American artist and theorist Peter Halley discusses with the artist his rapidly changing role, from mid 1990s Wunderkind to established master of the 'new photography' today. German critic Jan Verwoert surveys the artist's many genres and styles, spanning abstract and figurative imagery. Japanese critic and curator Midori Matsuri analyses in her Focus a single project, Concorde (1997), a room-size installation and artist's book which records the daily passing of this epoch-making aeroplane. Extracts from a nineteenth-century Quaker text by Caroline Stephen on divine inspiration comprise the Artist's Choice. In the Artist's Writings Wolfgang Tillmans' art is reflected in his diary entries, fragments of text from his installations and project notes.
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