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The path to achieving Zen (a balance between the body and the mind) is brilliantly explained by Professor Eugen Herrigel in this timeless account.This book is the result of the author’s six year quest to learn archery in the hands of Japanese Zen masters. It is an honest account of one man’s journey to complete abandonment of ‘the self’ and the Western principles that we use to define ourselves. Professor Herrigel imparts knowledge from his experiences and guides the reader through physical and spiritual lessons in a clear and insightful way. Mastering archery is not the key to achieving Zen, and this is not a practical guide to archery. It is more a guide to Zen principles and learning and perfect for practitioners and non-practitioners alike. --Ce texte fait référence à l'édition Broché .

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At first sight it must seem intolerably degrading for Zen-however the reader may understand this word-to be associated with anything so mundane as archery. Lire la première page
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109 internautes sur 114 ont trouvé ce commentaire utile 
Beyond Unconscious Competence into Spirituality 23 janvier 2001
Par Donald Mitchell - Publié sur
Format: Broché
To those who already practice Zen Buddhism, this book will seem awkward. To those nonpractitioners who would like to understand how to practice Zen Buddhism, this book will be a delightful enlightenment -- especially valuable to those who live outside of Asia. Eugen Herrigel takes on the almost impossible task of describing in writing something that has to be experienced to be understood, and is remarkably effective.
The author spent six years in Japan just after World War II, and decided that he wanted to understand Zen Buddhism. He was correctly advised that Zen needed to be experienced as the path to achieving that understanding. Several possible areas were suggested, from sword fighting to flower arrangement to archery. Because he had experience with rifle target shooting, the author chose archery. He was fortunate to be taken on by a Zen master who normally refused to teach Westerners, because they are so difficult to teach.
As a typical high-achieving Westerner, Mr. Herrigel wanted to make rapid progress and to achieve conscious competence in archery. His instructor wanted him to achieve unconscious competence based on experience and build from there into spiritual awareness. This conflict in perceptions created quite a tension for both of them. This tension was ironic, because the purpose of Zen practice is to achieve the ability to be strong like the flexible water. Tension is the enemy of that state of being.
Mr. Herrigel also learned from attending flower arranging classes from his wife, who was studying Zen in this way. He also benefited from finding some wonderful commentaries on sword fighting as a path to Zen that are included in this book. These are more eloquent than Mr. Herrigel, and he chose wisely in saving them for the end.
I suspect that this wonderful book will mean the most to people who have regularly practiced either meditation or Eastern-style breathing. Having followed both kinds of practices for the past six years, I found it was easier to relate to the Zen concepts in that way than through trying to imagine myself performing the archery described here.
By the way, this archery is not at all like what you did in camp as a youngster. It is both much more stylized and difficult. Think of it as being more like a Japanese tea ceremony than like Western-style archery.
You will love the many descriptions of how Zen masters helped their students learn through experience rather than lecturing or demonstrating to them endlessly. Mr. Herrigel makes a good point concerning how Japanese teaching in these ancient arts has remained the same, while newer subjects are taught much differently.
Some of the most beautiful parts of the book are the explanations that employ natural metaphors. The concept of the Samurai is explained through the fragile cherry blossom, for example, in a way you will not soon forget. The metaphors used in the archery are also very compelling and vivid. They spoke very eloquently to me, especially about how the shot is "released."
I got a lot personally from this book in reconsidering how I could and should step back more often to "go with the flow" of the moment rather than trying to orchestrate everything very rationally. The book made me much more aware that I operate in both styles, probably too often in the totally preplanned rational one.
I am also reminded of books about golf that I have read that cite similar principles for becoming more competent. I also remembered how all of my best golf shots have come when I was totally egoless. That lesson was very profound for me. I wonder what will happen in other areas if I follow that lesson, as well.
If you have never tried meditation, I encourage you to experience this if you find this book interesting. That will probably be your best way to begin to explore what is described here. Naturally, if you can find someone to teach you one of the Japanese arts, that will further expand your soul.
A good Western-style book to help you rethink your approach to life that parallels this one in many ways is The Art of Imperfection. The title is a misnomer. What we often think of as perfection is really the height of imperfection, as the author discovered when he began substituting his own methods for those of his Zen master.
Aim straight for yourself!
66 internautes sur 73 ont trouvé ce commentaire utile 
This book is like a gentle teacher. 25 mai 2000
Par Bruce Boatner - Publié sur
Format: Broché
If one desires to pursue the path of enlightenment under Zen, one must select as a vehicle one of the Zen arts - archery, swordsmanship, brush-and-ink, the tea ceremony or flower arranging. Eugen (pronounced OI-gen) chronicles his struggle to overcome his "much too willful will" and master the bow. This interesting story is very moving, educational and inspiring, while never becoming heavy as it easily could have under less skillful authorship.
The ultimate challenge Eugen faces ends up being the smooth release of the bowstring and arrow without conscious intent, "like the ripe fruit falls from the tree", "like a baby's hand releases one object to grasp another", "like the bamboo leaf slowly bends under the weight of the snow, then releases the clump of snow without thought". Eugen, during a summer sabbatical, develops a "technique" that he believes will solve this problem and nearly gets himself thrown out of the program for "offending the Spirit of Zen". There is also an interesting account of an after-hours meeting where his teacher gives an amazing demonstration of quiet mastery in order to raise Eugen's morale and level of understanding.
There is much that this little book has to offer and its message will live in your heart for a long time.
114 internautes sur 137 ont trouvé ce commentaire utile 
A worthy book, but misrepresents both Zen Buddhism & Kyudo. 1 juin 2001
Par barefeetzen - Publié sur
Format: Broché
Before I begin, I would like to mention that I have been a student of Zen Buddhism for some years and have also been a kyudo practitioner for some time. Thus, I think I can speak a little from both sides.

I shall first state that this book is truly an inspirational account of Mr.Herrigel's own personal, spiritual journey and should be recognized as a good read. It is also a good starting point for a Western beginner of Zen Buddhism as it gives him/her a glimpse from a Westerner's perspective.

Having said that, Zen in the Art of Archery has some fundamental problems and errors that misrepresents both Zen Buddhism and kyudo.It might surprise some readers to learn that it has been severely criticized by modern teachers and practitioners of kyudo.

To start with, as stated in the book, Herrigel has only one intention of learning kyudo-to become a Zen mystic. Thus his heart is not in kyudo at all. Just as one should do zazen for the sake of zazen one should also do kyudo for the sake of kyudo. Herrigel came to study kyudo with his cup half-full.

Next, one must also know that Awa, Herrigel's teacher himself has never been a Zen practitioner and has never done a formal Zen training at all, which is all-important for someone who wishes to understand Zen. Awa, while a fantastic archer, has also been regarded as highly unorthodox in his teaching and views and one should thus not equate his teachings to be the norm of kyudo and Zen.

Another glaring problem is that Mr. Herrigel himself does not understand Japanese and relies on an interpreter, Mr. Komachiya. Mr. Komachiya has himself wrote that he has taken liberty in explaining some of Awa's words to Herrigel.

One of the most important part of the book, the Target in the Dark, highlights this problem. The careful reader will realize that in the entire episode, Herrigel is trying to understand Awa without an interpreter at all. One can easily speculate the misinterpretations that might have taken place. Another famous incident is where Awa supposedly says, "It Shoots". Scholars of both Japanese and German have speculated that what Awa meant was that "It just happened." Meaning that he was lucky. For those looking for a more detailed criticism, one should read Yamada Shoji's excellent essay, The Myth of Zen in the Art of Archery.

My contention in this review is not to debase Zen's relationship with Kyudo. Indeed Kyudo is heavily influenced by Zen and one can absorb traces of Zen in the practice of Kyudo. But one should also try to read this book with an open eye and should not treat this book as a reliable, definitive account of both Zen and Kyudo.
43 internautes sur 51 ont trouvé ce commentaire utile 
Inspired and inspiring 3 avril 2000
Par Boris Bangemann - Publié sur
Format: Broché
This is an unpretentious,no-nonsense narrative about the author's initiation into the art of archery and, ultimately, into the concept of Zen Buddhism. It speaks in plain language and tries to avoid mystical jargon. Ironically, it is also a story of self-perfection - ironically because Zen Buddhism teaches the abandonment of the idea of a "self".
There are many ways one may go from this book: One of the main themes of Zen in the Art of Archery is "art becoming artless", which is also at the core of Mihaly Csikszentmihalyi's bestselling study of creativity in "Flow: The Psychology of Optimal Experience".
Someone who is interested in the spiritual qualities that (sometimes) come with the practice of martial arts might like to read "Iron and Silk" by Mark Salzman - don't expect anything holy or warrior-like, though.
Zen-Buddhism is covered in countless books. One of my favorites is Alan Watts's "The Spirit of Zen". A rather unorthodox, funny, skeptic and disrespectful look at Zen Buddhism can be gained from Janwillem van de Wetering's trilogy "The Empty Mirror" (my favorite of the three), "A Glimpse of Nothingness", and "Afterzen".
9 internautes sur 9 ont trouvé ce commentaire utile 
Take the "me" out of doing 30 août 2011
Par John H. Macdonald - Publié sur
Format: Broché
It has been 50 years since I first read this classic as a college student, and It took decades before I was able to internalize many of it's lessons. The book describes the experiences of a Westerner, Eugen Herrigal, and his experiences while a professor in Japan attempting to learn something of Zen Buddism through the study of archery. Each reader takes what they learn in this book through their own past experiences and perceptions, so I've found that others with whom I've discussed this book have often argued about the authenticity or accuracy of the presentation of Zen Buddism given here. I have to take issue with that.

I came to this book as a memoir, not an instruction manual. I respect the experiences of the author as his own, and I was intrigued with the way in which he interpreted his experience for the Western reader. This is not a "How To" or a philosophical treatise, it is a very linear description of the experiences of a Westerner who decides to master the art of archery, and proceeds as a true memoir in providing the author's experience. There is no right or wrong here folks; this is his experience, his truth, his "take away" from that experience. He does not attempt to "explain" Zen, he simply details his journey as a beginner in the study of archery, his initial frustration with, and final acceptance of, the methods of his Zen Master. I was able to travel along with him and his slow progress in learning some profound lessons, yet he never "went native" on me as so many authors on this subject do; he never lost his ability to think and write as a Westerner, understanding the cognitive blocks that the reader has, and respecting them as he tries to describe the slow evolution of his perspective on competition, mastery, and ego.

And so finally, I can tell you the profound lesson that I learned, and it is my lesson so it is not subject to anyone's acceptance or rejection, it is only something that I have found to be so helpful in my prosaic Western life. I have learned that I must not only master the techniques of a craft, whether poetry, painting, or even archery, but I must go the next step and internalize them so that the proper (meaning most effective) techniques are effortless, and the element of ego is removed,i.e. I no longer 'watch myself' doing things (my ego judging my performance), I simply DO them, and do them in such a way that I respect the forms with which I work. So there you are, this may not be Zen, but it is what I learned and profited from in this book.

The bottom line here is that I have followed the author on his journey and in doing so have learned things of value while being immensely entertained and enlightened as I followed his chagrin and frustration as he grappled with concepts that were familiar to neither he nor I. I could easily identify with his challenges as he was as logical, linear, and sequential as I, and as he adapted, I was able to adapt and even to expand and improve my understanding of myself. And become pretty good at both carpentry and cooking.
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