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The Family Santerre, first introduced by Maile Meloy in her 2003 novel, Liars and Saints, is back again, inspected and reported on from another angle. This time, in A Family Daughter, granddaughter Abby is the narrator. She is left with grandmother Yvette when she is seven, suffering in equal parts from chickenpox and boredom. Her mother, Clarissa, is off trying to remember what it was to be happy. Feckless Uncle Jamie is called upon to entertain Abby. A bond is formed between them at that time that has far-reaching consequences.
This family is the most chaotic bunch of narcissists to come along in some time. Yvette and Teddy, matriarch and patriarch, are devout Catholics on whom some of their childrens' antics are, fortunately, lost. Jamie is another centerpiece of the novel: funny, charming, libidinous slacker that he is, he is temporarily irresistible to everyone. Abby hits a bad patch in college after the death of her father and Jamie is there to console, and sleep with her. The impact of this event (eight events, really) results in a book, maybe fiction, maybe true, that eventually has the whole family on its respective and collective ear.
Abby's Aunt Margot, exemplary wife and mother, on automatic pilot for thirty years, suddenly leaves home to find a former lover. Clarissa might be a lesbian, she isn't sure. Abby, now happily ensconced with her former T.A., Peter, is lured to Argentina by Jamie to help care for his libertine fiancee's mother's adopted child. And, that's just a peek at what's going on. Convoluted? Yes, but it all works. Meloy can write the socks off most authors. She maintains an ironic distance from her characters in prose that you absolutely cannot stop reading until you find out every last detail. The whole shebang culminates in a Christmas celebration with everyone present. Not your ordinary singing-around-the-piano event. May the Santerres continue to thrive in Meloy's imagination! --Valerie Ryan --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
From Publishers Weekly
Starred Review. In evanescent scenes distinguished by clean, wry prose, Meloy observes the Santerre family, whom readers met in 2003's Liars and Saints, from a crafty new angle. The book opens as the deeply Catholic Yvette Santerre frets over her granddaughter, Abby, who has the chicken pox and has been deposited in Yvette's care while her mother, Clarissa, tries to remember what it's like to feel happy. Yvette and Teddy's eldest daughter, Margot, is repressed by her own Catholicism and veering into adultery; Clarissa thinks of her husband, Henry, and daughter, Abby, as "captors" keeping her from realizing her true potential; and happy-go-lucky son Jamie has little ambition beyond his next girlfriend. With Abby at the story's center, the narrative moves forward years in effortless leaps, revealing the secrets and dissatisfactions of all. From Abby's rocky childhood to her bruising young adulthood (her parents divorce; her father is killed in a car accident), she finds solace with Jamie, 12 years her senior. When Abby is 21, uncle and niece fall into an affair, until Jamie is lured away by the bored, rich, chronically unfaithful Saffron, who suffers her own difficult mother crisis in Argentina. Clarissa takes up with a lesbian and confronts her mother with recovered memories; Jamie becomes convinced he's actually Margot's daughter; and dreamy, conflicted Abby writes a roman à clef (Liars and Saints!) about them all. Meloy shifts point of view fluently, and though her characters weather all sorts of melodrama, the novel itself feels light—poignant and affecting, meaningful yet somehow weightless. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
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