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Descriptions du produit
From Publishers Weekly
In this brief, potent memoir, bestselling novelist Paretsky (Fire Sale) proves as sharp and straight shooting as V.I. Warshawski, the female private investigator she's made famous in 12 novels. Carefully sketching her conjoined lives as an artist and activist who cut her political teeth on the civil rights and feminist movements of the 1960s, she paints a moving portrait of herself as an engaged intellectual looking to make a substantive and life-affirming mark on society. Paretsky can be pointed in recollecting childhood influences—including Louisa May Alcott's Little Women, and her realization that the only woman writer taught in school was named "George"—and how they play into silences faced now by writers and citizens. Paretsky is also passionate about the religious right and the Patriot Act, but her views on how the current administration treats women's sexual and reproductive freedoms are among the most powerful. "The junior Mr. Bush has given free rein to corporate venality," she asserts, " but he is adamant about controlling the sexual behavior of women both at home and abroad. Little girls, you must get Daddy's permission for what you want to do in the privacy of your bedroom." Paretsky's informed views illuminate her fiction and add dimension to discussions of the political responsibilities of the artist. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte fait référence à l'édition Relié .
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte fait référence à l'édition Relié .
Booklist
Fans of Paretsky's V. I. Warshawski series won't be surprised by her passion for social justice--in each novel, the sleuth tackles a political or social issue in addition to the crime at hand--and they're not likely to blame her for wanting to put the issues front and center. Despite having a popular series as a soapbox, Paretsky has much more to say. Derived from speeches and essays given and published elsewhere (an early version of chapter 5, "Truth, Lies, and Duct Tape," appeared in Booklist as "Writing, Speech, and Silence"), this slim volume covers a lot of ground: early lack of encouragement; participation in the civil-rights movement in Chicago; women's liberation and the origins of V. I. Warshawski; the social relevance of crime fiction; and the forces, from corporate enterprise to government censorship, conspiring to silence meaningful free speech. Written with graceful economy,Writing in an Age of Silence is an urgent cry for dissent and a powerful reminder that liberties taken for granted may someday not be granted at all. Keir Graff
Copyright © American Library Association. All rights reserved --Ce texte fait référence à l'édition Relié .
Copyright © American Library Association. All rights reserved --Ce texte fait référence à l'édition Relié .
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