pretty much collapsed and families like Kohei went rapidly bankrupt. Now the grime-filmed upper-level windows of their façades peered sadly across at each other over gape-mouthed loading bay entrances whose shutters were all jammed somewhere uncommitted between open and closed.

There was talk of regeneration, of course, of reopening units like these and retooling them as deCom labs, training centers, and hardware storage facilities. Mostly, it was still just talk—the enthusiasm had kindled on the wharf-line units facing the hoverloader ramps farther west, but so far it hadn’t spread farther in any direction than you could trust a wirehead with your phone. This far off the wharf and this far east, the chitter of Mecsek finance was still pretty inaudible.

The joys of trickledown.

Belacotton Kohei Nine Point Twenty-six showed a faint glow in one upper window, and the long restless tongues of shadows in the light that seeped from under the half-cranked loading bay shutter gave the building the look of a one-eyed, drooling maniac. I slid to the wall and dialed up the synthetic sleeve’s auditory circuits for what they were worth, which wasn’t much. Voices leaked out into the street, fitful as the shadows at my feet.

“—telling you, I’m not going to hang around for that.”

It was a Millsport accent, the drawling metropolitan twang of Harlan’s World Amanglic dragged up to an irritated jag. Plex’s voice, muttering below sense-making range, made soft provincial counterpoint. He seemed to be asking a question.

“How the fuck would I know that? Believe what you want.” Plex’s companion was moving about, handling things. His voice faded back in the echoes of the loading bay. I caught the words kaikyo, matter, a chopped laugh. Then again, coming closer to the shutter, “—matters is what the family believes, and they’ll believe what the technology tells them. Technology leaves a trail, my friend.” A sharp coughing and indrawn breath that sounded like recreational chemicals going down. “This guy is fucking late.”

I frowned. Kaikyo has a lot of meanings, but they all depend on how old you are. Geographically, it’s a strait or a channel. That’s early-Settlement-years use, or just hypereducated, kanji-scribbling, First Families pretension. This guy didn’t sound First Family, but there was no reason he couldn’t have been around back when Konrad Harlan and his well-connected pals were turning Glimmer VI into their own personal backyard. Plenty of DH personalities still on stack from that far back, just waiting to be downloaded into a working sleeve. Come to that, you wouldn’t need to resleeve more than half a dozen times, end-to-end, to live through the whole of Harlan’s World’s human history anyway. It’s still not much over four centuries, Earth-standard, since the colony barges made planetfall.

Envoy intuition twisted about in my head. It felt wrong. I’d met men and women with centuries of continuous life behind them, and they didn’t talk like this guy. This wasn’t the wisdom of ages, drawling out into the Tekitomura night over pipe fumes.

On the street, scavenged into the argot of Stripjap a couple of hundred years later, kaikyo means a contact who can shift stolen goods. A covert flow manager. In some parts of the Millsport Archipelago, it’s still common usage. Elsewhere, the meaning is shifting to describe aboveboard financial consultants.

Yeah, and farther south it means a holy man possessed by spirits, or a sewage outlet. Enough of this detective shit. You heard the man—you’re late.

I got the heel of one hand under the edge of the shutter and hauled upward, locking up the tidal rip of pain from my wound as well as the synthetic sleeve’s nervous system would let me. The shutter ratcheted noisily to the roof. Light fell out into the street and all over me.

“Evening.”

“Jesus!” The Millsport accent jerked back a full step. He’d been only a couple of meters away from the shutter when it went up.

“Tak.”

“Hello, Plex.” My eyes stayed on the newcomer. “Who’s the tan?”

By then I already knew. Pa...

Revue de presse

Praise for Richard K. Morgan

Market Forces

“Morgan is one of science fiction’s bright young lights, a crisp stylist who demonstrates equal facility with action scenes and angst.”
–The New York Times Book Review

“Forces is turbo-injected with moral ambiguity, Wag the Dog political scenarios, and action sequences fit for a Bruckheimer movie.”
–Entertainment Weekly

Altered Carbon

“Compelling . . . immensely entertaining . . . full of duplicitous characters, murky motives, and a detective who’s as tough as he looks.”
–The Philadelphia Inquirer

“Gritty and vivid . . . Looks as if we have another interstellar hero on our hands.”
–USA Today

Broken Angels

“Clearly the work of a gifted, ambitious writer.”
–The Washington Post Book World

“A superior, satisfying cyberpunk noir adventure.”
–Publishers Weekly


From the Hardcover edition.

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Amazon.com: 4.0 étoiles sur 5  93 commentaires
97 internautes sur 102 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Better than a Micky Nozawa experia flick 14 novembre 2005
Par John S. Ryan - Publié sur Amazon.com
Format:Relié
I'd been waiting for quite a while to read this third entry in Richard K. Morgan's series of Takeshi Kovacs novels. It was worth the wait, and in some respects it may be the best of the series so far. Tak travels through some dark, dark territory here.

Don't be fooled (or put off) by the pace. Where _Altered Carbon_ was a rapid series of body blows, _Woken Furies_ is more like being dragged down very slowly by a very large weight. There's a lot going on here, but quite a bit of it is in the background and between the lines. If you don't get into Tak's head pretty early on, the novel may read like a travelogue.

Not that that's necessarily _bad_. Probably a lot of us were curious about Harlan's World, and we get to see quite a bit of it here. We also finally get to put faces (the faces of their current sleeves, anyway) with some familiar names from Tak's past. All of that will probably be interesting enough to entertain the casual reader.

But if that's all you get out of this novel, then you're missing the meat of it.

The surface-level plot opens with Tak on Harlan's World in a synthetic sleeve, trying to get back into his own body. He's also, as we gradually discover, on some sort of mission, the details of which we don't really learn until some 250 pages in. And not too far into the tale, we meet someone who just _might_ turn out to be Quellcrist Falconer . . . or maybe not. Furthermore, Tak is being pursued by a younger version of himself, decanted from a backup copy he didn't know existed. Things build toward a final revelation with implications far, far beyond Quellism and the local politics of Harlan's World.

The pace, though, is generally slow. Oh, things do happen (and people start dying horribly within the first twenty-odd pages), but a lot of the action is off-screen. We spend the bulk of the novel the way we spent most of _Star Trek: The Motion Picture_: Going Somewhere.

The really interesting stuff, and the real, behind-the-narrative content of the novel, is what happens to Tak. I'm not going to give you any more clues about this; I'm just going to warn you to listen with both ears as those titular furies awaken and the possibilities of redemption come and go. There's a lot of internal turmoil going on here, and Tak isn't necessarily going to tell you about it directly. Hell, despite his Envoy training, I'm not sure he's even fully aware of all of it himself.

Readers who keep wanting recycled versions of _Altered Carbon_ will continue to be disappointed, as they were with _Broken Angels_; Morgan clearly isn't going to keep rewriting the same book for us. Now, me, I think that's a good thing.
13 internautes sur 15 ont trouvé ce commentaire utile 
1.0 étoiles sur 5 Worst narration I have ever heard. 17 mai 2011
Par I. Brown - Publié sur Amazon.com
Format:CD
The book itself is pretty good, I'm not knocking the book. It's just that the narration in this audio book version is terrible. I travel a lot for work and took to listening to audio books and I am saying this is actually the worst one I have ever heard.

The first two books, Altered Carbon and Broken Angels are narrated by Todd McLaren and he does an amazing job. I HIGHLY recommend these two audio books.

William Dufris cannot stack up next to Todd, but that's not even the problem. The whole first part of the book is in italics and several flashbacks to old advice throughout the book are also in italics. To indicate that to you, they distort the audio with an echo effect that makes it grating and downright infuriating to listen to. They didn't do that for the other two books, what made them think it was a good idea this time around? Fine whatever it's only a tiny fraction of the book. But then Dufris mispronounces the protagonist's name. The main character in the book makes a point of noting how to pronounce his name in the first two novels, several times. Dufris is supposed to BE the main character, make me believe he is Takeshi Kovacs and here he is blatantly mispronouncing his own name. Words cannot describe how annoying it is.

One of Dufris's other failings is the occasional screw up of cadence and tone of the character, but that's mostly in the beginning. It's like he didn't read the book before he narrated it; he certainly didn't read the first two books or he wouldn't have screwed up the protagonist's name.
5 internautes sur 5 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Opportunity Missed 30 août 2009
Par Alvin J. Daniel - Publié sur Amazon.com
Format:Broché
(Some spoilers)

First, the things I thought were well done
1) Slick, terrific prologue. Sets the stage for fireworks to come.
2) Some great concepts. The decom idea is fantastic (Jurassic Park for war machines), or battling with your younger self.

I wanted to like this book, having read altered carbon and its sequel. But it falls flat on characterization, and I even prefer action to characterization in my novels. He spends 100 pages developing a core group of characters only to have them go poof with nothing more than a cursory one-liner from another character about their fates. The main story motivations for the protagonist like why he wants revenge on the church, or why he becomes angry with the neo-Quellists both turn on two barely characterized individuals (Sarah and Isa). Why are they so important? Here was material for gripping reading, but he only spends 1-2 paragraphs on each, completely out of proportion to how much impact they have on the protagonists actions. Midway through the book, yet another core group of characters get introduced. Do I care at this point? Will they suffer the same one-line fate as the first group? Really, they exist simply as props. Even the antagonists are simply not characterized. There are almost no immediate scenes with them.

Even the main attraction, the battle with his younger self is wasted. Again, this would seem to be material for intense dialog and action. Instead they trade a few barbed quips with each other at the few points when they actually do meet, hardly the stuff of drama.

There are other problems, like too much authorial intrusion to provide social commentary. I wouldn't mind if there was a gripping story, but without one I found myself skipping swaths of text to get back to the main thread.

Unfortunately, as much as I enjoyed his earlier books I don't think I will be going back to this author. There are simply too many other good reads out there.
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