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The Advancing Guitarist par [Goodrick, Mick]
Publicité sur l'appli Kindle

The Advancing Guitarist Format Kindle

4.0 étoiles sur 5 4 commentaires client

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Format Kindle, 1 novembre 1987
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EUR 11,07

Longueur : 120 pages Word Wise: Activé Langue : Anglais

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Descriptions du produit

Présentation de l'éditeur

(Reference). Veteran musician and educator Mick Goodrick presents practical information for guitarists who want to improve their playing technique and style and simply become better musicians. Rather than a step-by-step method book, the information is presented in a general essay format, discussing ways that the various techniques covered may be applied by the advancing guitarist to enhance his/her own style of playing, some of the areas discussed include: basic fingerboard mechanics * modes, scales and chords * contemporary harmony * harmonica and overtone influences * being self-critical * improvising short pieces * different playing situations.

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 3419 KB
  • Nombre de pages de l'édition imprimée : 120 pages
  • Editeur : Hal Leonard (1 novembre 1987)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B001L1RCZ8
  • Synthèse vocale : Activée
  • X-Ray :
  • Word Wise: Activé
  • Composition améliorée: Non activé
  • Moyenne des commentaires client : 4.0 étoiles sur 5 4 commentaires client
  • Classement des meilleures ventes d'Amazon: n°132.751 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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4.0 étoiles sur 5
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Format: Partition
Une excellente méthode, à posséder par tout guitariste de jazz. Attention tout de même, il s'agit d'un ouvrage regroupant tout un tas de concepts et d'axes de travail autour de l'improvisation supposant que les fondamentaux (accords et gammes) soient assimilés. Cette méthode s'adresse donc à tous ceux ayant déjà un minimum de bagage technique et harmonique sur l'instrument.
Pour le reste, c'est une grande réussite. On a des heures et des heures de travail en perspective avec ce recueil qui n'est pas un énième livre généraliste du type "apprendre le jazz". Au contraire, il redonne des voies intelligentes sur la façon de travailler le jazz à travers son instrument quand on ne sait plus quoi faire. Et l'on sent à travers tous ces exercices le propos musical (chaque fois argumenté bien qu'évident, en vérité) et cohérent de Goodrick.
Des pistes de boulot très pertinentes (comme l'improvisation sur une seule corde pour se libérer de ses plans habituels) qui m'ont redonné un second souffle après déjà quelques années consacrées à cette musique. Attention à bien vous le procurer en français (la couverture n'est pas la même qu'ici) car Goodrick s'exprime beaucoup...et certains exercices ne sont expliqués que verbalement. Dans la même veine, on peut également conseiller la méthode d'Alain Blesing "Autres chemins sur 6 cordes".
Remarque sur ce commentaire 5 personnes ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Par nolivier TOP 500 COMMENTATEURS le 11 avril 2015
Format: Partition Achat vérifié
Ma référence en matière d'évolution guitarisitque. Exhausistivité, concision, précision et créativité sont les piliers de cet ouvrage. Mon seul regret, ne pas avoir trouvé la version française avant !
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Ce livre est remarquable : le point de vue est totalement différent des autres livres consacrés à l'improvisation à la guitare et ouvre ainsi d'autres perspectives très stimulantes. La base reste l'écoute et le travail mais son grand mérite est justement de vous remotiver à travailler, en tous cas pour moi.
Je viens de découvrir qu' il existait en français, pourquoi ne peut-on le télécharger sur kindle qu'en anglais ? Résultat, je viens de le racheter dans un magasin de musique...
Remarque sur ce commentaire Une personne a trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Format: Partition Achat vérifié
une autre vision de la guitare, il faut un niveau correct pour aborder ce livre , mais il ouvre des portes pour une meilleure compréhension de l improvisation
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x97fa360c) étoiles sur 5 87 commentaires
90 internautes sur 95 ont trouvé ce commentaire utile 
HASH(0x975491a4) étoiles sur 5 For the musician willing to do a little advancing 8 juillet 2004
Par Ilia Asafiev - Publié sur Amazon.com
Format: Partition
"This is a guitar method that ridicules guitar methods. It's a self-help book that does not claim to ever help anyone. It covers everything, and at the same time leaves it up to you to figure everything out. If you don't have a solid way to come up with a good practice routine for yourself, this book is not for you. However, there are plenty of pointers inside on how to develop a practice routine.
Paradox is the true path to learning your instrument."

I imagine if Mr. Goodrick were to write a review of his own book, it would read something like the paragraph above. If I were Mr. Goodrick (and perhaps also a strict disciplinarian), I'd leave it up to you to figure out the content of this book and say no more.

Truth be told, The Advancing Guitarist is really a good kick in the behind to every slacker out there who knows what he ought to be learning but chooses to take shortcuts instead. The overall tone boils down to, "You want to know how to advance on guitar? Have you tried this? Well, why the heck not?? Oh, so you have... in every combination, everywhere you go, in every style, with every scale in every key, in all possible variations? No? And you dare ask me how to advance?" While the tone is poking and prodding, it's usually more encouraging than condescending.

It is my impression that such a book is excellent for a unionized-type musician-for-hire guitarist who needs to learn how to do everything and has time to sit down with it. While, within its 110 or so pages of no-nonsense text, all things about music cannot be outlined, the philosophy (of which there's plenty) and the examples that are given (also plentiful) give enough for someone who's serious and dedicated to excel at his craft. Many things are left unsaid, but quite a few of those are tacitly understood, and increasingly more will be understood with time.

There's no tablature in this book - everything is in standard guitar notation, similar to the way classical guitar music is scored. I find this beneficial for any musician; Mr. Goodrick would probably tell you to go tab everything out with a blindfold while playing your guitar left-handed, for an interesting learning experience.

Of course, if you don't want to do anything of what the author recommends or insinuates, it's still a good read. As another reviewer mentioned, great bathroom book on the subject of guitar.

Sections are:
* Approach - mechanics of playing guitar
* Materials - music theory as applicable, general and guitar-specific
* Commentaries - philosophy and discussion
First two sections build in a logical fashion; last section is broken down into topics that are self-contained and don't relate to each other in any structural way.

I like this book, I read it for leisure and for practice hints, I use it for reference, I use it for reflection, I use it for self-evaluation. It's good for educators who are looking for new approaches to teaching, and it's good for students of all levels. Recommended highly.
63 internautes sur 69 ont trouvé ce commentaire utile 
HASH(0x975491f8) étoiles sur 5 Searching For Your Zen On Guitar 21 août 2000
Par Christian Culleton - Publié sur Amazon.com
Format: Partition
I am a performer, teacher and composer for the classical guitar. While I am always striving to improve my technique, I've always felt that technique was a means to an end, which is to make the best music that one can. Therefore, I am not one of the most disciplined technicians of the six-string siren, but I really play from the soul.
When my students get too hung up on Segovia Scales, Giuliani Arpeggios and Classical-era etudes, I give them one and only one tidbit from Mick Goodrick's book to chew, savor, ruminate, in the hope that they will find the muse again.
This book will help any guitarist who is dedicated to understanding music, not just the guitar. The guitar is merely a tool, a pontential conduit for the essence of your musical being to pass from you, through an audience, then back through you with their blessings.
Mick's book contains the seeds for a lifetime of musical growth. This compilation of musical Pandora's Boxes is best understood conceptually. If you're getting bogged down with what finger goes where, positions beyond open, etc., please, do not give up on this book! Work harder on the basics until your mind can begin to make some informed musical connections.
The beauty of Mick's work is that, if you dig deep, you can't help but begin to uncover what excites you, the player, about choosing the guitar to make music on. Not every exercise is for everyone's taste, and is not intended to be. I learned this lesson in college. I use to hate Renaissance music. After years of hating it, I realized that the reason was I couldn't play it convincingly. Now, I love it, and work harder than ever on it. Mick's book will help you to help yourself, to tackle those aspects of guitar that you probably hate because they are too difficult for you at this point in your training.
Yes, you need to be able to read music to learn from this book. A fundamental knowledge of modes derived from the major scale, and how triads are built from scales, will make the exercises in this book a seemingly endless array of playground activities.
Mick's book does what most books on playing the guitar do not: it makes you wonder. I consider wonder, especially a child's wonder, the ultimate key to making self-fulfilling music. While he does not say it aloud, Mick, in my opinion, speaks of many Zen-like concepts.
As does another great teacher of guitar, Pepe Romero. For those who are interested in reading about Pepe's teachings, I will gladly and freely send you an e-mail transcript of notes I took from a master class that I participated in with Pepe, in Corboba, Spain at La Festival Internacional de la Guitarra in 1998. Combined, I think you'll hear in Pepe's thoughts and Mick's ideas the sound of one hand clapping in the woods...
34 internautes sur 37 ont trouvé ce commentaire utile 
HASH(0x97549630) étoiles sur 5 A great "bathroom book" for guitar 14 juillet 2001
Par Dave Stagner - Publié sur Amazon.com
Format: Partition
Some books are great to read in the bathroom... you just open them to any random page, and brilliance pours out. This book is like that. Now, this book is NOT for the vast majority of guitarists out there, the ones trying to figure out how to sound like Stevie Ray Vaughn with a $50 fuzz box. But if you're one of those determined to find *your* voice on the guitar, i have not seen a better book. Mick Goodrick's approach is to smash your preconceptions, and help you to keep yourself fresh. It's not something he does for you, because NO ONE can do that for you.
This isn't education from the professor at the head of the classroom. This is wisdom from the old man on the mountain, who will answer all your questions with a single question of his own, and send you away to contemplate.
Thank you, Mick.
14 internautes sur 15 ont trouvé ce commentaire utile 
HASH(0x975499fc) étoiles sur 5 Excellent, but not a technique or beginner's book 10 août 2007
Par ytb - Publié sur Amazon.com
Format: Partition
I purchased this book on the recommendation of a fellow guitarist, if we can call ourselves that. He noted that it was not a technique book and that it would probably take me a good course of the rest of my natural life to get through. He was right. This book is, as the title suggests for the "Advancing Guitarist." You need to have a solid foundation in a few things in order to a: understand what he discusses, b: practice what he suggests, and c: glean information to incorporate into your own playing. A short non-comprehensive list of the foundation elements you will probably need to have down before picking up this book are: 1) knowing how to read music (not tabs, real music (you do not need to be a master at sight-reading, but you should at least be comfortable with sheet music)); 2) Basic Music Theory (This is a bit ambiguous, I know. You should be familiar with scale formulas, chord formulas, intervals, and modes. Ideally you should have all the major scale formulas memorized, the circle of fifths is your friend.); and 3) Basic left and right hand techniques (You need to be able to grab almost any chord immediately, with no delay, you should also have most barre chord formulas memorized. With the right hand, if you are right handed, you need to be comfortable individuating the string, in other words, playing individuals strings rather than all the strings in a strum.)

If you are serious about learning your instrument, the guitar, buy this book regardless of your situation regarding my list of foundational elements. That list is merely my opinion. It may take you a while to get through, but this book will serve you well. I recommend this book to anyone who wants to seriously pursue the guitar.

If you are a weekend guitarist, or someone who is interested only insofar as knowing how to play a few popular songs by tab, this book is not for you. If you are that type of player, this book is a waste of money. This is not a denigration of those types of players, they are just not as obsessed as other are. But if you really want to know your instrument, this book can help you out...a lot.
11 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x97549ae0) étoiles sur 5 The best! 29 mai 2001
Par Un client - Publié sur Amazon.com
Format: Partition
As many other guitarists, I try to constantly improve my playing and improvising. As a self-taught musician, I purchased several books on jazz guitar methods, improvising and so forth. This book really so far has been wonderful, it feels like that I am re-discovering my instrument. In my opinion, this is a must-buy for anyone who seriously wants to improve his/her playing skills, improve his/her technique, and is willing to work hard on it.
Here are some reasons why this book is a great buy:
1. He makes you improvise on one string at a time, a wonderful and very important concept. And you do this way before working on 2 strings, or on position playing.
2. Overall great music theory, and insights from a very experienced musician.
3. no tabs (in my opinion this is an advantage)
4. endless material to work with
This is the best guitar book (that I know).
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