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All in the Dances: A Brief Life of George Balanchine (Anglais) Relié – 1 novembre 2004

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Descriptions du produit

Revue de presse

"Terry Teachout is the kind of tour guide a first-rate biography requires-vivid storytelling by a guide who is both appreciative and independent."-Ken Auletta

"A lively and unvarnished portrayal of a complex and fascinating figure."-The Baltimore Sun

Présentation de l'éditeur

Twenty years after his death, George Balanchine still dominates the world of ballet. Not only have his works been danced by the New York City Ballet continuously since 1948, but they also have been performed by more than two dozen other companies throughout the world. In clear and elegant writing, Terry Teachout brings to life the dramatic story of George Balanchine, a Russian émigré who fell in love with American culture, married four times and kept a mistress on the side, and transformed the art of ballet forever.

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Commentaires client les plus utiles sur (beta) HASH(0x9abf4fa8) étoiles sur 5 6 commentaires
23 internautes sur 26 ont trouvé ce commentaire utile 
HASH(0x9a775750) étoiles sur 5 Combines Biography with Dance Criticism 29 novembre 2004
Par Eileen Pollock - Publié sur
Format: Relié Achat vérifié
I will make the inevitable comparison between this book and Robert Gottlieb's short biography of Balanchine. This book is my choice because Gottlieb's book, while businesslike, is a bit earthbound. Gottlieb's biography did not exude the spirit of dance for me. And the biographical facts, reported in brief by both Gottlieb and Teachout, have been given more scope in Bernard Taper's wonderful full length biography. In Teachout's favor, he is a dance critic, and he treats the dances themselves with more insight and depth. As a reader, I feel this added to the book's value. So the book I'll keep on my shelf is Terry Teachout's Balanchine.
13 internautes sur 14 ont trouvé ce commentaire utile 
HASH(0x9a133a2c) étoiles sur 5 "The Most Extraordinary Encounters and Events" 5 mars 2005
Par J Scott Morrison - Publié sur
Format: Relié
Teachout's short biography of Balanchine has a lot more meat in it than I expected, considering that he makes a comment in the Preface that he wrote it for the casual ballet-goer or even someone who has never been to the ballet. He takes a casual but observant stroll through Balanchine's professional and personal lives and with telling incident and anecdote makes this giant of twentieth-century art come alive, warts and all. Further, his tone is one of kindliness and understanding, even when it comes to Balanchine's inveterate womanizing, without it becoming a work of hagiography. And he conveys in words how Balanchine filled his plotless ballets with "the most extraordinary encounters and events" and changed the face of modern ballet.

I came to this book not as a balletomane but as a lover of the music of Stravinsky whose music, of course, was the aural life blood of Balanchine's art. I was not disappointed in that there were many glimpses of Stravinsky along the way. But more important Teachout's easy style and consummate story-telling ability made this a compulsive read. Many biographers lack that quality.

Frankly I would recommend this book not only to the dance neophyte like me, but to any lover of ballet, or modern dance, or of twentieth century music. It certainly provides a beautifully written record of one of the high points of American culture of its era.

Scott Morrison
HASH(0x9a133a08) étoiles sur 5 Quite Readable Introduction to a Master 3 novembre 2015
Par drkhimxz - Publié sur
Format: Relié
Working in NYC for a couple of years in the mid-60's, with season tickets available at a price my limited salary would bear, and with the new Lincoln Center location (at the then new Lincoln Center), I was able to see the numerous Balanchine productions of the era (as well as the brilliant opera productions with the likes of Beverly Sills performing). Knowing nothing of ballet and only what I learned from watching Fred Astaire, Gene Kelly, The Nicholas Brother on film (and many others live, benefit of growing up in Brooklyn. leaving permanently only with the onset of the Korean War (does anyone remember that UN Police action these days?).
For various reasons that period ended my experience of live formal dance save for the occasional television production I managed to catch. Only with retirement did I amass a collection of DVD's with assorted choreographers represented as they came to my attention. Withal, I write as a pure amateur in dance and commend Teachout's introduction to Balanchine from that perspective only. At the prices shown today on Amazon for used copies (or new for that matter), it is easy to commend it wholeheartedly to the viewer who wants to learn a valuable bit about dance and one of its modern masters. Teachout is a self-identified enthusiast of the choreographers work and should be read with that perspective but he also makes quite clear, if only with great brevity, the behavioral patterns which many of us would find quite distasteful. Whether or not one accepts these as the privilege of genius, whether or not one believes these to be inevitable flaws when this genius involves working groups of people in intimate and extended circumstances, bringing them forward to public view, even with brevity does create stimulating contemplation of just how to take the man. As to the choreographer, though quite unable to make an informed comparison with others of his period, Teachout makes a fair case for Balanchine being a man whose work all who enjoy watching dance would want to see. In fact, as is true in my case, you might be sufficiently interested as to collect a number of other biographical works both on the Master and some of his students.
2 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x9a133e40) étoiles sur 5 Critique and love letter 27 novembre 2008
Par atisheh - Publié sur
Format: Relié
Teachout begins his short biography of George Balanchine by describing his first, spellbound experience of watching a Balanchine ballet. He wrote this book, he explains, because it was what he wanted after seeing this unexpected performance. "Why hasn't anybody ever told me about this? And what kind of man made it?" were the thoughts running through his head.

I had an identical experience when I first went to the NYCB, and this is exactly the book I wanted then. I wondered about the choreographer who had made ballet so modern, so unlike the frilly tutus and unrelenting prettiness of ballet as I thought I knew it. Teachout's moves rapidly through Balanchine's long life, but he manages to cover a lot of ground, from Mr. B's difficult childhood in Russia to his death from Creutzfeldt-Jakob disease, to the legacy of his dances. Teachout succeeds in describing what was fresh and important about Balanchine's dances in vocabulary an intelligent layman can understand, and although his admiration for his subject is obvious, he does not shy away from describing the more scandalous aspects of Balanchine's life. The art and the gossip both help Teachout describe the creative process of a twentieth-century legend.
1 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x9a146438) étoiles sur 5 Thuds when it should soar 16 février 2013
Par Frank O'File - Publié sur
Gottlieb's is the book to get if you want a shorter and truthful account of this choreographic genius. Teachout attempts to lift Balanchine, who doesn't need the help, and the result is a book trying far too hard and accomplishing far too little. A disappointment.
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