From Library Journal
At over 1500 pages, this monumental two-volume biography of France's greatest Romantic composer well deserves the accolades it will surely receive from musicologists. Cairns, chief music critic of the (London) Sunday Times from 1983 to 1992 and a distinguished visiting professor at the University of California at Davis, wrote the first volume more than ten years ago and published it only in Britain. Here, he presents a revised and corrected edition for American readers, along with the long-awaited second volume, which is nearly as voluminous. The sequel picks up the biographical thread in 1833 with the introduction of Harriet Smithson, the English actress who became Berlioz's muse, obsession, and wife. While the accounts of their tempestuous marriage make for fascinating and, at times, hair-raising reading, some of the most memorable passages are by Berlioz himself. His prose reveals him to have been a somewhat reluctant, often caustic, but always perceptive music critic. Both volumes are pure life narratives; there is no musical analysis, nor are there musical examples. At times readers, awash in biographical detail, may wish for more information on the music itself, but Cairns's prose is so elegant and readable, his subject so fascinating, and his scholarship so impressive that they will forgive him. Truly a definitive study, these two volumes belong in all major collections.
-Larry A. Lipkis, Moravian Coll., Bethlehem, PA
Copyright 2000 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
-Larry A. Lipkis, Moravian Coll., Bethlehem, PA
Copyright 2000 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
The New York Times Book Review, David Coward
[Cairns] tells the story with sober elegance and uncommon sympathy. He is a marvelous guide to the musical life and aesthetic arguments of 19th-century Europe and shows Berlioz as a man of his times.
