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All the News That's Fit to Sin Import

3.0 étoiles sur 5 1 commentaire client

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Détails sur le produit

  • Album vinyle (14 mai 2013)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B00BQ1DCQQ
  • Autres éditions : CD  |  Cassette  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 3.0 étoiles sur 5 1 commentaire client
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Par Melomaniak COMMENTATEUR DU HALL D'HONNEURTOP 50 COMMENTATEURS le 13 février 2014
Format: CD
All the News that's Fit to Sing est le premier album de Phil Ochs, et porte bien son nom. Parce que Phil Ochs n'est pas Dylan mais plus un ménestrel de la protest song, il décline les faits divers, les évènements politiques de son temps (le Vietnam, la crise de Cuba, etc.) de sa voix franche d'honnête homme.

Ca ne fait hélas pas toujours de très grandes chansons, d'autant que l'instrumentation minimaliste, Phil à la guitare et au chant et Danny Kalb à la seconde guitare, ne supporte parfois que très difficilement le maniérisme mélodique Ochsien qui a une fâcheuse tendance de tout niveler.
C'est donc un homme pas encore tout à fait au point, mais déjà prometteur, qui chante avec tout son caeur et tout son juvénile enthousiasme et, quelquefois, touche au but. C'est le cas sur les folk parlés Talkin' Vietnam et Talking Cuba Crisis, le tubesque Power and the Glory, la jolie ballade Celia, l'entrainant Automation Song, le dramatique Knock on the Door, le cowboy doux de Bound for Glory avec John Sebastian de Lovin' Spoonful à l'harmo qui va bien, ou le presque-marachien Bullets of Mexico.
Evidemment, tous ceux-ci, et les autres !, auraient bénéficié d'une instrumentation plus luxuriante pour réellement prendre leur envol. D'ailleurs, on les entend presque ces arrangements, on les imagine plus proches de Scott Walker et de ses frères que du gros de la vague revival folk new yorkaise dont Ochs fait pourtant parti. Et d'ailleurs Ochs finira par glisser vers la pop, pas avec d'aussi bonnes chansons, hélas.
Lire la suite ›
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Amazon.com: 4.7 étoiles sur 5 15 commentaires
4 internautes sur 4 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Phil would go up from here. 26 juin 2012
Par Casey D. Graham - Publié sur Amazon.com
Format: CD Achat vérifié
It's pretty much impossible for me to write objectively about Phil Ochs and his music. I have such a deep esteem for the man and his genius. That said, I'll try to review his first Elektra release, 'All the News That's Fit to Sing.' He technically recorded an earlier album, called 'Camp Favorites,' but he's uncredited on it and none of the songs are his. I sometimes wonder how many of Phil's contemporaries were aware of that record.

I hesitate to give this album five stars, so I'm sticking with four. First of all, there has to be room to go up for the later albums - I don't think you can listen to the next three albums Phil released ('I Ain't Marching Anymore,' 'Phil Ochs in Concert,' and 'Pleasures of the Harbor'), at least, and say that this one is on par. The writing is young, very young, some of them written when Phil was only twenty years old in 1961, before he even came to New York City in the winter of 1962.

The songs that stand out most, unsurprisingly, on this album are the most timeless. Only two of the songs lasted long in Phil's repertoire, "Power and the Glory," a patriotic but socially conscious number, and "The Bells," a re-working of the Edgar Allan Poe piece. There are several very funny songs - "The Ballad of William Worthy" and the two talking blues numbers. Some of the most topical material is quite dated, like "The Thresher" and "Lou Marsh." I'm a huge fan of Phil's, but I really don't care to ever listen to those songs. Some of the other topical songs can last a bit longer, like "Too Many Martyrs" and "Celia," primarily because the latter is a statement of love. You don't even have to know the historical story.

The instrumentation is fairly typical of the period. It's Phil's guitar joined by Danny Kalb of the Blues Project, a setup that was rightfully scrapped for the next album. Phil was never too good at playing with others and the two instruments together get muddled and prevent Phil from changing tempos in order to stress and unstress words, which really takes away from the songs.

The rhyming is often very simple, a sign of a writer who hadn't found his lyrical niche and who still hadn't grasped the relationship between image and narrative and how to intertwine the two. Phil would begin to figure this out in due time. But it's that immaturity as a writer that holds back 'All the News That's Fit to Sing.' When you consider that he wrote these songs before he turned twenty-three, though, it's nonetheless an impressive statement of the times that he lived in and a great zeitgeist of the topical song movement of the early 1960s.
1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Quietly Extended 22 mai 2011
Par Donald S. Handy - Publié sur Amazon.com
Format: Album vinyle Achat vérifié
Originally, I had hoped to get the CD of this album, even though I worried about a lower sound quality, because there was a bonus song on the CD. "Bullets Of Mexico" was originally mistakenly added to a few original pressings of the album, in place of the song "Knock On The Door." I am happy to report that it has been added as a bonus track to this vinyl album as well, so it's the best of both worlds: the superior sound of analog-recorded songs on vinyl, as well as the relatively rare bonus track.

I already had about 1/2 of the album, both on the compilation collection "There But For Fortune," as well as on the boxed-set "Farewells and Fantasies." However, whoever picks-out the songs for inclusion on collections don't necessarily pick-out the best songs. I've been singing three songs in particular to myself ever since I discovered them, due to their memorable melody: "Celia," "Knock On The Door" and "Lou Marsh." Therefore, if you already have some of the songs, you'll be doing yourself a great favor by adding the entire album to your collection.

Great care has been taken in reproducing this album, which was manufactured by the good folks at Rhino Records. I would have preferred it had it been in mono, but Electra didn't engage in the severe separation of instruments that harms other stereo folk recordings, such as on the posthumously-released Phil Ochs album "A Toast To Those Who Are Gone."

Any and every Phil Ochs fan should own this album.
4.0 étoiles sur 5 Some crackles/pops on sealed vinyl purchased April 2016 9 avril 2016
Par Damien F. - Publié sur Amazon.com
Format: Album vinyle Achat vérifié
Sealed vinyl version purchased in April 2016 appears warped on turntable and has a bit of excessive noise during Side 1 playback (crackles/pops, consistent throughout the side). Side 2 playback is fine. No scratches or any other issues that make the album unlistenable, and not enough to lead me to return it, but the Side 1 noise is definitely noticeable - this is a folk album and therefore quiet enough to make such defects stand out more than they might on a rock or metal album :)
5.0 étoiles sur 5 Still Relevant 6 août 2016
Par Anonapotomous - Publié sur Amazon.com
Format: CD Achat vérifié
If one can apply the issues and topics that Phil Ochs deals with in this album to modern day affairs, this album hills just as much weight as when it was initially released...
...I assume, I wasn't around then; but, seriously, if you're reading this then you already know that he is great.
5.0 étoiles sur 5 THE GENUINE TROUBADOUR 5 janvier 2015
Par greggjtrompeter - Publié sur Amazon.com
Format: CD Achat vérifié
THE GREAT PHIL OCHS: largely unknown today, was sadly underestimated & unappreciated in his time. A tragedy. Superior songwriting, strong, steady vocals & a pretty damn good guitarist as well. How I (still) wish I had seen him "in concert"...even just once. Terrific album, promising debut.
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