From Publishers Weekly
This large volume assembles the work of nearly 150 poets, all marked in some direct way by the century's wars or devastations. Many of the poets did not survive these conflicts--some painfully perfect works by the Hungarian Miklos Radnoti were exhumed with his body from a mass grave in 1946--and others survived only to commit suicide later on. As an anthologist, poet Forche ( The Country Between Us ) vows to present a "poetic memorial to those who suffered and resisted through poetry itself," rather than to propose a "canon" of their works, but her book honors both intentions. Apart from the voices' high moral ground, the common preference for laconic understatement is notable; objectified horrors seem to expunge any bent toward self-pity or sententiousness. Forche's attempt to avoid a Eurocentric collection is limited by what is available in a "quality translation"; only two Asian poets (both Chinese) are featured, and among the several African poets included here, all but one (Afrikaans poet Breyten Breytenbach) write in English. She generally chooses recent and fresh-sounding translations (John Felstiner's rendering of Paul Celan's "Death Fugue," for example, is boldly effective). Poets are grouped in association with their respective historical focal points--e.g., the Armenian Genocide, the Holocaust, and 13 others.
Copyright 1993 Reed Business Information, Inc.
Copyright 1993 Reed Business Information, Inc.
Ingram
This landmark anthology takes its impulse from the words of Bertolt Brecht: "In the dark times, will there be singing? /Yes, there will be singing./About the dark times." Bearing witness to extremity--whether of war, torture, exile, or repression--this volume encompasses more than 140 poets from five continents, a chorus of voices from dark times, giving testimony to the poetic imagination seared by the fire of human suffering.
