Zoo Station (Anglais) Relié – 1 mai 2007
|Neuf à partir de||Occasion à partir de|
Descriptions du produit
snowing on and off all day, and a gang of children was enjoying a snowball
fight in front of the grain warehouses which lined the old waterfront.
John Russell paused to watch them for a few moments, then
walked on up the cobbled street toward the blue and yellow lights.
The Sweden Bar was far from crowded, and those few faces that
turned his way weren’t exactly brimming over with festive spirit. In fact,
most of them looked like they’d rather be somewhere else.
It was an easy thing to want. The Christmas decorations hadn’t
been removed, just allowed to drop, and they now formed part of the
flooring, along with patches of melting slush, floating cigarette butts,
and the odd broken bottle. The bar was famous for the savagery of its
international brawls, but on this particular night the various groups of
Swedes, Finns, and Letts seemed devoid of the energy needed to get
one started. Usually a table or two of German naval ratings could be
relied upon to provide the necessary spark, but the only Germans
present were a couple of aging prostitutes, and they were getting
ready to leave.
Russell took a stool at the bar, bought himself a Goldwasser, and
glanced through the month-old copy of the New York Herald Tribune
which, for some inexplicable reason, was lying there. One of his own
articles was in it, a piece on German attitudes to their pets. It was
accompanied by a cute-looking photograph of a Schnauzer.
Seeing him reading, a solitary Swede two stools down asked him, in
perfect English, if he spoke that language. Russell admitted that he did.
“You are English!” the Swede exclaimed, and shifted his considerable
bulk to the stool adjoining Russell’s.
Their conversation went from friendly to sentimental, and sentimental
to maudlin, at what seemed like a breakneck pace. Three
Goldwassers later, the Swede was telling him that he, Lars, was not the
true father of his children. Vibeke had never admitted it, but he knew
it to be true.
Russell gave him an encouraging pat on the shoulder, and Lars
sunk forward, his head making a dull clunk as it hit the polished surface
of the bar. “Happy New Year,” Russell murmured. He shifted the
Swede’s head slightly to ease the man’s breathing, and got up to leave.
Outside, the sky was beginning to clear, the air almost cold enough
to sober him up. An organ was playing in the Protestant Seamen’s
Church, nothing hymnal, just a slow lament, as if the organist were saying
a personal farewell to the year gone by. It was a quarter to midnight.
Russell walked back across the city, conscious of the moisture seeping
in through the holes in his shoes. There were lots of couples on
Langer Markt, laughing and squealing as they clutched each other for
balance on the slippery sidewalks.
He cut over to Breite Gasse and reached the Holz-Markt just as the
bells began pealing in the New Year. The square was full of celebrating
people, and an insistent hand pulled him into a circle of revelers
dancing and singing in the snow. When the song ended and the circle
broke up, the Polish girl on his left reached up and brushed her lips
against his, eyes shining with happiness. It was, he thought, a betterthan-
expected opening to 1939.
HIS HOTEL'S RECEPTION AREA was deserted, and the sounds of
celebration emanating from the kitchen at the back suggested the
night staff were enjoying their own private party. Russell gave up the
idea of making himself a hot chocolate while his shoes dried in one of
the ovens, and took his key. He clambered up the stairs to the third floor,
and trundled down the corridor to his room. Closing the door behind
him, he became painfully aware that the occupants of the neighboring
rooms were still welcoming in the new year, loud singing on one side,
floor-shaking sex on the other. He took off his shoes and socks, dried his
wet feet with a towel, and sank back onto the vibrating bed.
There was a discreet, barely audible tap on his door.
Cursing, he levered himself off the bed and pulled the door open.
A man in a crumpled suit and open shirt stared back at him.
“Mr. John Russell,” the man said in English, as if he were introducing
Russell to himself. The Russian accent was slight, but unmistakable.
“Could I talk with you for a few minutes?”
“It’s a bit late . . .” Russell began. The man’s face was vaguely familiar.
“But why not?” he continued, as the singers next door reached for
a new and louder chorus. “A journalist should never turn down a conversation,”
he murmured, mostly to himself, as he let the man in.
“Take the chair,” he suggested.
His visitor sat back and crossed one leg over the other, hitching up his
trouser as he did so. “We have met before,” he said. “A long time ago.
My name is Shchepkin. Yevgeny Grigorovich Shchepkin. We. . . .”
“Yes,” Russell interrupted, as the memory clicked into place. “The
discussion group on journalism at the Fifth Congress. The summer of
Shchepkin nodded his acknowledgment. “I remember your contributions,”
he said. “Full of passion,” he added, his eyes circling the room
and resting, for a few seconds, on his host’s dilapidated shoes.
Russell perched himself on the edge of the bed. “As you said—a
long time ago.” He and Ilse had met at that conference and set in
motion their ten year cycle of marriage, parenthood, separation, and
divorce. Shchepkin’s hair had been black and wavy in 1924; now it was
a close-cropped gray. They were both a little older than the century,
Russell guessed, and Shchepkin was wearing pretty well, considering
what he’d probably been through the last fifteen years. He had a
handsome face of indeterminate nationality, with deep brown eyes
above prominent slanting cheekbones, an aquiline nose, and lips just
the full side of perfect. He could have passed for a citizen of most
European countries, and probably had.
The Russian completed his survey of the room. “This is a dreadful
hotel,” he said.
Russell laughed. “Is that what you wanted to talk about?”
“No. Of course not.”
“So what are you here for?”
“Ah.” Shchepkin hitched his trouser again. “I am here to offer you
Russell raised an eyebrow. “You? Who exactly do you represent?”
The Russian shrugged. “My country. The Writer’s Union. It doesn’t
matter. You will be working for us. You know who we are.”
“No,” Russell said. “I mean, no I’m not interested. I—”
“Don’t be so hasty,” Shchepkin said. “Hear me out. We aren’t asking
you to do anything which your German hosts could object to.” The
Russian allowed himself a smile. “Let me tell you exactly what we have
in mind. We want a series of articles about positive aspects of the Nazi
regime.” He paused for a few seconds, waiting in vain for Russell to
demand an explanation. “You are not German but you live in Berlin,”
Shchepkin went on. “You once had a reputation as a journalist of the
left, and though that reputation has—shall we say—faded, no one
could accuse you of being an apologist for the Nazis . . .”
“But you want me to be just that.”
“No, no. We want positive aspects, not a positive picture overall.
That would not be believable.”
Russell was curious in spite of himself. Or because of the Goldwassers.
“Do you just need my name on these articles?” he asked. “Or
do you want me to write them as well?”
“Oh, we want you to write them. We like your style—all that irony.”
Russell shook his head: Stalin and irony didn’t seem like much of a
Shchepkin misread the gesture. “Look,” he said, “let me put all my
cards on the table.”
Shchepkin offered a wry smile in return. “Well, most of them anyway.
Look, we are aware of your situation. You have a German son and
a German lady-friend, and you want to stay in Germany if you possibly
can. Of course if a war breaks out you will have to leave, or else they
will intern you. But until that moment comes—and maybe it won’t—
miracles do happen—until it does you want to earn your living as a
journalist without upsetting your hosts. What better way than this? You
write nice things about the Nazis—not too nice, of course; it has to be
credible—but you stress their good side.”
“Does shit have a good side?” Russell wondered out loud.
“Come, come,” Shchepkin insisted, “you know better than that.
Unemployment eliminated, a renewed sense of community, healthy
children, cruises for workers, cars for the people. . . .”
“You should work for Joe Goebbels.”
Shchepkin gave him a mock-reproachful look.
“Okay,” Russell said, “I take your point. Let me ask you a question.
There’s only one reason you’d want that sort of article: You’re softening
up your own people for some sort of deal with the devil. Right?”
Shchepkin flexed his shoulders in an eloquent shrug.
The Russian grunted. “Why deal with the devil? I don’t know what
the leadership is thinking. But I could make an educated guess and so
Revue de presse
“Zoo Station is a beautifully crafted and compelling thriller with a heart-stopping ending as John Russell learns the personal faces of good and evil. An unforgettable read.”
—Charles Todd, author of the Inspector Ian Rutledge series
"Zoo Station (book one) hooked me on the first page."
—Huffington Post UK
Praise for David Downing
"Epic in scope, Mr. Downing's "Station" cycle creates a fictional universe rich with a historian's expertise but rendered with literary style and heart."
—The Wall Street Journal
“Full of striking inventions.”
—Kingsley Amis, author of Lucky Jim
“One of the most intelligent and persuasive realizations of Germany immediately before the war.”
—Wall Street Journal
“John Russell has always been in the thick of things in David Downing’s powerful historical novels set largely in Berlin....Downing provides no platform for debate in this unsentimental novel, leaving his hero to ponder the ethics of his pragmatic choices while surveying the ground level horrors to be seen in Berlin.”
—The New York Times Book Review
“Downing distinguishes himself by eschewing the easy ways out. He doesn't shy away from portraying the cold brutality of the Third Reich, and his characters are far from stereotypes—they're flawed, confused and real.”
“An extraordinary evocation of Nazi Germany on the eve of war, the smell of cruelty seeping through the clean modern surface.”
—C. J. Sansom, author of Revelation
“A beautifully crafted and compelling thriller with a heart-stopping ending as John Russell learns the personal faces of good and evil. An unforgettable read.”
—Charles Todd, author of the Inspector Ian Rutledge Series
“Downing is brilliant at weaving history and fiction, and this plot, with its twists and turns—all under the terrible bombardment of Berlin and the Third Reich’s death throes—is as suspenseful as they come. The end, with another twist, is equally clever and unexpected.”
—Toronto Globe and Mail
“In the elite company of literary spy masters Alan Furst and Philip Kerr.”
“The echo of the Allied bombings and the crash of the boots of the invading Russians permeate the pages in which David Downing vividly does justice to the drama....The book is a reminder of what happened and those who allowed it to happen....The book lives up to the others in the Russell series, serving as yet one more reminder of a world too many have entirely forgotten.”
“Excellent and evocative....Downing’s strength is his fleshing out of the tense and often dangerous nature of everyday life in a totalitarian state.”
—The Times (London)
“The author combines his erudition with an excellent political imagination. He writes well, clearly and has a nice wit.”
—Sunday Times (UK)
—Sunday Telegraph (UK)
“An atmospheric tale.”
—St. Petersburg Times
“An elegant rapid-fire spy story.”
“An atmospheric thriller...furious pacing.”
From the Trade Paperback edition.