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Descriptions du produit
From Publishers Weekly
The author was a Yale student biking cross-country during the summer of 1977 when she and her roommate were attacked by an axe-wielding cowboy while camping in Oregon. Jentz escaped with a gashed arm, while her friend was nearly blinded from head injuries. Fifteen years later, in 1992, Jentz returns to the scene of the attack to repair the psychic wound and attempt to close the case. Dogged in her pursuit of the truth (though largely abandoning the subtitle's promise of introspection), Jentz interviews the witnesses who saw her stumble out of Cline Falls State Park that June night; she scrutinizes police files and discovers the halfhearted investigation of suspects, learning about several horrific killings that took place in Oregon then. Jentz even befriends the former girlfriends of one suspect who becomes frighteningly plausible as the culprit. She finally tracks down the local cowboy known for carving his initials into his axe handle; though he can no longer be prosecuted for the attack, the satisfaction of seeing him convicted for another offense is a bittersweet vindication. While a thorough, forthright detective, screenwriter Jentz tends to meander and includes unnecessary detail. Still, her story is chilling and will enthrall true crime readers. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From AudioFile
In 1977, Jentz and a biking companion were brutally attacked in an Oregon park; years later she returned to investigate the unprosecuted crime. Margaret Colin's reading is generally vivid and emotive though she wisely relates horrors in a still voice more powerful than any histrionics. However, in an effort to vary expression, her voice often dips and swoops, or seems inappropriately perky. The accents she provides Northwesterners vary from none (i.e., she uses her own natural speech) to rural, Southern, and the simply peculiar. When the prose turns purple, Colin exacerbates its melodrama. Further, she has a noticeable lisp, which can be distracting. The text alone is annoying enough, without the difficulties added by the performance. W.M. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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