Ce sont les mots les plus souvent utilisés dans ce livre.
able
abstract
abstraction
almost
always
appears
art
artist
between
canvas
caravaggio
century
color
create
does
effort
enough
even
example
experience
face
feel
fig
figure
find
first
future
give
great
hard
human
idea
illusionism
ing
itself
kandinsky
kind
light
look
makes
making
may
might
modern
mondrian
must
new
now
obvious
oil
own
paint
painters
painting
part
past
perhaps
picasso
pictorial
picture
pigment
plate
point
pollock
potter
presence
present
problem
quality
raphael
rather
real
realism
reality
rubens
saint
say
see
seems
sense
should
simply
something
space
spatial
still
success
surface
thing
time
tion
titian
today
two
view
want
without
work
working
york