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Bach : Oeuvre pour piano seul (Coffret 12 CD) Coffret

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Page Artiste Andras Schiff


Détails sur le produit

  • Compositeur: Johann Sebastian Bach
  • CD (8 octobre 2002)
  • Nombre de disques: 12
  • Format : Coffret
  • Label: Decca
  • ASIN : B00000IP73
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 200.668 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. 15 inventions a 2 voix bwv 772a 786 - invention no.1 in c, bwv772a
  2. 15 inventions a 2 voix bwv 772a 786 - invention no.2 in c minor, bwv773
  3. 15 inventions a 2 voix bwv 772a 786 - invention no.3 in d, bwv774
  4. 15 inventions a 2 voix bwv 772a 786 - invention no.4 in d minor, bwv775
  5. 15 inventions a 2 voix bwv 772a 786 - invention no.5 in e flat, bwv776
  6. 15 inventions a 2 voix bwv 772a 786 - invention no.6 in e, bwv777
  7. 15 inventions a 2 voix bwv 772a 786 - invention no.7 in e minor, bwv778
  8. 15 inventions a 2 voix bwv 772a 786 - invention no.8 in f, bwv779
  9. 15 inventions a 2 voix bwv 772a 786 - invention no.9 in f minor, bwv780
  10. 15 inventions a 2 voix bwv 772a 786 - invention no.10 in g, bwv781
  11. 15 inventions a 2 voix bwv 772a 786 - invention no.11 in g minor, bwv782
  12. 15 inventions a 2 voix bwv 772a 786 - invention no.12 in a, bwv 783
  13. 15 inventions a 2 voix bwv 772a 786 - invention no.13 in a minor, bwv 784
  14. 15 inventions a 2 voix bwv 772a 786 - invention no.14 in b flat, bwv 785
  15. 15 inventions a 2 voix bwv 772a 786 - invention no.15 in b minor, bwv 786
  16. Inventions a 3 voix bwv 787 a bwv 801 - no. 1 in c, bwv 787
  17. Inventions a 3 voix bwv 787 a bwv 801 - no. 2 in c minor, bwv 788
  18. Inventions a 3 voix bwv 787 a bwv 801 - no. 3 in d, bwv 789
  19. Inventions a 3 voix bwv 787 a bwv 801 - no. 4 in d minor, bwv 790
  20. Inventions a 3 voix bwv 787 a bwv 801 - no. 5 in e flat, bwv 791
  21. Inventions a 3 voix bwv 787 a bwv 801 - no. 6 in e, bwv 792
  22. Inventions a 3 voix bwv 787 a bwv 801 - no. 7 in e minor, bwv 793
  23. Inventions a 3 voix bwv 787 a bwv 801 - no. 8 in f, bwv 794
  24. Inventions a 3 voix bwv 787 a bwv 801 - no. 9 in f minor, bwv 795
  25. Inventions a 3 voix bwv 787 a bwv 801 - no. 10 in g, bwv 796
  26. Inventions a 3 voix bwv 787 a bwv 801 - no. 11 in g minor, bwv 797
  27. Inventions a 3 voix bwv 787 a bwv 801 - no. 12 in a, bwv 798
  28. Inventions a 3 voix bwv 787 a bwv 801 - no. 13 in a minor, bwv 799
  29. Inventions a 3 voix bwv 787 a bwv 801 - no. 14 in b flat, bwv 800
  30. Inventions a 3 voix bwv 787 a bwv 801 - no. 15 in in b minor. bwv 801
  31. - duet no.1 in e minor, bwv 802
  32. - duet no.2 in f, bwv 803
  33. - duet no.3 in g, bwv 804
  34. - duet no.4 in a minor, bwv 805
  35. - chromatic fantasia and fugue in d minor, bwv 903

Disque : 2

  1. - 3. courante I
  2. - 4. courante II avec deux doubles
  3. - 5. sarabande
  4. - 7. gigue
  5. Suite anglaise n°2 bwv 807 - 1. prelude
  6. Suite anglaise n°2 bwv 807 - 2. allemande
  7. Suite anglaise n°2 bwv 807 - 3. courante
  8. Suite anglaise n°2 bwv 807 - 4. sarabande
  9. Suite anglaise n°2 bwv 807 - 6. gigue
  10. - 2. allemande
  11. - 3. courante
  12. - 4. sarabande
  13. - 5. gavotte I - gavotte II ou la musette
  14. - 6. gigue
  15. - 1. prélude
  16. - 2. allemande
  17. - 6. bourrée I & bourrée II
  18. Suite anglaise n°2 bwv 807 - 5. bourrée I & II
  19. - 1. prélude

Disque : 3

  1. - 3. courante
  2. - 4. sarabande
  3. - 5. menuet I-II
  4. - 6. gigue
  5. - 2. allemande
  6. - 3. courante
  7. - 4. sarabande
  8. - 5. passepied I en rondeau & passepied II
  9. - 6. gigue
  10. - 2. allemande
  11. - 3. courante
  12. - 4. sarabande & 5. double
  13. Suiten anglaise n 6 en re mineur bwv 811 - 6. gavotte I-II
  14. - 7. gigue
  15. - 1. prélude
  16. - 2. allemande
  17. - 1. prélude
  18. - 1. prélude

Disque : 4

  1. - 3. sarabande
  2. - 5. gigue
  3. - 6. gigue
  4. - 1. allemande
  5. - 2. courante
  6. - 3. sarabande
  7. - 4. air
  8. - 5a. menuet I
  9. - 6a. menuet II
  10. - 6. gigue
  11. - 1. allemande
  12. - 2. courante
  13. - 3. sarabande
  14. - 4. anglaise
  15. - 5. menuet
  16. - 6. gigue
  17. - 1. allemande
  18. - 2. courante
  19. - 3. sarabande
  20. - 4. gavotte
  21. - 5. menuet
  22. - 6. air
  23. - 7. gigue
  24. - 1. allemande
  25. - 2. courante
  26. - 4. menuet I - II

Disque : 5

  1. Suite française n°5 bwv 816 - 1. allemande
  2. Suite française n°5 bwv 816 - 4. gavotte
  3. Suite française n°5 bwv 816 - 6. loure
  4. Suite française n°5 bwv 816 - 7. gigue
  5. - 1. allemande
  6. - 2. courante
  7. - 3. sarabande
  8. - 4. gavotte
  9. - 5. polonaise
  10. - 6. menuet
  11. - 8. gigue
  12. Concerto italien en fa majeur bwv 971 - 1. (allegro)
  13. Concerto italien en fa majeur bwv 971 - 2. andante
  14. Concerto italien en fa majeur bwv 971 - 3. presto
  15. Partita (ouverture française) pour clavecin en si mineur bwv 831 - 1. ouverture
  16. Partita (ouverture française) pour clavecin en si mineur bwv 831 - 2. courante
  17. Partita (ouverture française) pour clavecin en si mineur bwv 831 - 3. gavotte I-II
  18. Partita (ouverture française) pour clavecin en si mineur bwv 831 - 4. passepied I-II
  19. - 5. sarabande
  20. Partita (ouverture française) pour clavecin en si mineur bwv 831 - 7. gigue
  21. Partita (ouverture française) pour clavecin en si mineur bwv 831 - 8. echo
  22. Suite française n°5 bwv 816 - 2. courante
  23. Suite française n°5 bwv 816 - 3. sarabande
  24. Suite française n°5 bwv 816 - 5. bourrée
  25. - 7. bourrée
  26. Partita (ouverture française) pour clavecin en si mineur bwv 831 - 6. bourrée I-II

Disque : 6

  1. Partita n 1 en si bemol majeur bwv 825 - 4. sarabande
  2. Partita n 1 en si bemol majeur bwv 825 - 5. menuet I
  3. Partita n 1 en si bemol majeur bwv 825 - 6. menuet II
  4. Partita n 1 en si bemol majeur bwv 825 - 7. giga
  5. Partita n 2 en ut mineur bwv 826 - 1. sinfonia (grave adagio - andante)
  6. Partita n 2 en ut mineur bwv 826 - 2. allemande
  7. Partita n 2 en ut mineur bwv 826 - 3. courante
  8. Partita n 2 en ut mineur bwv 826 - 4. sarabande
  9. Partita n 2 en ut mineur bwv 826 - 5. rondeaux
  10. Partita n 2 en ut mineur bwv 826 - 6. capriccio
  11. Partita n 6 en mi mineur bwv 830 - 1. toccata
  12. Partita n 6 en mi mineur bwv 830 - 2. allemande
  13. Partita n 6 en mi mineur bwv 830 - corrente - air
  14. Partita n 6 en mi mineur bwv 830 - 5. sarabande
  15. Partita n 6 en mi mineur bwv 830 - 6. tempo di gavotta
  16. Partita n 6 en mi mineur bwv 830 - 7. gigue
  17. Partita n 1 en si bemol majeur bwv 825 - 1. praeludium
  18. Partita n 1 en si bemol majeur bwv 825 - 2. allemande
  19. Partita n 1 en si bemol majeur bwv 825 - 3. corrente

Disque : 7

  1. Partita n 3 en la mineur - 1. fantasia
  2. Partita n 3 en la mineur - 3. corrente
  3. Partita n 3 en la mineur - sarabande - burlesca
  4. Partita n 3 en la mineur - 6. scherzo
  5. Partita n 3 en la mineur - 7. gigue
  6. Partita n 5 bwv 829 en sol majeur bwv 829 - 1. praeambulum
  7. Partita n 5 bwv 829 en sol majeur bwv 829 - 2. allemande
  8. Partita n 5 bwv 829 en sol majeur bwv 829 - 3. corrente
  9. Partita n 5 bwv 829 en sol majeur bwv 829 - 4. sarabande
  10. Partita n 5 bwv 829 en sol majeur bwv 829 - 5. tempo di minuetto
  11. Partita n 5 bwv 829 en sol majeur bwv 829 - 6. passepied
  12. Partita n 5 bwv 829 en sol majeur bwv 829 - 7. gigue
  13. Partita n 3 en la mineur - 2. allemande
  14. Partita n°4 en ré majeur bwv 828 - 1. overture
  15. Partita n°4 en ré majeur bwv 828 - 2. allemande
  16. Partita n°4 en ré majeur bwv 828 - 3. courante
  17. Partita n°4 en ré majeur bwv 828 - 4. aria
  18. Partita n°4 en ré majeur bwv 828 - 5. sarabande
  19. Partita n°4 en ré majeur bwv 828 - 6. menuet
  20. Partita n°4 en ré majeur bwv 828 - 7. gigue

Disque : 8

  1. - prelude and fugue in c sharp (wtk, book, no.3), bwv 848
  2. - prelude and fugue in c sharp minor (wtk, book I, no.4), bwv 849
  3. - prelude and fugue in e flat (wtk, book I, no.7), bwv 852
  4. - prelude and fugue in e flat minor / d sharp minor (wtk, book I, no. 8), bwv 853
  5. - prelude and fugue in e (wtk, book I, no.9), bwv 854
  6. - prelude and fugue in e minor (wtk, book I, no.10), bwv 855
  7. - prelude and fugue in f (wtk, book I, no.11), bwv 856
  8. - prelude and fugue in f minor (wtk, book I, no.12), bwv 857
  9. Clavier bien tempére - prelude and fugue in c (wtk, book I, no.1), bwv 846
  10. Clavier bien tempére - prelude and fugue in c minor (wtk, book I, no.2), bwv 847
  11. Clavier bien tempére - prelude and fugue in d (wtk, book I, no.5), bwv 850
  12. Clavier bien tempére - prelude and fugue in d minor (wtk, book I, no.6), bwv 851

Disque : 9

  1. - prelude and fugue in g (wtk, book I, no.15), bwv 860
  2. - prelude and fugue in g minor (wtk, book I, no.16), bwv 861
  3. - prelude and fugue in g sharp minor (wtk, book I, no.18), bwv 863
  4. - prelude and fugue in a (wtk, book I, no.19), bwv 864
  5. - prelude and fugue in a minor (wtk, book I, no.20), bwv 865
  6. - prelude and fugue in b flat (wtk, book I, no.21), bwv 866
  7. - prelude and fugue in b flat minor (wtk, book I, no.22), bwv 867
  8. - prelude and fugue in b (wtk, book I, no.23), bwv 868
  9. - prelude and fugue in b minor (wtk, book I, no.24), bwv 869
  10. - prelude and fugue in f sharp (wtk, book I, no.13), bwv 858
  11. Clavier bien tempére - prelude and fugue in f sharp minor (wtk, book I, no.14), bwv 859
  12. Clavier bien tempére - prelude and fugue in a flat (wtk, book I, no.17), bwv 862

Disque : 10

  1. Clavier bien tempéré - prelude and fugue in c (wtk, book II, no.1), bwv 870
  2. - prelude and fugue in c minor (wtk, book II, no.2), bwv 871
  3. Clavier bien tempéré - prelude and fugue in c sharp (wtk, book II, no.3), bwv 872
  4. - prelude and fugue in c sharp minor (wtk, book II, no.4), bwv 873
  5. - prelude and fugue in d (wtk, book II, no.5), bwv 874
  6. - prelude and fugue in d minor (wtk, book II, no.6), bwv 875
  7. Clavier bien tempéré - prelude and fugue in e flat (wtk, book II, no.7), bwv 876
  8. - prelude and fugue in d sharp minor (wtk, book II, no.8), bwv 877
  9. - prelude and fugue in e (wtk, book II, no.9), bwv 878
  10. - prelude and fugue in e minor (wtk, book II, no.10), bwv 879
  11. - prelude and fugue in f (wtk, book II, no.11), bwv 880
  12. Clavier bien tempéré - prelude and fugue in f minor (wtk, book II, no.12), bwv 881
  13. - prelude and fugue in f sharp (wtk, book II, no.13), bwv 882

Disque : 11

  1. - prelude and fugue in g (wtk, book II, no.15), bwv 884
  2. - prelude and fugue in g minor (wtk, book II, no.16), bwv 885
  3. - prelude and fugue in a flat (wtk, book II, no.17), bwv 886
  4. - prelude and fugue in g sharp minor (wtk, book II, no.18), bwv 887
  5. - prelude and fugue in a (wtk, book II, no.19), bwv 888
  6. - prelude and fugue in a minor (wtk, book II, no.20), bwv 889
  7. - prelude and fugue in b flat (wtk, book II, no.21), bwv 890
  8. - prelude and fugue in b flat minor (wtk, book II, no.22), bwv 891
  9. - prelude and fugue in b (wtk, book II, no.23), bwv 892
  10. Clavier bien tempéré - prelude and fugue in b minor (wtk, book II, no.24), bwv 893
  11. - prelude and fugue in f sharp minor (wtk, book II, no.14), bwv 883

Disque : 12

  1. Variations goldberg bwv 988 - variations 6-10
  2. Variations goldberg bwv 988 - variations 11-15
  3. Variations goldberg bwv 988 - variations 16-20
  4. Variations goldberg bwv 988 - variations 21-25
  5. Variations goldberg bwv 988 - variations 26-30 - aria
  6. Variations goldberg bwv 988 - aria - variations 1-5

Descriptions du produit

SCHIFF ANDRAS


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Format: CD
Le plus merveilleux Interprète de l'oeuvre pour clavier de Bach au Piano . Plénitude Technique - Plénitude Artistique - Que du Bonheur . Piano lumineux qui chante à chaque note . Extrêmement émouvant . C'est éblouissant de beauté . A quand cette même Intégrale en DVD ? car les enregistrements DVD des Variations Goldberg - Suites Françaises et Anglaises sont exceptionnels .Remarquable .
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Amazon.com: HASH(0x909f9fe4) étoiles sur 5 4 commentaires
23 internautes sur 23 ont trouvé ce commentaire utile 
HASH(0x9098cdb0) étoiles sur 5 It's the counterpoint, my friend! 4 août 2009
Par Y.P. - Publié sur Amazon.com
Format: CD Achat vérifié
In this "golden era of classical music recordings", there are literally hundreds (if not thousands) of recordings of Bach's solo keyboard works available in the market, using instruments from the harpsichord (with 1 or 2 manuals), organ, clavichord and early fortepiano to the modern grand piano. I have listened to many of them. Truth be told, even though each good performer brings out different aspects of these great works, not many are worth repeated listening. To my ears, this set stands out among the distinguished performances mainly in 2 ways: its elucidation of counterpoint and its fusion of the Historically-Informed Performance (HIP) practice with the expressive devices of the modern grand pianos. In fact, these 2 points are most closely related. The enumeration is merely for the convenience of exposition.

First, Andras Schiff's elucidation of the counterpoint is unrivaled, not even by harpsichordists with rigorous musicological background. The purists will chide me for allowing Bach's solo keyboard music be played on a modern piano. I love harpsichord recordings of these works too: from Wanda Landowska to Kenneth Gilbert, Davitt Moroney, and Robert Hill...., they have long inhabited my music shelves and musical life. Many of them are truly wonderful. However, on a good modern grand piano, Bach's n-part counterpoint can have n different tone colors, if played under masterful hands. In terms of this, Schiff is unsurpassed.

Another thing Schiff does superbly was his fusion of the grand piano's expressive devices with what he learned from the HIP movement. I haven't read elsewhere that Schiff has consciously studied HIP, but he must have. HIP harpsichordists have been (re)searching and exploring for decades the "affective ways" to play polyphonic music by subtle rubato, different articulation, varieties of touch, and rhythmical independence of the parts, partly to offset the lack of the expressive devices which are only available to the modern grand pianos: the broad range of dynamics and the infinite varieties of tone color shadings. What Schiff pioneered in these recordings is to fuse these two, and the result is simply mesmerizing.(*)

Other pianists and harpsichordists could be more profound, more insightful, more exciting, or more "historically accurate". However, to my ears, Schiff is still unrivaled on these 2 important fronts. (For a comparison, listen to any of Angela Hewitt's Bach solo "piano" works, e.g. the Well-Tempered Clavier.)

The price of the set is also right, although the readers are advised to look around for a better price from European vendors.

Very highly recommended.

-------------------------
Purchase recommendation: While the price of the box is good, it is even better at Amazon's DE site with ASIN: B00000IP73 or ASIN: B001DTA8QS.

Update: I am very happy to discover, after writing this review, that Sergio Vartolo, a harpsichordist/organist/conductor, has very high esteem of Schiff's piano performance.

----------------
(*) Here is a suggestion for the purists. Play Schiff's WTC at very low volume in the dead of the night. You might discover that it's not completely unlike the sound you are familiar with.
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x90991c78) étoiles sur 5 The Eloquence edition is much cheaper 2 décembre 2011
Par Octave - Publié sur Amazon.com
Format: CD
Just a note to emphasize how much cheaper this set can be had in its Eloquence edition (release date apparently Okt 2008). It has a white cover with a funny photo of Schiff in a fedora cocked at an arrogant angle: natty! (You can see this photo above as one of the alternative album cover shots, provided by Y.P., whose useful review is above.) I admit I have not carefully compared the contents, but at a glance the contents seem identical. I trawled back through 8 pages of results on Amazon US and did not see this set, but via Amazon UK you can get it new for approx ~US$31-39, including shipping. Just thought I would draw a bit more attention to this, as it could make a big difference for anyone, esp. those on a budget and/or addicts.
The German Eloquence box is ASIN B001DTA8QS.

I personally love these recordings, but I'm also still too much of a neophyte to understand why they would be hated in some quarters, so I'll have to let this stand as a lowly product review.

EDIT 2014:
The Eloquence box seems to feature AMSI/"Ambient Surround Imaging" mastering, as do most if not all of these Eloquence boxes (the Gulda Beethoven, the Sinopoli Mahler, the Brendel Mozart concertos, etc). Some listeners hate the sound of AMSI, but I am in no position to judge it...I'm still not sure I can hear the difference without having made comparisons.
In summer 2014, Decca/Universal reissued this Bach/Schiff box again, and I wonder if it _doesn't_ include the AMSI? Those interested in this more-expensive set can find it at ASIN B007XJ2306.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x90991eb8) étoiles sur 5 Wonderful playing! 21 août 2014
Par Antonio Taylor - Publié sur Amazon.com
Format: CD Achat vérifié
I enjoy Schiff's playing and interpretation of these Bach works. A pity he didnt do the COMPLETE Solo works. Some people may find his playing a little too "romantic" for the period. But I felt that his singing tone, voicing and phrasing was extremely pleasing. The audio does not sound like I have my ear stuck under the lid of the piano and even when extremely loud, it does not make the speakers "buzz". This is a great gift for a Bach/Schiff lover. I do not have any complaints at all.
5 internautes sur 27 ont trouvé ce commentaire utile 
HASH(0x90993078) étoiles sur 5 SBL-itis 21 novembre 2011
Par Bernard Michael O'Hanlon - Publié sur Amazon.com
Format: CD
Boy did I hit the hard drugs and booze, the buckets of KFC and the women of easy virtue when this box came into my life. It was bender-central. At the time I thought it was a coincidence. Overnight I went from being a hard working corporate flunkey to a dero on the streets, mooching for spare coins or cheap love. Fleas befriended me. Many a night I slept under the railroad bridge because I did not want to return home. The days were spent in the park humming contrapuntal motifs from the Two Part Inventions as played primly by Andras Schiff. I wanted to marry someone called Anna. Come Sunday, I would prowl the city looking for any church called St Thomas'. Much to my alarm, I was being magnetically drawn to organ lofts. One day I lurched past an Italian restaurant where someone was serenading the patrons with excerpts from La Boheme - it razzed me up. Worst of all, one morning I woke up to discover that I had grown a bushy beard down to my wanger.

That moment was a revelation; the Hound of the Baskervilles could not have been any clearer: I was being transformed into an SBL (Smug Bach Lover).

I sought assistance immediately. The local church was running an SBL Self-Help group. I became its most enthusiastic participant. "To get you back on the tracks," my counsellor intoned, "we need to understand the train-wreck." I told him about the Schiff. He wiped his forehead in relief. "Well at least it is not Glenn Ghoul, sorry, Gould - he's entombed more people than Colonel Sanders. But why on earth did you go near Schiff? He is just so mesmerizingly boring. There's Kempff in the Goldberg; Richter in the Well Tempered Clavier; Hewitt in the rest. We are the sum total of our choices. You knowingly allowed Schiff into your life. What are you going to do about it?"

Resolutely I shaved off my beard and went cold-turkey on the KFC. I showered. Bedecked in HAZMAT suits, a special opps team from the SBL Self Help group raided my house and dealt summarily with the Schiff box - from what I understand, it put up a good fight but it was no match for the flame-thrower. To this day its whereabouts is unknown to me. With effort, I returned to normal life. I now hold down a job. My wife is speaking to me. Writing this review is part of my ongoing therapy. May this minatory tale be instructive.
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