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Bartòk-Musique pour Cordes,Percus.&Célésta-Mandarin Merveil-Leux-Divertimento-Ma Compilation


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Promotions et bons plans musique CD Vinyle Promotions et bons plans musique CD Vinyle


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Page Artiste Béla Bartok


Détails sur le produit

  • Interprète: Multi Interpretes
  • Orchestre: Chicago Symphony Orchestra, Chicago Symphony Strings
  • Chef d'orchestre: Solti Georg
  • Compositeur: Bartók Bela, Multi Interpretes
  • CD (1 juillet 1991)
  • Nombre de disques: 1
  • Format : Compilation
  • Label: Decca
  • ASIN : B0000041XP
  • Autres éditions : CD
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • Classement des meilleures ventes d'Amazon: 545.018 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Musique pour cordes percussion et Célésta
  2. Divertimento pour cordes - 1. allegro non troppo
  3. Divertimento pour cordes - 2. molto adagio
  4. Divertimento pour cordes - 3. allegro assai
  5. The miraculous mandarin, bb 82, sz. 73 (op.19) - suite

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Amazon.com: 5.0 étoiles sur 5 2 commentaires
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Superb Bartok with sonics to match! 28 avril 2014
Par Joseph Kline PhD, MD - Publié sur Amazon.com
Format: CD
Sir Georg Solti had a special affinity for Bartok and even studied with him as a youth in Hungary. So it is not surprising that this album of Music for Strings, Percussion & Celesta, The Miraculous Mandarin Suite, and Divertimento with the CSO was very successful. Solti gives each work its full due. The music is exciting to begin with, especially the Miraculous Mandarin Suite, and Solti just adds his usual fireworks to it. The CSO plays their hearts out and the sonics are superb. Percussion, so integral to Bartok, is crisp and well-defined. Strings are silky. There isn't a weak link in the entire disc.

Besides enjoying the music, I use contemporary music as an antedote to prevent complacency, since I listen to so much late 19th and very early 20th century music. You'll be hard-pressed to find better performances than these. Highly recommended!
1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 HIS MASTER'S VOICE 23 mars 2015
Par DAVID BRYSON - Publié sur Amazon.com
Format: CD
Considering how good this set is, and in particular how authentic the performances are, it is attracting surprisingly little attention from reviewers. The recordings were made in Chicago between 1989 and 1990 and the quality is admirable. The disc is almost a single hour-long crescendo, starting on the verge of audibility with the Andante Tranquillo of the Music for Strings Percussion and Celesta, and rising to a final assault on our ears and sensibilities with the Miraculous Mandarin Suite. When the orchestra is the Chicago Symphony it is hardly necessary to draw attention to the quality of their work, but I wonder whether by now music-lovers are forgetting that Solti was Bartok’s own pupil. I don’t doubt for a moment that many other accounts are as good as some enthusiastic reviews are telling us, but authentic is authentic, and here we have the tradition at its purest.

The Divertimento is the piece that is probably less familiar to audiences in general than the other two works are. It was written in 1939 at the behest of Bartok’s patron Paul Sacher, and is scored for strings alone. On this disc it is placed effectively between the Music for Strings [etc] and the strenuous Miraculous Mandarin score, serving as a kind of intermezzo or entr’acte. The MM presented here is the Suite, more frequently encountered in concerts and recordings than the unabridged version. Solti’s account pulls no punches, as most of us would expect, and it is easily ‘hellish’ (the composer’s own word) enough for my taste. I would give a favourable mention here to the Naxos performance of the entire MM score from Marin Alsop. This does not, I dare say, set any records for cacophonousness, but it is a useful reminder that what we are dealing with is still music and not just sound-effects.

There is a polyglot liner note of the familiar European kind. I found it helpful and informative up to a point, but what it rather suggests is a certain type of student essay -- a collection of random points without any real theme to it. For those already familiar with Bartok that will not matter very much. What I have mainly got out of this Bartok concert is a sense of reassurance that what I am listening to is the real thing. The disc may be hard to find, but if you can find it you may be able to get it cheaply (no promises, of course). If the performances duplicate others in your collection then just go ahead and duplicate them.
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