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One

The children were playing while Holston climbed to his death; he could hear them squealing as only happy children do. While they thundered about frantically above, Holston took his time, each step methodical and ponderous, as he wound his way around and around the spiral staircase, old boots ringing out on metal treads.

The treads, like his father’s boots, showed signs of wear. Paint clung to them in feeble chips, mostly in the corners and undersides, where they were safe. Traffic elsewhere on the staircase sent dust shivering off in small clouds. Holston could feel the vibrations in the railing, which was worn down to the gleaming metal. That always amazed him: how centuries of bare palms and shuffling feet could wear down solid steel. One molecule at a time, he supposed. Each life might wear away a single layer, even as the silo wore away that life.

Each step was slightly bowed from generations of traffic, the edge rounded down like a pouting lip. In the center, there was almost no trace of the small diamonds that once gave the treads their grip. Their absence could only be inferred from the pattern to either side, the small pyramidal bumps rising from the flat steel with their crisp edges and flecks of paint.

Holston lifted an old boot to an old step, pressed down, and did it again. He lost himself in what the untold years had done, the ablation of molecules and lives, layers and layers ground to fine dust. And he thought, not for the first time, that neither life nor staircase had been meant for such an existence. The tight confines of that long spiral, threading through the buried silo like a straw in a glass, had not been built for such abuse. Like much of their cylindrical home, it seemed to have been made for other purposes, for functions long since forgotten. What was now used as a thoroughfare for thousands of people, moving up and down in repetitious daily cycles, seemed more apt in Holston’s view to be used only in emergencies and perhaps by mere dozens.

Another floor went by—-a pie-shaped division of dormitories. As Holston ascended the last few levels, this last climb he would ever take, the sounds of childlike delight rained down even louder from above. This was the laughter of youth, of souls who had not yet come to grips with where they lived, who did not yet feel the press of the earth on all sides, who in their minds were not buried at all, but alive. Alive and unworn, dripping happy sounds down the stairwell, trills that were incongruous with Holston’s actions, his decision and determination to go outside.

As he neared the upper level, one young voice rang out above the others, and Holston remembered being a child in the silo—-all the schooling and the games. Back then, the stuffy concrete cylinder had felt, with its floors and floors of apartments and workshops and hydroponic gardens and purification rooms with their tangles of pipes, like a vast universe, a wide expanse one could never fully explore, a labyrinth he and his friends could get lost in forever.

But those days were more than thirty years distant. Holston’s childhood now felt like something two or three lifetimes ago, something someone else had enjoyed. Not him. He had an entire lifetime as sheriff weighing heavy, blocking off that past. And more recently, there was this third stage of his life—-a secret life beyond childhood and being sheriff. It was the last layers of himself ground to dust; three years spent silently waiting for what would never come, each day longer than any month from his happier lifetimes.

At the top of the spiral stairway, Holston’s hand ran out of railing. The curvy bar of worn steel ended as the stairwell emptied into the widest rooms of the entire silo complex: the cafeteria and the adjoining lounge. The playful squeals were level with him now. Darting bright shapes zagged between scattered chairs, playing chase. A handful of adults tried to contain the chaos. Holston saw Emma picking up scattered chalk and crayon from the stained tiles. Her husband, Clarke, sat behind a table arranged with cups of juice and bowls of cornflour cookies. He waved at Holston from across the room.

Holston didn’t think to wave back, didn’t have the energy or the desire. He looked past the adults and playing children to the blurry view beyond, projected on the cafeteria wall. It was the largest uninterrupted vista of their inhospitable world. A morning scene. Dawn’s dim light coated lifeless hills that had hardly changed since Holston was a boy. They sat, just as they always had, while he had gone from playing chase among the cafeteria tables to whatever empty thing he was now. And beyond the stately rolling crests of these hills, the top of a familiar and rotting skyline caught the morning rays in feeble glints. Ancient glass and steel stood distantly where people, it was suspected, had once lived aboveground.

A child, ejected from the group like a comet, bumped into Holston’s knees. He looked down and moved to touch the kid—-Susan’s boy—-but just like a comet the child was gone again, pulled back into the orbit of the others.

Holston thought suddenly of the lottery he and Allison had won the year of her death. He still had the ticket; he carried it everywhere. One of these kids—-maybe he or she would be two by now and tottering after the older children—-could’ve been theirs. They had dreamed, like all parents do, of the double fortune of twins. They had tried, of course. After her implant was removed, they had spent night after glorious night trying to redeem that ticket, other parents wishing them luck, other lottery hopefuls silently praying for an empty year to pass.

Knowing they only had a year, he and Allison had invited superstition into their lives, looking to anything for help. Tricks, like hanging garlic over the bed, that supposedly increased fertility; two dimes under the mattress for twins; a pink ribbon in Allison’s hair; smudges of blue dye under Holston’s eyes—-all of it ridiculous and desperate and fun. The only thing crazier would have been to not try everything, to leave some silly séance or tale untested.

But it wasn’t to be. Before their year was even out, the lottery had passed to another couple. It hadn’t been for a lack of trying; it had been a lack of time. A sudden lack of wife.

Holston turned away from the games and the blurry view and walked toward his office, situated between the cafeteria and the silo’s airlock. As he covered that ground, his thoughts went to the struggle that once took place there, a struggle of ghosts he’d had to walk through every day for the last three years. And he knew, if he turned and hunted that expansive view on the wall, if he squinted past the ever-worsening blur of cloudy camera lenses and airborne grime, if he followed that dark crease up the hill, that wrinkle that worked its way over the muddy dune toward the city beyond, he could pick out her quiet form. There, on that hill, his wife could be seen. She lay like a sleeping boulder, the air and toxins wearing away at her, her arms curled under her head.

Maybe.

It was difficult to see, hard to make out clearly even back before the blurring had begun anew. And besides, there was little to trust in that sight. There was much, in fact, to doubt. So Holston simply chose not to look. He walked through that place of his wife’s ghostly struggle, where bad memories lay eternal, that scene of her sudden madness, and entered his office.

“Well, look who’s up early,” Marnes said, smiling.

Holston’s deputy closed a metal drawer on the filing cabinet, a lifeless cry singing from its ancient joints. He picked up a steaming mug, then noted Holston’s solemn demeanor. “You feeling okay, boss?”

Holston nodded. He pointed to the rack of keys behind the desk. “Holding cell,” he said.

The deputy’s smile drooped into a confused frown. He set down the mug and turned to retrieve the key. While his back was turned, Holston rubbed the sharp, cool steel in his palm one last time, then placed the star flat on the desk. Marnes turned and held out the key. Holston took it.

“You need me to grab the mop?” Deputy Marnes jabbed a thumb back toward the cafeteria. Unless someone was in cuffs, they only went into the cell to clean it.

“No,” Holston said. He jerked his head toward the holding cell, beckoning his deputy to follow.

He turned, the chair behind the desk squeaking as Marnes rose to join him, and Holston completed his march. The key slid in with ease. There was a sharp clack from the well-built and well-maintained inner organs of the door, the barest squeak from the hinges, a determined step, a shove and a clank, and the ordeal was over.

“Boss?”

Holston held the key between the bars. Marnes looked down at it, unsure, but his palm came up to accept.

“What’s going on, boss?”

“Get the mayor,” Holston said. He let out a sigh, that heavy breath he’d been holding for three years.

“Tell her I want to go outside.”

Two

The view from the holding cell wasn’t as blurry as it had been in the cafeteria, and Holston spent his final day in the silo puzzling over this. Could it be that the camera on that side was shielded against the toxic wind? Did each cleaner, condemned to death, put more care into preserving the view they’d enjoyed on their last day? Or was the extra effort a gift to the next cleaner, who would spend their final day in that same cell?

Holston preferred this last explanation. It made him think longingly of his wife. It reminded him why he was there, on the wrong side of those bars, and willingly.

As his thoughts drifted to Allison, he sat and stared out at the dead world some ancient peoples had left behind. It wasn’t the best view of the landscape around their buried bunker, but it wasn’t the worst, either. In the distance, low rolling hills stood, a pretty shade of brown, like coffee mash with just the right amount of pig’s milk in it. The sky above the hills was the same dull gray of his childhood and his father’s childhood and his grandfather’s childhood. The only moving feature on the landscape was the clouds. They hung full and dark over the hills. They roamed free like the herded beasts from the picture books.

The view of the dead world filled up the entire wall of his cell, just like all the walls on the silo’s upper level, each one full of a different slice of the blurry and ever-blurrier wasteland beyond. Holston’s little piece of that view reached from the corner by his cot, up to the ceiling, to the other wall, and down to the toilet. And despite the soft blur—-like oil rubbed on a lens—-it looked like a scene one could stroll out into, like a gaping and inviting hole oddly positioned across from forbidding prison bars.

The illusion, however, convinced only from a distance. Leaning closer, Holston could see a handful of dead pixels on the massive display. They stood stark white against all the brown and gray hues. Shining with ferocious intensity, each pixel (Allison had called them “stuck” pixels) was like a square window to some brighter place, a hole the width of a human hair that seemed to beckon toward some better reality. There were dozens of them, now that he looked closer. Holston wondered if anyone in the silo knew how to fix them, or if they had the tools required for such a delicate job. Were they dead forever, like Allison? Would all of the pixels be dead eventually? Holston imagined a day when half of the pixels would be stark white, and then generations later when only a few gray and brown ones remained, then a mere dozen, the world having flipped to a new state, the people of the silo thinking the outside world was on fire, the only true pixels now mistaken for malfunctioning ones.

Or was that what Holston and his people were doing even now?

Someone cleared their throat behind him. Holston turned and saw Mayor Jahns standing on the other side of the bars, her hands resting in the belly of her overalls. She nodded gravely toward the cot.

“When the cell’s empty, at night when you and Deputy Marnes are off duty, I sometimes sit right there and enjoy that very view.”

Holston turned back to survey the muddy, lifeless landscape. It only looked depressing compared to scenes from the children’s books—-the only books to survive the uprising. Most people doubted those colors in the books, just as they doubted purple elephants and pink birds ever existed, but Holston felt that they were truer than the scene before him. He, like some others, felt something primal and deep when he looked at those worn pages splashed green and blue. Even so, when compared to the stifling silo, that muddy gray view outside looked like some kind of salvation, just the sort of open air men were born to breathe.

“Always seems a little clearer in here,” Jahns said. “The view, I mean.”

Holston remained silent. He watched a curling piece of cloud break off and move in a new direction, blacks and grays swirling together.

“You get your pick for dinner,” the mayor said. “It’s tradition—-”

“You don’t need to tell me how this works,” Holston said, cutting Jahns off. “It’s only been three years since I served Allison her last meal right here.” He reached to spin the copper ring on his finger out of habit, forgetting he had left it on his dresser hours ago.

“Can’t believe it’s been that long,” Jahns murmured to herself. Holston turned to see her squinting at the clouds displayed on the wall.

“Do you miss her?” Holston asked venomously. “Or do you just hate that the blur has had so much time to build?”

Jahns’s eyes flashed his way a moment, then dropped to the floor. “You know I don’t want this, not for any view. But rules are the rules—-”

“It’s not to be blamed,” Holston said, trying to let the anger go. “I know the rules better than most.” His hand moved, just a little, toward the missing badge, left behind like his ring. “Hell, I enforced those rules for most of my life, even after I realized they were bullshit.”

Jahns cleared her throat. “Well, I won’t ask why you chose this. I’ll just assume it’s because you’d be unhappier here.”

Holston met her gaze, saw the film on her eyes before she was able to blink it away. Jahns looked thinner than usual, comical in her gaping overalls. The lines in her neck and radiating from her eyes were deeper than he remembered. Darker. And he thought the crack in her voice was genuine regret, not just age or her ration of tobacco.

Suddenly, Holston saw himself through Jahns’s eyes, a broken man sitting on a worn bench, his skin gray from the pale glow of the dead world beyond, and the sight made him dizzy. His head spun as it groped for something reasonable to latch onto, something that made sense. It seemed a dream, the predicament his life had become. None of the last three years seemed true. Nothing seemed true anymore.

He turned back to the tan hills. In the corner of his eye, he thought he saw another pixel die, turning stark white. Another tiny window had opened, another clear view through an illusion he had grown to doubt.

Tomorrow will be my salvation, Holston thought savagely, even if I die out there.

“I’ve been mayor too long,” Jahns said.

Holston glanced back and saw that her wrinkled hands were wrapped around the cold steel bars.

“Our records don’t go back to the beginning, you know. They don’t go back before the uprising a century and a half ago, but since then no mayor has sent more people to cleaning than I have.”

“I’m sorry to burden you,” Holston said dryly.

“I take no pleasure in it. That’s all I’m saying. No pleasure at all.”

Holston swept his hand at the massive screen. “But you’ll be the first to watch a clear sunset tomorrow night, won’t you?” He hated the way he sounded. Holston wasn’t angry about his death, or life, or whatever came after tomorrow, but resentment over Allison’s fate still lingered. He continued to see inevitable events from the past as avoidable, long after they’d taken their course. “You’ll all love the view tomorrow,” he said, more to himself than the mayor.

“That’s not fair at all,” Jahns said. “The law is the law. You broke it. You knew you were breaking it.”

Holston looked at his feet. The two of them allowed a silence to form. Mayor Jahns was the one who eventually spoke.

“You haven’t threatened yet to not go through with it. Some of the others are nervous that you might not do the cleaning because you aren’t saying you won’t.”

Holston laughed. “They’d feel better if I said I wouldn’t clean the sensors?” He shook his head at the mad logic.

“Everyone who sits there says they aren’t gonna do it,” Jahns told him, “but then they do. It’s what we’ve all come to expect—-”

“Allison never threatened that she wouldn’t do it,” Holston reminded her, but he knew what Jahns meant. He himself had been sure Allison wouldn’t wipe the lenses. And now he thought he understood what she’d been going through as she sat on that very bench. There were larger things to consider than the act of cleaning. Most who were sent outside were caught at something, were surprised to find themselves in that cell, their fate mere hours away. Revenge was on their mind when they said they wouldn’t do it. But Allison and now Holston had bigger worries. Whether or not they’d clean was inconsequential; they had arrived here because they wanted, on some insane level, to be here. All that remained was the curiosity of it all. The wonder of the outside world beyond the projected veil of the wallscreens.

“So, are you planning on going through with it or not?” Jahns asked directly, her desperation evident.

“You said it yourself.” Holston shrugged. “Everyone does it. There must be some reason, right?”

He pretended not to care, to be disinterested in the why of the cleaning, but he had spent most of his life, the past three years especially, agonizing over the why. The question drove him nuts. And if his refusing to answer Jahns caused pain to those who had murdered his wife, he wouldn’t be upset.

Jahns rubbed her hands up and down the bars, anxious. “Can I tell them you’ll do it?” she asked.

“Or tell them I won’t. I don’t care. It sounds like either answer will mean the same to them.”

Jahns didn’t reply. Holston looked up at her, and the mayor nodded.

“If you change your mind about the meal, let Deputy Marnes know. He’ll be at the desk all night, as is tradition . . .”

She didn’t need to say. Tears came to Holston’s eyes as he remembered that part of his former duties. He had manned that desk twelve years ago when Donna Parkins was put to cleaning, eight years ago when it was Jack Brent’s time. And he had spent a night clinging to the bars, lying on the floor, a complete wreck, three years ago when it was his wife’s turn.

Mayor Jahns turned to go.

“Sheriff,” Holston muttered before she got out of earshot.

“I’m sorry?” Jahns lingered on the other side of the bars, her gray, bushy brows hanging over her eyes.

“It’s Sheriff Marnes now,” Holston reminded her. “Not Deputy.”

Jahns rapped a steel bar with her knuckles. “Eat something,” she said. “And I won’t insult you by suggesting you get some sleep.”

  --Ce texte fait référence à l'édition Broché .

Revue de presse

"Howey's WOOL is an epic feat of imagination. You will live in this world." (Justin Cronin, bestselling author of THE PASSAGE)

“Secrets unfold with just the right pacing… If you're looking for a good post-apocalyptic read, you can't do much better than WOOL." (Rick Riordan, bestselling author of the Percy Jackson & the Olympians series)

"With WOOL Hugh Howey has created a new science fiction classic." (Ernest Cline, bestselling author of READY PLAYER ONE)

"Exilharating, intense, addictive." (S.J. Watson, bestselling author of BEFORE I GO TO SLEEP)

"In WOOL, Hugh Howey delivers the key elements of great science fiction: an authentic and detailed future-world; realistic, relatable characters to live in it; and a taut, thoughtful story. Howey’s supple, muscular writing is the icing on the cake." (Jonathan Hayes, author of A HARD DEATH)

“Sci-fi’s Underground Hit… appeal[s] to both men and women, and has attracted hard-core science fiction fans as well as general readers, much like ‘The Hunger Games.’” (The Wall Street Journal) --Ce texte fait référence à l'édition Broché .


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Détails sur le produit

  • Broché: 576 pages
  • Editeur : Arrow (25 avril 2013)
  • Langue : Anglais
  • ISBN-10: 0099580489
  • ISBN-13: 978-0099580485
  • Dimensions du produit: 12,9 x 3,6 x 19,8 cm
  • Moyenne des commentaires client : 4.2 étoiles sur 5  Voir tous les commentaires (24 commentaires client)
  • Classement des meilleures ventes d'Amazon: 5.789 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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5 internautes sur 5 ont trouvé ce commentaire utile  Par Guinea Pig VOIX VINE sur 1 juin 2012
Format: Format Kindle Achat vérifié
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"Wool Omnibus" regroupe 5 récits, publiés également séparément, mais qui sont absolument faits pour être lus à la suite, car ils forment un ensemble très homogène, une histoire complète.
Le premier récit, très court, comme une nouvelle, se lit d'une traite, avec fascination. Il pose les bases et les mystères de la société humaine de "Wool" : un groupe assez important, mais tout de même très limité aux yeux du lecteur, qui vit depuis - toujours ? - dans un monumental silo enseveli sous la surface de la terre. Cette dernière est post-apocalyptique : ciel plombé, vents incessants, collines décharnées, toxines mortelles...
Les humains du silo connaissant la terre par l'intermédiaire de quelques caméras qui dispensent toujours et encore le même paysage dévasté et désolé. "Dehors" est tabou : en parler, y penser, souhaiter l'explorer - n'en parlons même pas. Mais comme ces vues de l'extérieur sont jugées indispensables à l'équilibre humain, les caméras extérieures doivent être nettoyées régulièrement. Ces "cleaning", jours de fêtes où les enfants n'ont pas école et pendant lesquels de nombreuses personnes font le pélerinage pour admirer la vue toute propre, sont assurés par les condamnés à mort.
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1 internautes sur 1 ont trouvé ce commentaire utile  Par Piment coloré TOP 500 COMMENTATEURS sur 23 août 2014
Format: Broché
Alors... J'ai acheté Wool en librairie attiré par le macaron "The next Hunger Games", et ne l'achetez pas si vous vous attendez à Katniss lançant des flèches enflammées sur des guêpes mutantes... Pour ça, voyez plutôt du côté de "Divergent" ou de "Legend" ! C'est une dystopie, certes, mais beaucoup plus dans l'esprit "1984" de Georges Orwell et l'écriture m'a souvent fait penser à Isaac Asimov et ses "Cavernes d'Acier".
L'écriture est "sérieuse", c'est un livre qui vise un public adulte et non ado, et l'on se trouve, au début, un peu perdu, un homme monte les escaliers d'un "silo", on ne comprend pas vraiment qui c'est, ni s'il a le droit de grimper ces escaliers ou s'il est en train de commettre un acte répréhensible. Lorsque l'on termine la première partie du livre, on se dit "c'est un livre de nouvelles, en fait !" - et pas du tout ! On suit alors un autre personnage du "silo" qui descend les escaliers cette fois, mais on commence à comprendre, à être un peu glacé... puis la mécanique se met en place, inexorable, le livre est lent, l'atmosphère oppressante, on ne peut plus le lâcher mais on a besoin de respirer entre les chapitres tant la tension est pesante, tant le stress est palpable...
Un livre passionnant, une aventure humaine, qui n'est pas si éloigné du chemin des possibles pour l'humanité... à lire !
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2 internautes sur 2 ont trouvé ce commentaire utile  Par Lady Lama TOP 500 COMMENTATEURSVOIX VINE sur 2 août 2013
Format: Format Kindle Achat vérifié
J'ai beaucoup tardé à lire "Wool". D'abord le titre ne m'attirait absolument pas. Et la couverture ne m'inspirait pas. Enfin on m'annonçait qu'il s'agissait d'un recueil de récits, quand j'adore passer des milliers de pages avec les mêmes personnages.

J'ai quand même tenté, et j'ai adoré. J'ai dévoré chaque page en ayant envie de tourner la page suivante de manière irrépressible.

D'abord la crainte concernant le recueil de récits n'est pas fondée, il s'agit d'un même livre, narrant en cinq parties en ordre chronologique l'éveil d'une population. On retrouve les mêmes personnages d'une partie à une autre (enfin, sauf ceux qui se sont sacrifiés).

Ensuite, une fois que j'ai compris que le livre aurait pu s'écrire "Silo", j'ai été beaucoup plus à l'aise. Ce roman qui je croyais racontait l'histoire de personnages enfermés sous terre raconte en fait l'histoire de personnages regroupés dans une immense structure verticale où tout l'univers nécessaire à leur survie a été reconstruit: plantes, animaux, eau bien sûr, arbres fruitiers même, sans compter la technologie nécessaire pour gérer tout ce petit monde.

Je craignais de subir un sentiment d'étouffement, en côtoyant dans l'imaginaire des personnages pris dans une énorme boîte de conserve, mais leur "boîte" est tellement vaste que le sentiment est plus proche du vertige (pour parcourir tous les étages) que de l'étouffement, en tout cas physique.

S'il y a étouffement, c'est plutôt de l'ordre du politique.
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