From Library Journal
Black culture was very much in vogue in avant-garde Paris in the 1920s as white artists celebrated it as a means of escaping bourgeois values. At the same time, an emphasis on the "primitive" often reduced blacks to racist stereotypes. In this lively, highly accessible study, Archer-Shaw utilizes her background as an art historian and curator to discuss black life and its complex, often disturbing interaction with white European society. The focus on art (including painting, photography, fashion, and sculpture) distinguishes this book from other important works such as Michel Fabre's From Harlem to Paris (LJ 11/15/91), which concentrates on the literary scene, and Tyler Stovall's more general Paris Noir: African Americans in the City of Light (LJ 12/96). Archer-Straw's book also differs from these works by devoting considerable attention to whites as well as blacks, including shipping heiress Nancy Cunard, art collector Paul Guillaume, and photographer Man Ray. Recommended for all collections with an interest in black culture and/or art. (Notes and bibliography not seen.)DLouis J. Parascandola, Long Island Univ., Brooklyn, NY
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
H. Scott Jolley, Travel & Leisure, March 2001
A scholarly, zesty look at the racial thrills and tensions in a trend that affected dance, theater, music, sculpture, fashion.
