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Bach: The Toccatas

5.0 étoiles sur 5 1 commentaire client

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Détails sur le produit

  • Compositeur: Johann Sebastian Bach
  • CD (16 septembre 2002)
  • Nombre de disques: 1
  • Label: Hyper
  • ASIN : B000069CVA
  • Autres éditions : Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 121.500 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Toccata en ut mineur, bwv 911 - Hewitt Angela
  2. Toccata en sol majeur, bwv 916
  3. Toccata en fa dièse mineur, bwv 910
  4. Toccata en mi mineur, bwv 914
  5. Toccata en ré mineur, bwv 913
  6. Toccata en sol mineur, bwv 915
  7. Toccata en ré majeur, bwv 912

Descriptions du produit

Description du produit

Angela Hewitt returns to her beloved Bach with this stunning disc of some of the great master's most joyous keyboard music. The toccatas are youthful, improvisatory, virtuoso works, composed in the aftermath of Bach's trip in 1705 to Lübeck to hear the great Buxtehude (he travelled for ten days on foot to get there), perhaps the greatest organist of the time. Buxtehude was a master of the stylus fantasticus a very unrestrained and free way of composing, using dramatic and extravagant rhetorical gestures; the influence of this technique can clearly be heard in the seven keyboard toccatas Bach composed sometime between 1705 and 1714. Angela Hewitt's Bach playing has won unanimous praise from all quarters for its rhythmic vitality, tonal clarity and poetic warmth. This is another outstanding issue in what is widely recognized as the benchmark modern recordings of Bach's keyboard works.

Critique

CD OF THE WEEK (THE SUNDAY TIMES) 'Her performances could hardly be more stylish or impeccable, more vital or refined; and, as a crowning touch, Hyperion's sound is superb' (Gramophone) 'Exquisite playing ... This disc reinforces Hewitt's position as one of the supreme Bach interpreters and provides the ideal entry point for newcomers to her' (Music Week) 'Interpretations of the highest quality ... For sheer virtuosity she makes us hold our breath at the combination of clarity, dynamic variety and structural comprehension, which is faultlessly conveyed' (Musical Opinion) 'This album is now the benchmark recording of these works on the piano' (Goldberg) 'imaginative and exciting performances' (The Observer) 'Angela Hewitt's intelligent virtuosity, stylish command and uncluttered musicianship not only serve the composer well, but also prove how vibrant and expressive the toccatas can and should sound on the modern concert grand' (BBC Music Magazine) 'In Hewitt's hands [the toccatas] evince a molten quality that places the listener in close proximity to the act of composition' (International Record Review) 'She succeeds remarkably in giving each work a differently slanted emotional colour, while every detail emerges with glittering definition ... a fine disc' (Pianist) 'faultless articulation and sensitive phrasing' (Classic FM Magazine) 'She proves once again that she is an exemplary exponent of Bach s keyboard music on the piano, making these complex pieces flow with uninterrupted inspiration' (The Independent) 'Like the music itself, the performances brim with that improvisatory spontaneity that is the hallmark of this player s style' (The Sunday Times) 'There is much brilliant playing here ... the total impression is of interpretations that are superbly performed, clean, clear and serious' (International Piano) 'interpretations that are first class from beginning to end' (Fanfare, USA) 'This disc is a delight from start to finish, a disc to lift the saddest of spirits' --(BBCi)

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Par colle le 14 janvier 2014
Format: CD Achat vérifié
Je conseille à Amazon d'employer le mot "monsieur" quand cette entreprise s'adresse à ses clients. Et de ne pas forcer le client à rédiger tel nombre de mots, c'est ridicule.
Bon produit, sinon
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Amazon.com: HASH(0x90444498) étoiles sur 5 17 commentaires
29 internautes sur 29 ont trouvé ce commentaire utile 
HASH(0x9046dedc) étoiles sur 5 Hewitt tames the Toccatas 16 août 2005
Par Alan Lekan - Publié sur Amazon.com
Format: CD Achat vérifié
Many know the famous story of how an eager, young Bach journeyed 10 days by foot to a distant village to hear the great organist Buxtehude, staying many months longer than he was given permission. It is fortunate probably that he stayed so long to learn from this master - for such early yet luminous works like the toccatas here clearly show the influence of this virtuositic organist and his free, improvisatorial manner of composing (termed "stylus fantasticus"). In her abundant and well-written liner notes, Hewitt quotes one authority on this style: "It is the most free and unrestrained method of composing; it is bound to nothing, neither to words nor to a melodic subject; it was instituted to display genius and to teach hidden design of harmony and the ingenious composition of harmonic phrases and fugues." While not purposely written as a grouping or teaching tool, these seven so-called Toccatas were assembled together based on these characteristics. They are free displays of virtuosity with daring runs of scales, arpeggios and the like - music full of vitality yet free of form for the most part.

The 2005 Gramophone Guide gave this CD the top "Gold Star" rating (3/3 stars) and concluded: "Her performances could hardly be more stylish or impeccable, more vital or refined. Hewitt's playing is personal and characterful without resorting to self-serving or distorting idiosyncracy." Moreover, the Penguin Guide summarized this recording this way: "We have no hesitation in declaring this the most stimulating and rewarding CD of these complex and episodic works on any instrument, consistently showing Bach's youthful explorations at their most stimulating."

Indeed, there is much variety, inventiveness and drama in this music that Angela Hewitt brings out to the fullest - from the songful and even contemplative slower interludes to rippling demisemiquaver scales that open some pieces to the powerful, complex fugues. Perhaps the richest aspect of Hewitt's playing here is her ability to skillfully and subtly shape the repeating episodes within the fugues by her nuances of color and dynamics. Many of these fugues have short themes that Bach incessently repeats throughout the piece (a famous trait of Bach that he is able to pull off to great effect). With most composers or playing, such repeated motiffs would quickly become monotonous or grating to the ear - as some Toccatas can be on the harpsichord as Hewitt points out. But, with Bach's skillful contrapunctal writing and Hewitt's imaginative playing, she transforms these repetative fugal sections into music of wonderous appeal and fascination - building an unfolding drama within the piece to great effect. The G-minor and D-minor Tocattas are fine examples of how Hewitt's subtle touches transforms these incessent fugues into lumanscent wonders.

One recording of the Toccata in C-minor that is quite interesting by comparison is that of Martha Argerich. While not noted for her playing of Bach, Miss Argerich in the early 80's put to disc a dynamic performance of this Toccata (along with a Partita and English suite on DG). Where Ms. Argerich's bold performance reminds one of Bach's legendary powerful tone and command, Hewitt's touch is worlds apart in its subtltry, charm, inflection and nuance. Hearing Argerich's version along side Angela Hewitt's performance helps to illuminate Miss Hewitt's style more clearly - which is one of longer, more-lyrical flow with a notably beautiful tone and something intangible that might be best called a "heartfelt quality." Hewitt's C-minor Toccata exudes a more songful flow and subtle artistry compared to Argerich's more punchy and "intellectual" reading. Actually, Hewitt's reading can easily be described as "pretty" by comparison (perhaps too pretty for some). She is always a pianist and utilizes the greater expressive range of her Steinway to achieve maximum emotional qualities and tonal beauty.

So, overall, Angela Hewitt's Toccatas are at the top of the class as Penguin Guide and Gramophone notes. With repeated listening, it has become a favorite of her entire discography - part for Bach's fascinating composing and part from Hewitt's sparkling and full-of-life pianism. Compositions - 5 stars; Performance - 5 stars; Sound quality - 4.5 stars.
22 internautes sur 24 ont trouvé ce commentaire utile 
HASH(0x9048f144) étoiles sur 5 A.H. is among the very bests 14 avril 2005
Par Smith - Publié sur Amazon.com
Format: CD
First I sent my opinion to my friend, a man of erudition -he was who bid me to publish it here. Maybe this is premature a bit.

To form a better opinion of these recordings I had to listen several times with maximum attention. So now I can write more about the two Hewitt discs, the Bach Toccatas (comparison: Glenn Gould) and the Italian Concerto etc. disc.

The latest development in Bach pianism (and also in playing Beethoven Quartets) is that perfect technique is not an unreachable goal but an obvious point of origin. Looking at today's greatest Bach master, Koroljev, he reached , we believe, unsurpassable perfection exactly this way. To achieve this, several months of seclusion and monastic concentration is required.

Hewitt is also among the giants. Different from Koroliev, she doesn't worry about one-hundredth of seconds, but instead we are rewarded with an increased joy of life. This is Bach we dream about, we know about but couldn't attain. Koroliev's Bach is heavenly, but Glenn Gould's Toccatas are examples of a deeply involved and serious savage subjectivity.

Hewitt knows that seriousness is not the voice of passion. Homage, but not worship. The piano toccatas lead us into a different world than the organ toccatas. The organ toccatas in spite of all their grandeur are still just organ pieces. The piano toccatas, however, are stylized; they are like suites and serious tests of endurance. This CD is the opposite side of the Capriccios, but Hewitt's both sides are wonderful. She understands the Bach spirit completely. She is not hammering, but not too light hearted either. Has weight, but not heavy like of the previous generation, say Brendel. Just as much as needed. Maybe this is her real strength.
17 internautes sur 19 ont trouvé ce commentaire utile 
HASH(0x9048f384) étoiles sur 5 Sublime, joyous music-making 10 novembre 2002
Par Steven Eldredge - Publié sur Amazon.com
Format: CD
One of the current glories of the already glorious Hyperion catalog is the ongoing traversal of JS Bach's keyboard music by the tremendously gifted Canadian pianist Angela Hewitt. This latest release of the seven toccatas is no exception. Miss Hewitt's beautiful tone, terrific ear for balance and counterpoint coupled with her dancing sense of rhythm and wonderfully judged rubato make for a joyous listening experience. She has also taken the seven pieces out of their published order and arranged them to make a pleasing program. This CD would make an excellent gift for any Bach lover or devotee of great piano playing.
HASH(0x9048f6e4) étoiles sur 5 Overrated Angela Hewitt Toccatas 5 mars 2015
Par jt52 - Publié sur Amazon.com
Format: CD Achat vérifié
This is a decent recording of JS Bach’s 7 Toccatas from Canadian pianist Angela Hewitt but lack intensity and a sense of drama. Hewitt could use a vitamin injection. I listened to the disc, found it satisfactory but unexceptional and then was taken aback by the praise the press had heaped on her Bach series, and so I would class this release in the overrated category. The Toccatas, which I think are attractive and fine pieces, date from earlier in the author’s career, all of them written before Bach turned 30 in 1715, and as early works they have received relatively few recordings over the years. So Hewitt is one of the few on offer.

The strengths and weaknesses of Hewitt’s interpretation can be heard clearly in the E minor Toccata (track 4, BWV 914). The Toccatas are constructed from alternating episodes, made up of fugues, meditative slow passages that serve as contrasting sections, sometimes in the proud “French Overture” style, and virtuouso passages built from flourishes showing off the performer’s technique. The E minor Toccata characteristically ends with a fugue constructed of running sixteenth notes, a section that is instantly recognizable as Bach. Hewitt plays this fugue with some panache. But the rest of the Toccata, such as the severe opening, tied thematically to the concluding fugue, is undernourished. The meditative Adagio that occurs a bit later in the piece is presented in a restrained, even dull fashion.

I compared Hewitt’s performance of the best known of the Toccatas, in C minor (track 1, BWV 911) with Martha Argerich’s on DG. Argerich presents a dramatic and sweeping version, with her characteristic brand of intensity. In contrast, Hewitt is a bit listless, selecting tempi that are considerably slower. Hewitt chooses to take the beautiful central fugue, built out of the C minor triad, slowly at the beginning, a long-standing and successful strategy in playing Bach’s more severe fugues. So far so good, but that strategy usually involves a gradual build-up in intensity as the textures and re-introduction of the main subject become more complex. Hewitt doesn’t achieve such an increase in intensity, both here and in the related concluding fugue. The superiority of Argerich’s exciting and involved interpretation I think is pretty obvious.

The disc isn’t helped by what I consider a regrettable performance of the D major Toccata (BWV 912). The sloppy execution here indicates that Hewitt and the producers should have bit the bullet and done another few takes. This Toccata is tucked in at the end of the disc as track 7, which isn’t called for by the work sequence number and indicates that the producers knew full well they were releasing a substandard track and wanted to hide it in the back.

Sound engineering is very good. Despite this, I am rating this 3 stars both because of the hum-drum nature of Hewitt’s playing found here and an unsatisfactory D major Toccata.
9 internautes sur 11 ont trouvé ce commentaire utile 
HASH(0x9048f498) étoiles sur 5 Bach Would be Smiling 21 décembre 2006
Par David E. Haupt - Publié sur Amazon.com
Format: CD Achat vérifié
Listen to the Fugue from BWV 915 (No 6 on this Album) and try not to smile. It is pleasant and bouncy and irresistable. I keep playing this part over and over. Angela Hewitt plays it freely and boldly like a child skipping in the park.

She plays cleanly and accutrately, but what adds to the beauty is how improvisational she sounds; and we know the Baroque masters excelled at improvisation.
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