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From Publishers Weekly
Grass's memoir of his wartime activity, including the scandalous revelation that he had served in the notorious Waffen SS as a teenager, is shocking enough. Given the heated division between Grass partisans who passionately defend the Nobel Prize–winning novelist and Grass-haters who see him as the embodiment of moral hypocrisy, any reading of his latest work needs little in the way of amplification or hoopla. Good news for Grass, then, that Norman Dietz has been hired to read his memoir. As per usual, Dietz reads with smooth efficiency and understated authority. His voice untouched by masculine bluster, Dietz has a pleasingly idiosyncratic tone, more favorite uncle than television announcer—to his credit. A legend (at least to audiobook listeners), Dietz is a name that offers the assurance of skill without grandstanding. On passionately fraught ground, inflamed by the still unhealed wounds of WWII, Dietz delivers once more. He may not be able to put out the fires Grass's memoir has set, but his work allows readers to appreciate it or castigate it on its own merits.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte fait référence à l'édition CD .
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte fait référence à l'édition CD .
Audiofile
Gnter Grass, the German writer best known for The Tin Drum, won the Nobel Prize for literature in 1999. Given his stature, readers have awaited his memoir eagerly. But no matter how interesting the memoir or the life behind it, fifteen-and-a-half hours is a long time to listen to a mostly monotone and rather slow reading. The plus side, of course, is that listeners arent likely to miss a word of Grasss book, which became a controversial and hurried publication when it became known that he was about to be outed as a Nazi sympathizer, something hed vociferously attacked in others. Still, the links between autobiography and fiction are fascinating as he continually inserts references to how the person in his real life was transformed into a character in one of his many novels. R.R. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine
--Ce texte fait référence à l'édition
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