Amazon.com
Although it probably over-emphasizes the London scene, this book provides a well-written introduction to the history of house music as well as to 20th-century dance music in general. Citing the Stonewall Riots as a cultural turning point, Matthew Collin shows how the emerging gay rights movements created innovative clubs that demanded a newer, more vibrant music. Finding other pieces of this hidden history in Jamaican dub, mainstream disco, rap, European electronic music, and New York club mixes, Collin develops an interesting and previously undocumented narrative of contemporary hip sounds.
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From Library Journal
Journalists Collin and Godfrey have written a fascinating, compelling account of youth culture in conservative Britain during the last decade. They begin with a brief history of the dual elements at the center of the culture: the spacy version of disco known as acid house and the drug Ecstasy. After setting the stage, they describe the migration of unemployed British youths to the island of Ibiza off Spain, where the culture began, and the transplanting of the Ibiza experience to British clubs. Chronicling the spread of acid house and Ecstasy through large parties called raves, the authors explain the movement as a reaction of disillusioned, lower-class youths against a conservative British mainstream. Collin and Godfrey examine the downfall of the drug-based counterculture owing to gang-police violence and Ecstasy-induced deaths and discuss the mainstream commercialization of the hedonistic dance culture into a #1.8 ($2.8) billion industry. This well-written social history will become a standard for those wanting to understand British youth culture and music.?David P. Szatmary, Univ. of Washington, Seattle
Copyright 1997 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Copyright 1997 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
