From Publishers Weekly
Starred Review. In this engrossing follow-up to his acclaimed childhood memoir, Aké, the Nigerian poet, playwright and Nobel laureate demonstrates what it means to be a public intellectual. Soyinka revisits a tumultuous life of writing and political activism, from his student days in Britain through his struggles, sometimes from prison or exile, against a succession of Nigerian dictatorships. Soyinka may be on a first-name basis with almost every major Nigerian figure and he's sometimes involved in high-level intrigues; his chronicle of political turmoil is very personal, full of sharply drawn sketches of comrades and foes, and cantankerous rejoinders to critics. His novelistic eyewitness accounts of repression and upheaval widen out from time to time to survey the humiliation and corruption of Nigerian society under military rule. Soyinka also includes recollections of friends and family, of sojourns abroad with W.H. Auden and other literati and of stage triumphs and fiascoes. His lyrical evocations of African landscapes, the urban nightmare of Lagos, the horrors of British cuisine and the longing a dusty fugitive feels for a cold beer will entertain and educate readers. By turns panoramic and intimate, ruminative and politically resolute, Soyinka's memoir is a dense but intriguing conversation between a writer and his times. (Apr. 18)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Early in this memoir, Soyinka, the Nobel-winning playwright, says that he is "a closet glutton for tranquillity." The account that follows details a decidedly untranquil life of activism, imprisonment, and exile over the past half century. In 1956, as a Nigerian student in England, Soyinka considered joining the Hungarian uprising against the Soviets, thinking it a "perfect rehearsal" for future African insurgencies, but his father advised, "Kindly return home and make this your battlefield." The bulk of the book concerns Soyinka's struggles against one corrupt Lagos administration after another, shedding light on the outsize characters of African politics. Along the way, Soyinka recalls how once, in Venice, W. H. Auden tried to pass him off as an African prince, and reveals that, after winning the Nobel Prize, he came down with writer's block, "overwhelmed by the futility of everything I had ever done."
Copyright © 2006 The New Yorker
Copyright © 2006 The New Yorker
