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Work Song
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Work Song

2 juin 2008 | Format : MP3

EUR 9,99 (TVA incluse le cas échéant)
Également disponible en format CD

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Détails sur le produit

  • Date de sortie d'origine : 2 juin 2008
  • Date de sortie: 2 juin 2008
  • Label: Universal Music Division Decca Records France
  • Copyright: (C) 2008 Concord Music Group, Inc.
  • Métadonnées requises par les maisons de disque: les métadonnées des fichiers musicaux contiennent un identifiant unique d’achat. En savoir plus.
  • Durée totale: 39:04
  • Genres:
  • ASIN: B0025HL8UM
  • Moyenne des commentaires client : 5.0 étoiles sur 5 2 commentaires client
  • Classement des meilleures ventes d'Amazon: 221.530 en Albums (Voir les 100 premiers en Albums)

Commentaires en ligne

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Par Philiplo TOP 500 COMMENTATEURS le 25 février 2007
Format: CD
Un tres grand disque qui démarre fort par ce thème de Nat archi connu: Work Song. De sacrés musiciens sont ici rassemblés, Bobby Timmons au piano, Wes Montgomery à la guitare Sam Jones ou Percy Heath à la contrebasse (et parfois violoncelle), Louis Hayes à la batterie. Un style voisin du grand frère Cannonball. Un trompettiste percussif. Enregistré en 1960. Un incontournable, hautement recommandé
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Format: CD
Nat Adderley (1931-2000) est un cornettiste de jazz américain. Il est le frère cadet du saxophoniste Cannonball Adderley et le père du pianiste Nat Adderley Jr. La popularité de son frère « Cannonball » a fait que la carrière de Nat Adderley a été un peu dans l'ombre de celle de son aîné, même s'il a enregistré de nombreux disques sous son nom. Nat Adderley était pourtant un excellent soliste, un des rares spécialistes du cornet en jazz moderne, et un habile compositeur de thèmes. "Work Song", enregistré en 1960, est son opus le plus connu. Il est accompagné de Wes Montgomery à la guitare, Bobby Timmons au piano, Sam Jones et Percy Heath à la basse, Keter Beets au violoncelle et Louis Hayes à la batterie. L'album comprend standards et compositions originales signées Nat Adderley. Les neuf morceaux qui nous sont donnés à entendre se rattachent aux différents styles jazzistiques interprétés à l'époque : swing ("Mean To Me" et "My Heart Stood Steel"), blues ("Fallout" et "Scrambled Eggs") mais les ballades ne sont pas absentes (on appréciera les versions chambristes cornet, guitare et batterie d"I've got A Crush On You" et "Violets For Yours Furs"), le tout teinté de funk, genre en vogue à l'époque.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x928ee87c) étoiles sur 5 7 commentaires
31 internautes sur 32 ont trouvé ce commentaire utile 
HASH(0x92b1d984) étoiles sur 5 Nat Adderley: Gone But Not Forgotten 18 janvier 2000
Par Sir Douglas - Publié sur Amazon.com
Format: CD
I can't believe I'm the first person to do a customer review of this classic masterpiece. This is indisputedly a towering landmark of the funky, soulful side of jazz, full of bluesy and gospel-drenched flavorings. All of the musicians are outstanding, especially Wes Montgomery at his early best and the late, great Sam Jones. And Nat's ringing, lyrical horn work is in full flower here. "Work Song" is one of the great compositions of all time, covered by countless jazz, blues and rock musicians over the past 40 years.
I was deeply saddened to hear of Nat's recent passing. Often overshadowed by his legendary brother Cannonball, Nat deserves his own eternal place in the pantheons of jazz, blues and indeed all great music. This inspiring album proves why.
18 internautes sur 18 ont trouvé ce commentaire utile 
HASH(0x92b722d0) étoiles sur 5 Incredible but unfortunately incredibly overlooked.. 3 août 2005
Par Dan - Publié sur Amazon.com
Format: CD
I bought this cd for the sole reason that I absolutely loved Paul Butterfield's rendition of 'Work Song' and wanted to hear the original version. I had no idea that I was purchasing probably one of the most listened-to albums in my cd collection.

The first thing I found really creative was the set-up. Nat's ensemble consists of the standard piano bass drums, but also cello, guitar, and cornet as the "horn" section.

The album is incredibly solid and seems to be a mix of primarily blues and slow numbers, mostly the first. This is a majorly blues-tinged album. Work Song has to one of my favorite songs of all time, and you will be humming the tune of Scrambled Eggs well past breakfast time. Nat's cornet is amazing, he is powerful and soulful when he wants to be and delicate and gentle at all the right moments. Wes Montgomery is amazing as always. Sam Jones does a great job of imitating Nat's sometimes lightning fast cornet work on cello. Wow.

If you are at all into jazz blues, or just jazz in general, I guarantee you will listen to this album a lot. These songs have incredible replay value and are all amazing. Definitely give this one a shot.
14 internautes sur 15 ont trouvé ce commentaire utile 
HASH(0x959b8ef4) étoiles sur 5 The Groove is Held 8 septembre 2005
Par earl rlabaci - Publié sur Amazon.com
Format: CD
Before Endorsing this album I will comment that no matter how many times someone says an album is over-rated it doesn't or shouldn't have to effect the quality of the album. I must note that I am not at all trying to be a hypocrite.

"Work song", besides often being one of the first few tunes in a beggining jazz musician's repetoire, is a bluesy piece meant to evoke the sort of call-and-response feel heard in many elements of black church music, blues, and jazz.

Nat, whose work is often overshadowed by the success of his brother altoist "Cannonball" who was Nats main employer, is one of the few Bop cornetists, an instrument which is usually replaced by a flugelhorn as a trumpeters second choice. His sidemen are also very sophisticated musicians who have all worked with Nat many times before in Canonball's groups. Wes montgomery is a very honest guitar player which is to say that he plays what he feels. Bobby Timmons, an Art Blakeys Jazz Messengers member, is composer of many fine soul-jazz pieces such as "Moanin'", "Dat Dere'", etc. Sam Jones who is usually a bassist plays cello in a sort of funky pizzacatto style and bass on one tune. Ketter Betts and Percy Heath are the two main bassists and both provide stable foundations for the soloists.

Louis Hayes, is another member of Adderleys Group and plays drums more in the Philly Joe Jones/Max roach style. "Fall out" is an intersting track; after Timmons and Adderley take solos, Jones takes a cello solo and then Hayes takes a chorus on drums, during the drums solo, Betts and Jones switch instruments and Betts takes the second Cello solo. All the material is in the Bop/Soul-jazz category and doesn't give the players any hard chord changes to deal with.

"Work Song" is a good-feel record so get it and start feelin' good!
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x928cc60c) étoiles sur 5 Nicely, well done!!! 31 mai 2003
Par Un client - Publié sur Amazon.com
Format: CD
It was my first time to hear Nat. I was so impressed by his playing. His tone was nice and warm especially on the beautiful ballad "I've Got A Crush On You". Nat played this ballad with full lyricism on cornet. Some other musicians were Wes Montgomery on guitar, Bobby Timmons on piano, Louis Hayes on drums and Percy Heath on bass. Great opener "Work Song" was Nat's original a funky tune that swing nicely. All the Nat's jazz solos were nicely done. Well developed plus with his good solid tone. Great support from Wes.
MUST LISTEN!!!!!!!!!!!!
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x92954d8c) étoiles sur 5 Funky Jazz At It's Best 16 avril 2011
Par Donnie The B - Publié sur Amazon.com
Format: CD
I can't believe I stayed away from this gem for so long because somone derided it as being too commericial when I was young. Fear not - this is great jazz and most fans of small combo jazz from the 1950's and 1960's will treasure it. The idea of Sam Jones picking the cello is way cool. Nat's cornet work and improvisations make me wonder why he is not more highly regarded. Wes Montgomery on guitar is a master of his instrument. And Bobby Timmons on piano adds some wonderful swinging solos and perfect fills. Percy Heath's Bass and Louis Hayes on drums are ideal here. This is highly recommended, very engaging and infectious.
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