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Write Great Fiction - Dialogue Format Kindle

5 étoiles sur 5 1 commentaire client

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Longueur : 241 pages Composition améliorée: Activé Langue : Anglais

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Descriptions du produit

Présentation de l'éditeur

Craft Compelling Dialogue

When should your character talk, what should (or shouldn't) he say, and when should he say it? How do you know when dialogue--or the lack thereof--is dragging down your scene? How do you fix a character who speaks without the laconic wit of the Terminator?

Write Great Fiction: Dialogue by successful author and instructor Gloria Kempton has the answers to all of these questions and more! It's packed with innovative exercises and instruction designed to teach you how to:

  • Create dialogue that drives the story
  • Weave dialogue with narrative and action
  • Write dialogue that fits specific genres
  • Avoid the common pitfalls of writing dialogue
  • Make dialogue unique for each character

Along with dozens of dialogue excerpts from today's most popular writers, Write Great Fiction: Dialogue gives you the edge you need to make your story stand out from the rest.


Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 954 KB
  • Nombre de pages de l'édition imprimée : 241 pages
  • Editeur : Writer's Digest Books (12 octobre 2004)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B005E8AEJ0
  • Synthèse vocale : Activée
  • X-Ray :
  • Word Wise: Non activé
  • Composition améliorée: Activé
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: n°148.222 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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Format: Broché Achat vérifié
I recommend it, I found it clear and fun to read. Hopefully, it'll help me write convincing dialogues. It certainly covers all bases.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x942f0078) étoiles sur 5 71 commentaires
160 internautes sur 166 ont trouvé ce commentaire utile 
HASH(0x94cb5558) étoiles sur 5 Finally, an Excellent Dialogue Book 9 octobre 2005
Par B. Abernethy - Publié sur Amazon.com
Format: Broché
I was worried there was no such thing as a decent dialogue book. I wanted to buy "Dialogue" from the "Elements of Fiction Writing" series but the reviews were horrible. I instead bought "Writing Dialogue". The book was horrible, a waste of time and money. I was starting to think there was no such thing as a decent dialogue book. Perhaps no more than one or two dozen pages could be written on the subject.

Gloria Kempton in her excellent "Dialogue" book from the new "Write Great Fiction" series from the excellent "Writer's Digest Books" publisher laid my fears to rest. I was very jaded from my horrible experiance with "Writing Dialogue" and read this book with a very poor attitude to start. As the chapters went by, I found my self liking the book and learning excellent points. By the time I got to chapter five, Narrative, Dialogue, and Action, she had won me over.

I learned much from her. Some highlights:

Make your scenes three dimensional. Narration, action, dialogue.

Don't bother with huge multi-page descriptions of your charactors to get a handle on their emotions and drives. All humans fall into nine catagories. Place your charactors in one of these catagories and 90 percent of your work is done. I am number five, the observer. My wife is number nine, the peacemaker.

To really get to know a charactor write a few page monolog of them speaking to you.

The power of dialogue to do many things, quicken the pace, add excitement and emotion, touch the reader's heartstrings, control the scope of the novel.

Different types of novels and the type of dialogue they require.

A must buy by anyone serious about writing.

PS I have had excellent results from the "Writer's Digest Books" publisher. I have most of their "Elements of Fiction Writing Books" and an working on getting all of their new "Write Great Fiction" books. They seemed to have kicked it up a few notches with this new series. Top notch stuff!
74 internautes sur 77 ont trouvé ce commentaire utile 
HASH(0x94cb55a0) étoiles sur 5 Not a "Lazy Writer" Book 16 novembre 2007
Par Carrie Hall - Publié sur Amazon.com
Format: Broché
I think I understand why some ratings here are low and I also have feeling some folks were expecting someone to magically plop all the rules of dialogue in their laps. Sad news, darlings, you must WORK at learning dialogue and practice as the author delineates in this book. Before, I was very stiff in my dialogue and overworked it to death, and after this book? I'm no longer afraid of it. I have a better grasp on how character personalities work in combination with how they speak. I'm know now that every dialogue needs three crucial components to have balance. The author uses concise examples and literary excerpts from top notch authors to get her points across, and she does a great job.

Don't worry about the lazy naysayers, they wanted a quick list of how to's and don't understand how patience and practice DO pay off in the end.

(And to Thriller lover in particular, you don't have a clue do you? A character's personality has everything to do with dialogue, it's what makes their voice unique. Why do you think she included an entire chapter on it? Gah! *shakes head* )
42 internautes sur 46 ont trouvé ce commentaire utile 
HASH(0x94cb1bd0) étoiles sur 5 Painless Way to Write 25 mars 2006
Par Kindle Customer - Publié sur Amazon.com
Format: Broché Achat vérifié
I purchased this book because it was a requirement for a Writers On-Line class that focused on dialogue. Prepared for a dry book on the subject, I was pleasantly surprised at the approach and examples. It focuses on all writing and not specific genres.

This book is on my reference shelf and will remain there as a valuable tool and reminder of what I need to incorporate in my romance writing.
70 internautes sur 89 ont trouvé ce commentaire utile 
HASH(0x94cb1bac) étoiles sur 5 Not As Good As It Looks 25 août 2007
Par Indirectly42 - Publié sur Amazon.com
Format: Broché
This book attempts to be comprehensive. It breaks down dialogue based on genre type. It offers these categories to sort and understand dialogue: magical, cryptic, descriptive, shadowy, breathless, provocative, and uncensored.

While I think the attempt is admirable, and perhaps the exercises could be useful for some, it falls flat, and I'm going to try and show you why I feel this is so. It's the magical/fantasy dialogue section that is particularly worthless and the biggest reason I gave this book one star.

In her example of "magical" dialogue she uses a brief excerpt from Lord of the Rings, part of which goes like this: ""No, Sam!" said Frodo. "Do not kill him even now. For he has not hurt me."

Almost everyone has heard of Tolkien, and, wonderful as he was, *no one* cites Tolkien for his snappy, award-winning dialogue. It simply was not his strong point.

She claims the dialogue from that example is "eloquent" because it does not use contractions, and also "direct" which she supports by this further example from the same text, "But do not expect me to wish you health and long life. You will have neither."

Direct, according to thefreedictionary, "Straightforward and candid; frank"

Let me show you direct: "Die." Or, "I hate you." Or, possibly, "Death comes quickly." And so on. If there is one thing such 'magical' dialogue is not, it would be direct. (Or advisable. It's usually just plain bad writing.)

Despite her claim that she does not read much Romance because romance authors often write dialogue which does not 'transcend' our modern culture which leaves their 'magical' dialogue sounding "hokey" (her word), she claims that if you want to be a successful fantasy or science fiction author, you must master the art of 'magical' dialogue which is all about this attempt at transcendence. So, romance and fantasy should have similar cheesy dialogue. The more cheese, the closer it is to real romance, or fantasy, or science fiction.

That is utter dreck. If you want to go back in time and become a writer then by all means follow her advice. If you'd like to become a successful author today you'd have an easier time of it if you never got this book - unless you buy it only to know What Not To Do. Instead, read widely both in and outside your usual preferences/genre to get a better understanding of what's being published today.

Dialogue is about the character's voice - Gloria Kempton gets this confused with style assumptions based on genre. And it's not just fantasy. Her opinions and examples in general were lacking. I'm not saying that an inventive person would find nothing of use - especially if writing is completely new - but I believe the damage to a new writer could be astonishing if they took everything she said to heart.

The magical dialogue is just a nice name for hokey dialogue, if that's something you aim for then follow her advice advice. If it isn't, you would be far happier, and receive far better advice, if you stick with the other books in the series and ignore this one. Nancy Kress's "Beginnings, Middles & Ends" is a great pick, so is Orson Scott Card's "Characters & Viewpoints". Stephen King's "On Writing" is another good pick.

All in all, I highly recommend you do not buy this book. It is a flat out waste of time and money and could even make your writing journey more difficult.
11 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x94cb1cfc) étoiles sur 5 Beyond complete 16 septembre 2008
Par Eloise Hamann - Publié sur Amazon.com
Format: Broché
This book contains all of the advice on dialogue I've read anywhere and much more. It is much better than the book by Tom Chiarella who has a whole chapter on listening to people talk by including psychological advice on how to crowd people. Kempton advises listening, end of story. While typing people into only nine personality categories doesn't seem to account for all of us, it is useful for the writer to choose such a type for each character. I may expand the list. She includes teen dialogue.

More to the point she talks about how to weave dialogue, action, and narrative so it is much broader than it sounds.

Eloise Hamann
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