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3 internautes sur 3 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Retour vers l'horreur psychologique., 24 mai 2014
Achat vérifié(De quoi s'agit-il ?)
Ce commentaire fait référence à cette édition : Mr. Mercedes: A Novel (Relié)
Reçu en avance (merci Amazon). Stephen King revient avec un roman relativement court (450 pages) mais très dense. On pénètre directement dans l'histoire, dont je n'évoquerai rien afin de laisser la surprise aux futurs lecteurs. Après un décevant Doctor Sleep, King renoue avec l'horreur psychologique (et les voitures tueuses). Un classique instantané, à lire sans hésiter.
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5.0 étoiles sur 5 Toujours aussi bon et impressionnant !, 19 juillet 2014
Ce commentaire fait référence à cette édition : Mr. Mercedes: A Novel (Relié)
À tous les inconditionnels de Stephen King, je recommande ce livre qui est passionnant dès le début et l'action vient vite à démarrer sans s'épuiser au fil des pages et du temps qui passe ! Je le recommande aussi à tous les autres lecteurs qui s'ennuient de ne pas trouver un bon livre pour l'été. Celui-là vous l'adorerez à coup sûr !
Bonne lecture à tous.
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5.0 étoiles sur 5 Un tueur de masse en série est laché sur la ville, 14 juillet 2014
Ce commentaire fait référence à cette édition : Mr. Mercedes: A Novel (Relié)
Don’t believe all the book says. There are some mistakes like for instance the illegality of being able to read all formats from all zones on one DVD reader. Such a machine exists: it is produced by Sony, made in Malaysia and distributed to the whole world from Chicago by, among others I guess, Amazon. At least the one I have came that way and was delivered to me by Some other elements from police speak are not always listed in various sites or glossary on the subject. He seems to be using some shortened forms that are popular in his own living circles. For example “to steal the peek.” It refers to what is called “passive keyless entry and start” or PKES and the “signal” used to operate it can be captured from a short distance. As for the expression “stealing the peek” it does not seem to exist as such. Yet it now does.

But apart from that the book is not a glossary of police speak, nor an urban dictionary of crime speak. It is a book in the line of several books Stephen King has recently written that have to do with some kind of criminal, some form of crime, and catching the former or stopping the latter. Here we are dealing with a serial offender who is turning into a serial mass murderer. That is in no way terrorism and critics like Chuck Bowen in Slant Magazine, House Next Door are totally wrong when they define the book as a cop-and-terrorist thriller. Terrorism implies some political aim and in this case the man is deranged and nothing but a sociopath and psychopath. The Unibomber was a terrorist since he had a political agenda. But here Stephen King defines his criminal as a “mad bomber” and that does not make him a terrorist.

It is a thriller that does not use in any way supernatural or fantastic means like for instance in Doctor Sleep that deals with a band of criminals who are in a way living dead people and some kind of vampires though they do not drink blood but vital energy. It is in the line of Joyland in which a simple young man is tracking and bringing out and down a serial killer. Stephen King is thus in line with some of the books he has written before, though this one is original because it uses an ex-cop, a retired detective as the main character though Stephen King adds to this man an underage high school student and a psychologically deranged middle age woman who is somewhere between neurosis, psychosis and autism, definitely compulsive obsessive and yet sane enough to be of great help and to manage to get out of the super low state of mind and extreme dependence she is in at the beginning and reach some independence and equilibrium at the end.

The main criminal, aka Mr. Mercedes, is a psychopath and sociopath but as the result of an intense and prolonged trauma that started when his younger brother came into the picture and when their father got out of it leaving their mother with two sons, no income or nearly none, and the younger son is slightly retarded. Misery, poverty and later on the assassination of the younger son after a dumb accident in which the child chokes on a slice of apple and his mother aggravates the situation by trying to get the slice out of his larynx with her fingers instead of using the Heimlich maneuver. Stephen King knows everything about Heimlich and his maneuver since he used it in Christine. Thus it is a choice leading to drastic elimination. The assassination is performed on the incoherent child after his being brought back to life by doctors with a severe mental impairment by his mother and his brother together.

Then there is an allusion to a stepfather who took to using his stepson as a sexual toy torturing him too with cigarettes and other elements that are not mentioned. The mother took part in the victimization that implied rape even if it is only alluded to. The child becomes an adult for sure but attached to his mother and his mother considers him as a sexual partner, a surrogate to a man who would be her husband or lover, though with strict limits: she is the onanistic tool of the grown man. I would say this long lasting trauma can only produce the asocial psychopath we have in the book, though it is a little bit easy on the inside. The pattern of a stepfather and a mother victimizing the stepson (and son) is a little bit simple. We are spared though the direct gay sexuality which would not have been in anyway sane and the result of a choice, though he is clearly described as a closet-homo who hates women, especially young women and teenage girls Most of his direct victims are women, at times unwillingly on his part but women nevertheless. The last crime he plans is a mass murder of essentially teenage girls and chaperoning mothers.

What is particularly catching, appealing in the book is what Chuck Bowen hates. The writing is in a language that borrows a lot from colloquial discourse and even social dialect. His high school senior Jerome, a black teenager, uses a lot of linguistic ebonics in his discourse and this is quite typical of that black young man whose family members have typical Caucasian, hence American names and he wants to go to Harvard. He is the victim of quite a lot of racial prejudice in the mild ostracism that has taken the place of open segregative rejection of previous decades but that is rejection nevertheless. To compensate for this rejection, and to assert his blackness, with some white people he is in regular contact, he uses ebonics. This is natural and even both sane and healthy. That’s some kind of homeopathic medicine to overcome and tolerate any kind of bigotry, present or only intended around him.

The retired detective, Kermit William Hodges, is also quite typical of people in his situation. He is alone and he easily slips into some fattening life style that leads him to overweight and a coronary accident at the end. He has abandoned all sexual activity that implies a partner. In other words he is a social and psychological wreck. All the easier for him to jump on the bandwagon of some police work on the side of official duties, hence to become an uncle. Since the criminal is making it a personal case against him he reacts in the very same way and makes it a personal case against the criminal. Nothing new under the sun. Circumstances just add some more disinterest from the official police department of the city that sidetracks him into being his own master in clandestine police work. Circumstances (his heart attack) will enable him not to perform the last stage of the neutralization of the criminal.

The writing itself is split into short sequences jumping from one character to the other, from the retired detective to the criminal essentially but not only. This is cinematographic writing of course, which makes this novel into an easily adaptable story for a film. But that is the way all modern writers write today with TV and cinema in mind. Chuck Bowen has it wrong: most modern novels have that structure of an unfinished scenario and that cannot be considered as a shortcoming because it corresponds to the viewing habits of a modern audience who watches TV series and films all the time, stories that are more and more exploded into some kind of mosaic of short sequences.

This very story line is catching and appealing. We get into the story and then we are in a way mesmerized by the story telling. We can maybe say everything is understandable before it happens and we can foresee every event. That is true and false. At every crucial point in the novel we can see the options that are available to the author. It is true most of the time what the author chooses is among these options, but it is only one option in a set of several. The end is predictable and yet apart from the idea that the criminal will be stopped, we cannot really predict how, where, when and by whom before it happens. The very conclusion of the novel is tremendously moving. We cannot resist thinking of Misery, though the cruelty against Retired Detective K. William Hodges is a lot less intense than that described in that older novel. The book altogether is more luminous than older books and is in the line of Joyland as for this luminosity. That is probably the element that could be regretted: the brutal rude cruelty of the Richard Bachman side of Stephen King. He seems to have curbed it in his latest novels. Should we regret it?

But it is true he is experimenting other styles under the collaborative influence from his son Joe Hill, a novelist of his own. He has thus a real future and heir for the coming decades in the cinema, in fiction and in other genres like the musical. Maybe he should concentrate on these new forms and aim at producing more mini series or films than books. He maybe has written enough books and should change media. But such a choice has to be his decision. It is true it is difficult to do better than a good dozen of his older novels, not to speak of The Dark Tower series, IT or The Stand that are plain master pieces. But yet there still are some territories he can explore for our pleasure.

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4.0 étoiles sur 5 Retour a un tres bon King, 13 juillet 2014
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Ce commentaire fait référence à cette édition : Mr. Mercedes: A Novel (Relié)
Le dernier King est plus court que d' habitude et l'action demarre plus vite .
Les personnages sont bien dessines . Cela manque un peu de jus par moment mais c' est un bon suspense et le final est plutot spectaculaire. Apres un Dr Sleep faiblard ( il le parait surement a cause de l'attente cela dit ) on revient a du tres bon King .
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Mr Mercedes (English Edition)
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